Hilma af Klint (1862–1944) was an abstract pioneer who eschewed representational painting as early as 1906. Her radical spiritual imagery strives to provide insights into the different dimensions of existence.
Besides Hilma af Klint’s important and radical abstract paintings, she left behind a plethora of notebooks and drawings. Taking one of these, A Work on Flowers, Mosses and Lichen, as a starting point, nine contemporary artists were invited to respond to Hilma af Klint and her legacy. Hilma af Klint did not want her works to be seen until several decades after her death.
The artists included in this book are Amy Sillman, Cecilia Edefalk, Christine Ödlund, Eva Löfdahl, Fredrik Söderberg, Helen Mirra, Karl Holmqvist, Rebecca Quaytman, Sophie Tottie.
Published alongside an exhibition at Moderna Museet, Stockholm, 16 February – 26 May 2013.
English and German text.
- The Legacy of Hilma of Klint
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Edited by Daniel Birnbaum, Stefanie Hessler, Carsten Höller & Jo Widoff
Anyone undertaking a study of the concept of “life” in our culture will observe that it never gets defined as such, writes Giorgio Agamben. Instead, he claims, this indeterminate thing – life itself – gets articulated and divided time and again through a series of oppositions that give it a function in the sciences without ever being defined as such. These theoretical and literary articulations are what this book is about, and what the 173 texts by authors, scientists and philosophers from all times and all disciplines will try to answer.
Ernst Haeckel, speculative biologist and naturalist, coined key concepts as phylum and ecology. In the years 1899-1904 he published Kunstformen der Natur (Art Forms of Nature), one hundred prints depicting organisms many of which were first described by Haeckel himself, who with this project took an unusual step from science to art. His sketches thus create a bridge between this book and the exhibition at Moderna Museet, appearing in the margins of both. Otherwise there is no art in this publication and the division of labor strict: the exhibition is art?s chance to answer the topic spelled out in the subtitle to Life Itself: “On the question of what it essentially is; its materialities, its characteristics, considering that attempts to answer this question by occidental sciences and philosophies have proven unsatisfactory.”
Exhibition featured the work of Giovanni Anselmo, Olga Balema, Hicham Berrada, Joseph Beuys, Karl Blossfeldt, Constantin Brancusi, Victor Brauner, Nina Canell, Lygia Clark, Trisha Donnelly, Monica Englund, Valia Fetisov, Dirk Fleischmann, Katharina Fritsch, Ernst Haeckel, Barbara Hauser, Tamara Henderson, Eva Hesse, Damien Hirst, Tehching Hsieh, Pierre Huyghe, Carsten Höller/Rosemarie Trockel, On Kawara, Josh Kline, Hilma af Klint, Edward Krasinski, Mark Leckey, Helen Marten, Henri Michaux, Barnett Newman, Otobong Nkanga, Katja Novitskova, Philippe Parreno, Giuseppe Penone, Leo Reis, Ulf Rollof, Rachel Rose, Anri Sala, Sebastian Stöhrer, Sturtevant, Paul Thek, Rosemarie Trockel, Rosemarie Trockel/Günter Weseler, Christine Ödlund.
- Life Itself
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