Blake Rayne

Nicholas Gambaroff, Michael Krebber, R.H. Quaytman, Blake Rayne
Gambaroff Krebber Quaytman Rayne

Accompanying publication to the exhibition Gambaroff, Krebber, Quaytman, Rayne at Bergen Kunsthall in Norway at the end of 2010, which brought together the work of Nikolas Gambaroff, Michael Krebber, R.H. Quaytman, Blake Rayne – “four topical artists who, viewed as a group, show clear affinities in their attitudes to the production of art. This is not a traditional thematic exhibition, but rather a presentation of individual artists who invite both parallel and contrary readings in the encounters that arise between the works. The exhibition will concentrate on works on canvas and panel in the traditional sense, while at the same time opening up avenues for understanding the concept of ‘painting’ as a complex system of signs. Curated by Thomas Duncan, Steinar Sekkingstad and Solveig Øvstebø.”

Includes full-page full-colour reproductions of each individual work exhibited at the Kunsthall by each artist (plus more), alongside essays by Thomas Duncan, Steinar Sekkingstad, Solveig Øvstebø, and Adam Kleinman.

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Gambaroff Krebber Quaytman Rayne - Nicholas Gambaroff, Michael Krebber, R.H. Quaytman and Blake Rayne
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MAY #3

May Revue is a wonderful arts journal from Paris, edited by Catherine Chevalier and Eva Svennung.

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quarterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.

May #3 features “Grève humaine (interrompue)” Fulvia Carnevale and John Kelsey in conversation, “Lessons from Éric Rohmer” by Julien Mahon, “La Grande Parade” by Dork Zabunyan, “What Is a Bad Exhibition?” by Paul Sztulman, “The Complete Poem” by Chris Kraus, “Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture” by Caroline Busta, “CityCat, deflected in response to a system built up from under-examined details. 2 December, 2006 and 9 May, 2009, Brisbane River” by Dave Hullfish Bailey, “Shaping, Structuring, and Editing the Past” Interview with Richard Hertz by Catherine Chevalier and more!!!

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MAY #3
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