Alex Vivian

HRD / CF Newsletter
Issue 1-4 set

The HRD / CF Newsletter is a periodical publication produced within the exhibition ‘Hi$h Risk Dressing / Critical Fashion’ at RMIT Design Hub. The exhibition centres on the local fashion organisation active in Melbourne between the years 1983-1993, the Fashion Design Council. The FDC (as they are often shortened to), founded by Robert Buckingham, Kate Durham and Robert Pearce, were a self―organised group set up to foster independent designers and artists dealing with fashion. Influenced by the post―punk scene of Northern fashion capitals, the FDC put on shows in clubs and venues, as well as organising exhibitions, and eventually setting up a shop serving as a platform for alternative fashion in Melbourne. Throughout their active period, the FDC were prolific self―publishers. Print collateral was central to their success as an organisation. Postcards, invites, catalogues, business cards and other ephemera were shared with members and the broader public, promoting their officialdom. Particularly significant was the FDC newsletter, designed by co-founder Robert Pearce, disseminating a manifesto as well as news and events with its members. The newsletters were ad hoc; informal in language and design but expressed the energy and creative spirit of both the FDC community and available technology.

Using the model of the FDC newsletter, the HRD / CF Newsletter is a take―away publication released each week of the exhibition program. Each of the issues is framed around an emerging aspect of the FDC captured in the exhibition ― the archive, the bar, the shop and the office ― with texts, interviews and contributions from local and international practitioners. The ‘HRD / CF Newsletter also includes facsimiles of print ephemera from the FDC archive, which was donated to the RMIT Design Archives in 1998 by co-founder Robert Buckingham. This new newsletter functions as a platform for disseminating ideas about the FDC then, and critical fashion now, allowing for new dialogues to emerge from the legacy of FDC.

Edited by Laura Gardner
Designed by Ziga Testen
Edition of 500

Contributors include: Agniezska Chabros, Annie Wu, Blake Barns/HB Peace, Christopher LG Hill, Clare Wohlnick, Jessie Kiely/Monica’s Gallery, Kate Meakin, Matthew Linde, Sasha Geyer, Winnie Ha Mitford, Bryan Collins, D&K (Ricarda Bigolin and Nella Themelios), James Deutsher, Lewis Fidock, Brighid Fitzgerald, Amanda Horowitz, Chantal Kirby, Jessie Kiely and Monica’s Gallery (Spencer Lai and Jake Swinson), Christopher LG Hill, Matthew Linde, Kate Meakin, Olivia O’Donnell, Yair Oelbaum, Virginia Overell, Sean Peoples, Joshua Petherick, Jen Shear, Flannery Silva, Adele Varcoe, Alex Vivian and more.

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Endless Lonely Planet 5

 

Endless Lonely Planet 5, published on the occasion of the 4th/5th Melbourne Artist Facilitated Biennial held at Tarrawarra Museum of Art as part of TARRAWARRA BIENNIAL 2016: ENDLESS CIRCULATION (19 August – 6 November 2016) curated with Discipline. Exhibition and publication features the work of Christopher L G Hill, Nick Selenitsch, Lou Hubbard, Lewis Fidock, Endless Lonely Planet, Liam Osborne, Lisa Radford, Elizabeth Newman, Nicholas Tammens, Kate Meakin, George Egerton-Warburton, James Deutsher, Zac Segbedzi, Aurelia Guo, Rudi Williams, Alex Vivian, Lucina Lane, Lauren Burrow, Counterfeitnessfirst, Virginia Overell, Joshua Petherick, Laurel Doody, Tahi Moore, elp3 Vine, and more…

Free in the shop.
Free on request with any order (include in your order and shipping cost will be credited back)
If ordered alone, shipping charges apply.

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ENDLESS LONELY PLANET 3

 
Endless Lonely Planet is a yearly periodical of print and data from Melbourne, Australia.

ELP3 features: “a c90 tape from Porpoise Torture, an edition work and poem from Virginia Overell, a vine channel from Fictitious Sighs and Bunyip Trax, including at least 52 artists throughout the coming year, a selection of poetry from Internetemotions, a seasonal treat from Christopher L G Hill, a calender of contributors birthdays from Discipline, a poem by George Egerton-Warburton, an edition work by David Homewood, artist pages from James Deutsher, Kain Picken, Matthew Benjamin, and Dan Arps, an excerpt from a possible novella by Fayen d’Evie, two beautiful text works from Alex Vivian, a posy of poems from Adelle Mills, cover art as always by the illustrious Joshua Petherick”

Self published by Christopher LG Hill and contributors, each copy of Endless Lonely Planet issue III comes with all collateral bound together in a transparent plastic shopping bag.

Limited to 100 copies.

Contributors to this issue in full and counting: Adelle Mills, Alex Vivian, Christopher L G Hill, Dan Arps, David Homewood, Disciple, Fayen K X d’Evie. George Egerton-Warburton, Giles Fielke, Molly Dyson, Julian Schwarmer, Aurelia Guo, Jessica Yu, Trevelyan Clay, Anastsia Klose, Eva Birch, Clare Wöhlnick, Alice Jamerson, Jarved Costa, Tim Cøstẽr, Hamish M Macdonald, Holly Childs, Kate Meakin, Lipstick Larry, Simon Zoric, Brennen Oliver, Jessica van Hecke, Ruth O’Leary, Maffew Linde, Kain Picken, James Deutsher, Joshua Petherick, Matthew Benjamin, Porpoise Torture, Virginia Overell, Endless Lonely Planet III vine channel, Matthew P Hopkins, Kieran Hegarty, Air Max ’97, and more to come…..

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Reinventing The Wheel: The Readymade Century

Publication to accompany the exhibition “Reinventing The Wheel: The Readymade Century”, 3 October – 14 December 2013, Monash University Museum of Art, Victoria, Australia.

Arguably the most influential development in art of the twentieth century, the use of the readymade was set in motion 100 years ago with Marcel Duchamp’s Bicycle Wheel. Giving birth to an entire artistic language, Duchamp’s conversion of an unadorned, everyday object into a figure of high art completely inverted how people considered artistic practice. Suddenly, art was capable of being everywhere and in everything. It was a revolutionary moment in modern art, and the ripples from this epochal shift still resonate today.

Reinventing the Wheel: the Readymade Century pays tribute to this seminal work and traces the subsequent elaboration of neo-dada practices, with a particular focus upon everyday and vernacular contexts; the mysterious and libidinous potential of sculptural objects; institutional critique and nominal modes of artistic value; pop, minimalism and industrial manufacture. These discursive contexts will also provide a foundation to explore more recent tendencies related to unmonumental and social sculpture, post-fordism and other concerns, particularly among contemporary Australian artists.

Bringing together works by over 50 artists – from Duchamp and Man Ray to Andy Warhol and Martin Creed, along with some of Australia’s leading practitioners – this is a one-of-a-kind salute to an idea that continues to define the very nature of contemporary art.

Artists:

Carl Andre, Hany Armanious, Nairy Baghramian, Ian Burn, John Cage, Christo & Jeanne-Claude,  Tony Cragg, Michael Craig-Martin, Martin Creed, Aleks Danko, Julian Dashper, Simon Denny, Marcel Duchamp, Sylvie Fleury, Ceal Floyer, Claire Fontaine, Gilbert & George, Félix González-Torres, Agatha Gothe-Snape, Greatest Hits, Matthew Griffin, Richard Hamilton, David Hammons, Matt Hinkley, Lou Hubbard, Barry Humphries, Jeff Koons, Joseph Kosuth, Louise Lawler, Klara Lidén, Andrew Liversidge, James Lynch, Robert MacPherson, Rob McKenzie, Callum Morton, John Nixon, Meret Oppenheim, Joshua Petherick, Kain Picken, Rosslynd Piggott, Man Ray, Scott Redford, Stuart Ringholt, Peter Saville, Charlie Sofo, Haim Steinbach, Ricky Swallow, Masato Takasaka, Peter Tyndall, Alex Vivian, Danh Vo, Andy Warhol, and Heimo Zobernig.

Curatorial team:
Max Delany (former MUMA director), Charlotte Day, Francis E. Parker, and Patrice Sharkey.With texts by Rex Butler, Charlotte Day, Francis Parker, Patrice Sharkey, and a never before published text by Thierry de Duve.
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