When considering the art field as being a raft in speculative time, the tendency is to seek comfort in numbers, regressive ideas such as another return to painting or hedging bets on all sides whilst pursuing an unreasonable personal growth fetish.
These are classic reactions to a perceived risk that arises as a result of readjusting to new data. Uncertainty, if left unmediated, will pose a risk not just to market stability but to conceptual stability as it becomes more and more difficult to differentiate between artists and ads; artworks and hype-objects; or content and sponsored content – keeping us in a state of high drama too complex to decode. For example artists who consciously use marketing strategies as art are contextually mixed up with masses of artists who simply run a marketing strategy. Or, equally, galleries with a reputation for long-term quality regularly use their weight to inflate very short-lived speculative art. It is in these differences that art barters itself off very quickly to sometimes uninteresting effects holding us in a certain inappropriate narrative if we are not careful.
Up until a hundred years ago, it was normal to assume that all art aimed at “beauty” or varying degrees of “representation” and that anything but, would not be considered art. Later, after The Fountain, this evolved into the politics of mass production leading to whatever fallacy that we have today – perhaps a speculative bias targeted at an erroneously projected future consensus. It may be worth considering ditching all retroactive rhetoric about “safe places” in favor of heightening one’s own form of perception (perhaps even through enhancement), to adapt to the new environment and to filter through informational debris.
Inside the art world […]
Kenny Schachter – Art After the Apocalypse
Linda Yablonsky – Plus Ça Change
A Conversation with Michael Gross – Quid pro Quo – How the sausage gets made at the Met
Joseph Walsh – An Image that is Nothing to be Desired
Image spread by Natasha Vita-More
Paul Mason – Eleven Theses on Postcapitalist Art
Christian J. Haye – More Art
Casey Jane Ellison – 2 Ones Chat and Then End
Armen Avanessian – Present Tension: Notes on Preemption, Hyperstition,
Contemporary Art and the Post-Contemporary Condition
Artist edition by Phillip Zach
- Art Against Art #2
- Product Options
# Option Price Stock 1 - $18.00 4
- Shipping Rate: A