Channa Horwitz

Frieze d/e #11
September/October 2013

Frieze d/e #11 features:

This is Hardcore: On the occasion of her forthcoming retrospective at New York’s Museum of Modern Art, Dominic Eichler unravels Isa Genzken’s work and persona by Dominic Eichler

Kandinsky’s Bauhaus: While teaching at the Bauhaus, Wassily Kandinsky deepened his theory of art as a visual rhetoric conveying specific emotions – ideas that would later influence the design of prison cells in Spain by Boris Groys

Variations on a Theme: Gallerist, collector, curator and director René Block talks to artist Maria Eichhorn about ambition in art, the unexplored diversity of Fluxus and the importance of music in a career spanning 50 years by Maria Eichhorn

Still Moving: In her collages, photographs, artist books and paintings, Özlem Altin explores the body at rest and the inanimate in action by Sara Stern

Roman Schramm: The show of showing by Kolja Reichert

Natalie Czech: Filling in the Blanks by Christy Lange

Kaspar Müller: Picture a hat… by Aoife Rosenmeyer

Why have art collaborations become so annoying? by Jan Kedves

Helga Wretman’s Fitness for Artists TV revives the surprisingly long history of art and exercise by Jörg Scheller

The quasi-documentaries of Viennese filmmakers Tizza Covi and Rainer Frimmel by Bert Rebhandl

Artist Tobias Madison presents his selection of favourite publications by Tobias Madison

Ulf Poschardt’s love letter to the Porsche 911 by Thomas Hübener

Biennale di Venezia by Kirsty Bell

Biennale di Venezia by Dominikus Müller

Door Between Either And Or – Part 1 – Kunstverein München by Pablo Larios

Some End of Things – Museum für Gegenwartskunst by Laura McLean-Ferris

Her Story(s) – Bonner Kunstverein by Elvia Wilk

Henri Chopin, Guy de Cointet & Channa Horwitz – Kunsthalle Düsseldorf by Noemi Smolik

Shows On Show – How are historic exhibitions re-exhibited? by Jörg Heiser

Urs Fischer, Sanya Kantarovsky, Ursula Mayer, Keichii Tanaami, and much more…..


Frieze d/e #11
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