Was there some sort of accident? The Doll was now certain that the Japanese didn’t consider him a human. He was concerned with Deary alone. Her flukes lifted to maintain her treading water, left her pale bottom and sex exposed. Was he watching simultaneously from below? The Doll let his tendrils obscure. 5 hours till orbital synch, he remembered. The Doll called up the red-screen into his mindspace and traced the instantly visible tags: Mab’s Buoy relay SFS Good Fortune, Wawagawanet 2145270401:33—
Beginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell’s System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth’s full collapse.
In the latest installment, Sundogz, set among the water-rich moons of planet Uranus, extremist astro-marine “spacers” have constructed an aquatic world of extraordinary scope and ambition, entirely invisible to the System at large. The Good Fortune, a spaceship en route to Moon Miranda, the most beautiful and troublesome of Uranus’s satellites, sends out a party to explore rumors of a secret fish farm in the λ ring. Now the “Oan Bubble” must attempt to survive its discovery.
The characters in Sundogz traverse a cybernetic world containing traces of nineteenth-century realism, Shakespearean-style wit and violence, and classic fantasy, while exploring possible modes of the imagination’s survival in centuries to come.
As Jeff Vandermeer noted in Bookforum, von Schlegell’s work “addresses the realities of a grim future with grace, humor and intellectual honesty—[his novels] hark back to the heyday of such giants as J. G. Ballard, Ursula Le Guin, John Calvin Batchelor, and Philip K. Dick.”
- Sundogz - Mark von Schlegell
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With contributions from:
Dora García, Chris Kraus, Mark von Schlegell, Charles Stankievech, Jacob Wren.
TRAVERSALS is based on a series of conceptual interviews with Dora Garcia, Chris Kraus, Mark von Schlegell, Charles Stankievech, and Jacob Wren originally produced for an installation in an art gallery. As a re-issue of these texts the forthcoming publication continues K.’s interest in the book-as-exhibition. Each invited contributor has found a unique way to explore the hybrid spaces between genres and art forms, and the discussions focus especially on the role and relationship between visual art and writing. While the interview process was rather formalised––with one set of five identical questions posed to each person in the first round, and then five individual questions asked in a second round in response to the first five answers––the texts themselves delight through a personal tone and a great openness for both idiosyncratic trajectories and unexpected trasversals between the five different chapters.
The material was originally produced for the piece TRAVERSALS (With Ladder) shown in the exhibition 5x5Castelló2011 at Espai d’Art Contemporani de Castelló, Castelló, Spain (8 July – 18 September 2011).
On the occasion of 5×5 the interviews were pinned to the wall in a grid while a sliding library ladder allowed for a playfully embodied reading experience. The spatialised format revealed the parallels in the conversations as well as their differences – particularly as the conversations evolve.
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Edited by David Maroto, Joanna Zielińska
Texts by Roland Barthes, Liam Gillick, Kenneth Goldsmith, Tom McCarthy, Ingo Niermann, Seth Price, Seth Siegelaub, et al.; excerpts from artist novels by Guy de Cointet, Henry Joseph Darger, Yayoi Kusama, Jill Magid, et al.
This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Visual artists create different strategies to integrate their novels into their practice. Introducing traits that are particular to narrative literature into the visual arts implies the accentuation of some features over others, such as narration, fiction, identification, and the act of reading and its protracted engagement, as well as distribution in public space. An artist’s approach comes fundamentally from the visual arts. The creation of an artist novel doesn’t differ from any other artwork. Both processes feed into each other as they evolve within the same body of works. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.
- Artist Novels
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In collaboration with Sabine Folie, Georgia Holz, Susanne Titz
Texts by Elissa Auther, Sabeth Buchmann, Rike Frank, Judith Raum, Seth Siegelaub, T’ai Smith, Georg Vasold, Leire Vergara, Grant Watson
One essential characteristic of textiles is their richly intertextual nature. Their contemporary appeal and historicity derive from their place in the history of art and culture as well as in the history of media, society, and technology. Representing traditions found in both applied and fine arts, textiles hover between formalism and functionalism; as objects and techniques, they mediate between relations to the self and relations to the world, between affect-driven and knowledge-driven processes of appropriation. Functionally versatile—as objects of utility and media of an abstract (visual) language—textiles read as the fulcrum of an ensemble of activities, and illustrate specific entanglements that, since the beginning of modernity, have transformed the relations between subject and object, the material and the immaterial, artistic and artisanal labor, and different cultures.
This publication examines the referential and analytical qualities of textiles through both contemporary and historical works. The contributions in this book reflect on the complex interplay between the various functions and connotations of textiles—such as the emphasis on their tactile qualities or the artistic value attributed to them—and the attendant conflicts and antagonisms that articulate relations of power and value and of the interaction of artistic processes with their overarching contexts.
Textiles: Open Letter stems from an exhibition at the Museum Abteiberg, Mönchengladbach, and a research project (2010–14) initiated by Rike Frank and Grant Watson. Including the following artists; Magdalena Abakanowicz, Anni Albers, Carl Andre, Leonor Antunes, Tonico Lemos Auad, Thomas Bayrle, Jagoda Buic, Heinrich Clasing, Yael Davids, Sofie Dawo, Ria van Eyk, Hans Finsler, Elsi Giauque, Sheela Gowda, Eva Hesse, Sheila Hicks, Loes van der Horst, Johannes Itten, Elisabeth Kadow, Paul Klee, Benita Koch-Otte, Heinrich Koch, Beryl Korot, Konrad Lueg, Agnes Martin, Katrin Mayer, Cildo Meireles, Kitty van der Mijll Dekker, Nasreen Mohamedi, Walter Peterhans, Edith Post-Eberhardt, Josephine Pryde, Florian Pumhösl, Grete Reichardt, Elaine Reichek, Willem de Rooij, Desirée Scholten, Johannes Schweiger, Gunta Stölzl, Lenore Tawney, Rosemarie Trockel
- Textiles - Open Letter
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