Adam Linder

SNObituary-coverSNObituary-spread

Shahryar Nashat
Obituary


The subject of this book is a deceased prop, an object of a particular color, the green of cinematic trickery and special effects. It edged itself into Shahryar Nashat’s work in 2011, first appearing in Factor Green, an installation the artist produced for the Venice Biennale. Taking its final form a year later, the prop became properly known as La Shape and garnered critical acclaim for its sardonic personification of an unscrupulous impresario in Parade and star turn in Nashat’s video Hustle in Hand (both 2014). Earlier this year, its mysterious death at the height of its career became the occasion for Nashat and Los Angeles writer Sarah Lehrer-Graiwer to reflect upon the brief but meaningful life of a most singular figure.

Accompanied by archival images and a series of portraits that Nashat made during La Shape’s most prolific years, Obituary is a gripping read into a most mysterious icon and a timely consideration of the roles played, and agency expressed, by such a highly mediated art object.

Text by Sarah-Lehrer Graiwer
CGI by Andrea Faraguna
Design by Aude Lehmann

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PS-coverPS-spread

PS: Jahresring 61: Jahrbuch für moderne Kunst
Dominic Eichler, Brigitte Oetker (Eds.)


Contributions by Manuela Ammer, Julie Ault, Monika Baer, Nairy Baghramian, Gerry Bibby, Jennifer Bornstein, Pauline Boudry & Renate Lorenz, Dragana Bulut, Katarina Burin, Françoise Cactus, Leidy Churchman, Ann Cotten, Juan Davila, Dominic Eichler, Elmgreen & Dragset, Yusuf Etiman, Isa Genzken, Susanne Ghez, Margaret Harrison, Daniel Herleth, Annette Kelm, Janette Laverrière, Adam Linder, Lee Lozano, Charlie Le Mindu, Shahryar Nashat, Gina D’Orio, Stephen Prina, Dean Spade, Ming Wong

The Jahresring series is one of the longest continually published annual journals for contemporary art in Germany. The 61st edition is a reader and visual sampler with contributions from visual artists, writers, poets, musicians, choreographers, and designers. Bringing together a discursive array of forms and timbres, it takes an intertextual and interdisciplinary approach to exploring some contemporary cultural resonances with respect to gender and sexuality. In this sense, a “PS” or postscript might be understood as a place where relations or realities not explicitly stated in the main body of any given text, but nevertheless underpinning them, are revealed. A “PS” is a place of interpersonal agency; a compelling textual gesture that might add a “by the way” and an “also” and a “you know what we’re really talking about.” By its nature, a “PS” is contextualized and contextualizing. Though it may parade as the last word, it never is.

The Jahresring is published annually on behalf of Kulturkreis der deutschen Wirtschaft im BDI e.V.

Design by Lambl/Homburger

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PS
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