Bill Hayden

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MAY #13

MAY #13 features:

Preface
– MAY

καταστροφή: the end and the beginning
– DEBORAH DANOWSKI

Man of the Anthropocene (as portrayed in the movie “Gravity”)
– STEPHANIE WAKEFIELD

What is “political” in the Anthropocene? A conversation between STEPHANIE WAKEFIELD and ANTEK WALCZAK
– MAY

DIY or DIE: a pastoral Selfie
– JENNA BLISS, ELISE DURYEE-BROWNER, DAMON SFETSIOS

Two stories
– ALEJANDRA RIERA

Insert: Dustin
– VALENTIN BOURÉ & MELANIE MATRANGA

REPORTS
Mirror, mirror on the wall … STEWART UOO at Buchholz Gallery, Berlin
– DANIEL HORN

Garden graft. On the exhibition “Your portrait”: a retrospective on TETSUMI KUDO at the National Museum of Modern Art, Tokyo
– JOHN BEESON

Kiss me, kiss me, love my body covers
– KARL HOLMQVIST

True Romance. Camille Blatrix at Balice Hertling, Paris
– EDWARD MONTASSUT

The affect impersonal. Anne Imhof at Deborah Schamoni gallery, Munich
– KERSTIN STAKEMEIER

Dorothy Iannone This timeless sweetness at the Migros Museum für Gegenwartkunst, Zürich
– KARL HOLMQVIST

“Species of notes.” On the book Dubuffet typographer Pierre Leguillon
– MICA GHERGHESCU

Exposure Charles James: beyond fashion at the MET, New York
– JASON SIMON

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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MAY #13
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