Bronté Lambert

University Construction
David Homewood, Bronté Lambert (Eds.)

 

University Construction was a one-day exhibition by David Homewood and Bronté Lambert. The exhibition was open from 11am to 7pm on 23 June 2015. It was held in a classroom of John Medley Building at the University of Melbourne. The exhibition presented a variety of readymade, found and modified objects—many sourced from the University campus—in geometric configurations on the classroom floor, accompanied by a flyer and information sheet.

The publication University Construction serves as a record of the exhibition. It includes photographs of the exhibition, along with scans of the flyer and information sheet. The publication also includes More Minor Constructions, a series of photographs taken several weeks after the exhibition closed, in the classroom where the exhibition was held.

The publication serves a documentary function; it also builds a discursive context around the exhibition. It features texts by David Homewood, Helen Johnson, Paris Lettau and Elizabeth Newman. The texts draw out ideas, issues and themes related to the exhibition, directly and indirectly. Each text engages an old question that continues to exert a hold on the present—the question of the relationship between art and the university, and the university and art.

Editor: David Homewood
Sub-editor: Bronté Lambert
Copy-editors: Michael Ascroft, Helen Hughes and Audrey Schmidt
Designers: David Homewood and Matt Hinkley
Photographer: Christo Crocker

Published in an edition of 100 copies.

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University Construction (2016)
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Discipline-4-coverDiscipline-4-spread

Discipline No. 4


Edited by Nicholas Croggon, David Homewood, & Helen Hughes; with a guest edited section by Ferdiansyah Thajib, KUNCI Cultural Studies Center; and designed by Robert Milne.

Contents

Cover : Gordon Bennett

Editorial by Nicholas Croggon, David Homewood & Helen Hughes

Elizabeth Newman: Abstraction, Simulation, Obscuration by Francis Plagne

Critical Ambiguity: A Kantian Reading of Recent Work by Juan Davila by Helen Johnson

Trans-Pacific: Abstract Painting in Australia, New Zealand and America 1930–1960 by Rex Butler & A.D.S. Donaldson

Object Documentation by David Homewood & Bronté Lambert

The Dispute at the 19th Biennale of Sydney by Michael Ascroft

Illusion in Wendy Paramor’s Triad by Amelia Sully

Ambient Perspective and Endless Art by Nikos Papastergiadis & Amelia Barikin

Figures of the Machine: Richard Tuohy’s Halftone Films by Giles Fielke

Non-Resolution IRL by Danni Zuvela

Interview with Hito Steyerl by Amelia Groom

The Three Bodies of Angus Cerini by Jon Roffe

Encountering a Collection: Fiona Connor’s Wallworks by Kate Warren

What it’s Like to Dance Naked in the Museum and Other Thoughts: Stuart Ringholt’s Kraft (2014) by Liang Luscombe & Patrice Sharkey

Contemporary Art and Contemporaneity: Reflections on Method, Review of Reviews (Part 2) by Terry Smith

The Eternal Return of Irony: Gordon Bennett (1955–2014) by Ian McLean

Clothes by Centre for Style

Back Cover : John Citizen

Guess edited section by Ferdiansyah Thajib, KUNCI Cultural Studies Center (loose booklet in Bahasa and English)

Holopis Kuntul Baris: Karya Seni di Era Kolaborasi yang Tampak Mekanis / Holopis Kuntul Baris: The Work of Art in the Age of Manifestly Mechanical Collab­oration

Pengantar/Introduction by Ferdiansyah Thajib

Kerangka Kolektivitas/Terms of Collectivity by Simon Soon

Wok the Rock & Co.: Memahami Persahabatan dalam Dunia Seni Yogyakarta/Wok the Rock & Co.: Making Sense of Friendship in Yogyakarta’s Art Scene by Nuraini Juliastuti

Punkasila, Kerjasama dan Persahabatan/Punkasila, Cooperation and Friendship by Syafiatudina

Hestu A. Nugroho (Setu Legi)
(artist pages)

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Discipline No. 4
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