The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum’s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion – unpatented but regularly reappropriated – traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of “Closed Exhibitions,” from Dada to Noise music, from “Everything is Art” to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, The Anti-Museum sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
Edited by Mathieu Copeland and Balthazar Lovay.
Introduction by: Mathieu Copeland.
Texts by: Zach Blas, Johannes Cladders, Beatriz Colomina, Henry Flynt, Kenneth Goldsmith, Krist Gruijthuijsen, Robert Morris, Bob Nickas, Sören Schmeling, Reiko Tomii, Jon Hendricks, Jean Toche, Andrea Branzi, Ettore Sottsass, Allan Wallach, Guerilla Art Action Group, Robert Morris, Gareth James and many more
Features interviews/conversations with John Armleder, Robert Barry, Ben, Genesis P-Orridge, Andrea Branzi, Piero Gilardi, Mierle Laderman Ukeles and many more
- The Anti-Museum : An Anthology
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Max und Morimal Art
Quite a rare Daniel Spoerri catalogue published for the exhibition of the same name (Spoerri’s Max and Morimal Art …und stahl dem Koch ein Ei (And stole an egg from the cook)) at Felix Handschin Galerie, Basel, 1969. No works by Spoerri are shown in this catalog, instead, very much in Spoerri’s character, he has friends and colleagues (artists, poets, collectors) contribute the contents: letters, texts, drawings by Ben Vautier, Robert Filliou, George Brecht, Bernhard luginbühl, Arturo Schwarz, Wolfgang Hahn, Klaus Honnef, Ingeborg Lüscher, Jürg Federspiel, Andre Thomkins, Carlo Schröter, Hanspeter Ricklin etc. Introduction by Spoerri. Texts in German.
Daniel Spoerri (born 27 March 1930 in Galați) is a Swiss artist and writer born in Romania. Spoerri is best known for his “snare-pictures,” a type of assemblage or object art, in which he captures a group of objects, such as the remains of meals eaten by individuals, including the plates, silverware and glasses, all of which are fixed to the table or board, which is then displayed on a wall. He also is widely acclaimed for his book, Topographie Anécdotée* du Hasard (An Anecdoted Topography of Chance), a literary analog to his snare-pictures, in which he mapped all the objects located on his table at a particular moment, describing each with his personal recollections evoked by the object, with illustrations by the great Roland Topor. In the 1950s he was active in dance, studying classical dance with Olga Preobrajenska and in 1954 becoming the lead dancer at the State Opera of Bern, Switzerland. He later staged several avant-garde plays including Ionesco’s The Bald Soprano and Picasso’s surrealist Desire Trapped by the Tail. During that period he met a number of Surrealist artists, including Meret Oppenheim, Jean Tinguely, Marcel Duchamp and Man Ray, and also a number of artists subsequently associated with the Fluxus movement, including Robert Filliou, Dieter Roth and Emmett Williams. Closely associated with the Fluxus art movement, a movement “characterized by a strongly Dadaist attitude, [whose] participants were a divergent group of individualists whose most common theme was their delight in spontaneity and humor.” It has been said that his Anecdoted Topography of Chance “seems perfectly to embody aspects of its spirit.” Spoerri was also one of the original signers of the manifesto creating the Nouveau réalisme (New Realism) art movement, which involved artists such as Yves Klein, Arman, Martial Raysse, Pierre Restany, Niki de Saint Phalle, César, Jean Tinguely, Mimmo Rotella, Gérard Deschamps, and the Ultra-Lettrists, Francois Dufrêne, Raymond Hains, Jacques de la Villeglé, an avant garde endeavor begun in 1960. His use of everyday life as the main subject-matter of his art reflects his involvement in the New Realism movement.
A major theme of Spoerri’s artwork is food, and he has called this aspect of his work “Eat Art.” This is seen not only in his snare-pictures of eaten meals, but in a variety of other contexts. For example, in 1961 he sold in an art-gallery in Copenhagen store-bought canned food which he had signed and rubber-stamped “Attention: Work of Art.” In 1963, he enacted a sort of performance art called Restaurant de la Galerie J in Paris, for which he cooked on several evenings. Art-critics took over the role of waiters, playing on the idea of the critic bringing the art to the consumers and giving them an understanding of the work. On June 18, 1968, Spoerri opened the Restaurant Spoerri in Düsseldorf, and on September 18, 1970, he opened the Eat-Art-Gallery upstairs.He also published in 1970 a diary of his life on the Greek island of Symi, in which he included numerous recipes of the dishes he ate there. Originally titled A Gastronomic Itinerary, it was later republished under the title Mythology & Meatballs.
* Condition: Good – (tanning, light marks to cover) – All care is taken to provide accurate condition details of used books, photos available on request.
- Daniel Spoerri - Max und Morimal Art (1969)
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The great “Happening & Fluxus” book, published on the occasion of the exhibition of the same name at the Kölnischer Kunstverein in 1970, curated by Harald Szeemann.
This exhaustive Fluxus document is illustrated heavily throughout and broken into two important sections : 1. Chronology 1959-1970 (a detailed cataloguing of this incredible period of happenings, actions, concerts, meals, exhibitions and any related events, illustrated with photography along with dates, locations, those involved, and reproductions of the related ephemera), 2. Bibliography 1959-1970 (again heavily illustrated with detailed cataloguing of printed material about Fluxus and related actions, artists, exhibitions, performances, as well as a detailed listing for each featured artist of their publications, writings, art editions, etc). Book includes works by Wolf Vostell, Daniel Spoerri, Nam June Paik, Tetsumi Kudo, Tadeusz Kantor, Dick Higgins, George Brecht, Allan Kaprow, Yoko Ono, Claes Oldenburg, Alison Knowles, Robert Filliou, Stanley Brouwn, Bazon Brock, Joseph Beuys, Eric Anderson, Viennese Actionists, Charlotte Moorman, Günter Brus, Emmett Williams, Ben Vautier, Carolee Schneemann, Otto Muehl, Robert Watts, Al Hansen, Henry Flynt, Philip Corner, Henning Christiansen, Robert Rauschenberg, John Cage, and many more.
First major compilation of this material compiled by Harald Szeemann to accompany a now legendary exhibition.
“There is neither here nor in the exhibition, a fix-ready answer to the question: What is happening, what is Fluxus.”
* Condition: Good (light cover rubbing/wear, otherwise tight and clean throughout) – All care is taken to provide accurate condition details of used books, photos available on request.
- Happening & Fluxus (1970)
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Sense Sound Sound Sense
Fluxus Music Scores & Records - Luigi Bonotto Collection
Luigi Bonotto dedicated himself to keeping the work of the artists of Fluxus and Experimental Poetry alive, and to preserving, cataloguing, and promoting their poetry, music, and work, which was strongly influenced by John Cage and the key concept of his theoretical framework, indeterminacy. Published on the occasion of an exhibition curated by Patrizio Peterlini and Walter Rovere, with the collaboration of Giorgio Maffei, this catalogue delves deeply into this aspect of the Fluxus network. Rife with illustrations, the materials of the collection, as well as the movement and its history, are analysed in scholarly essays by Anna Cestelli Guidi, Alison Knowles, and the curators.
features the work of Henning Christiansen, Wolf Vostell, Eric Andersen, George Brecht, Sylvano Bussotti, John Cage, Giuseppe Chiari, Philip Corner, Esther Ferrer, Juan Hidalgo, Dick Higgins, Robert Filliou, Toshi Ichiyanagi, Joe Jones, Milan Knizak, Takehisa Kosugi, Shigeko Kubota, György Ligeti, George Maciunas, Jackson Mac Low, Walter Marchetti, Charlotte Moorman, Claes Oldenburg, Yoko Ono, Nam June Paik, Ben Patterson, Terry Riley, Mieko Shiomi, Takako Saito, Gianni-Emilio Simonetti, Ben Vautier, Yoshimasa Wada, La Monte Young and others.
- Sense Sound Sound Sense
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