Amy Yao

CURA22-coverCURA22spread

CURA. No. 22


cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities, based in Rome, Italy.

CURA. NO.22

COVER BY SOL CALERO
INSIDE THE COVER
Sol Calero
text by Adam Carr

PORTRAITS IN THE EXHIBITION SPACE
Johannes Cladders’ anti-museum
by Lorenzo Benedetti

EXHIBITION LITERATURE
Expanded Literature.
Dominique Gonzalez-Foerster
by Jean-Max Colard

SPOTLIGHT
James Bridle.
 Seeing Like a Network
in conversation with Ben Vickers

Self-Portrait as a City.
Alex Israel in conversation
with Gigiotto Del Vecchio

ABOUT
Anicka Yi’s Allegorical Bouquets
by Chris Sharp

ABOUT
Kevin Beasley.
Energy Accumulates
by Rose Bouthillier

ARTIST’S PROJECT
by Amy Yao

SPOTLIGHT
Philipp Timischl
in conversation with
Pierre-Alexandre Mateos
and Charles Teyssou

A VISIT TO
Rodrigo Hernández
in conversation with
Joao Mourao & Luis Silva

SPOTLIGHT
ÅYR
in conversation with Philipp Ekardt

SPOTLIGHT
Caroline Mesquita
in conversation with
Martha Kirszenbaum

HOT!
Debora Delmar Corp.
by Judith Vrancken
Juliana Huxtable
by Whitney Mallett
Sophie Jung
by Frances Loeffler
Nancy Lupo
by Sarah Lehrer-Graiwer

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CURA. No. 22
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May #9

May issue 9 features: Arab Uprisings and Impersonal Images by Dork Zabunyan; From Montage to Détournement in the Situationist International by Tom McDonough; Shit Happens: The Incredible Chronicle of OWS by Antek Walczak; Alex Bag and Patterson Beckwith by Robert McKenzie; Pacific Standard Time, Art, Art in Los Angeles, 1950-1980 by Karl Holmqvist; Judith Hopf by Melanie Ohnemus; Isa Genzken by Karl Holmqvist; David Douard by Benjamin Thorel; Kenneth Goldsmith by Marwan Makki; This Way To The Cupcake Party by Carloine Busta and Amy Yao; much more…

about MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.

Description
May #9
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