Elizabeth Newman

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Endless Lonely Planet 5

 

Endless Lonely Planet 5, published on the occasion of the 4th/5th Melbourne Artist Facilitated Biennial held at Tarrawarra Museum of Art as part of TARRAWARRA BIENNIAL 2016: ENDLESS CIRCULATION (19 August – 6 November 2016) curated with Discipline. Exhibition and publication features the work of Christopher L G Hill, Nick Selenitsch, Lou Hubbard, Lewis Fidock, Endless Lonely Planet, Liam Osborne, Lisa Radford, Elizabeth Newman, Nicholas Tammens, Kate Meakin, George Egerton-Warburton, James Deutsher, Zac Segbedzi, Aurelia Guo, Rudi Williams, Alex Vivian, Lucina Lane, Lauren Burrow, Counterfeitnessfirst, Virginia Overell, Joshua Petherick, Laurel Doody, Tahi Moore, elp3 Vine, and more…

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Elizabeth Newman
"The effect that is propagated is not from the communication of speech but from the displacement of discourse"


Catalogue produced on the occasion of the exhibition “The effect that is propagated is not from the communication of speech but from the displacement of discourse” at Neon Parc, 25 June – 13 August 2016 by Melbourne artist Elizabeth Newman. Features full-colour documentation of the exhibition installation and individual paintings, alongside an essay by Rex Butler.
Design by Yanni Florence

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Elizabeth Newman "The effect that is propagated is not from the communication of speech but from the displacement of discourse" 2016
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Discipline No. 4


Edited by Nicholas Croggon, David Homewood, & Helen Hughes; with a guest edited section by Ferdiansyah Thajib, KUNCI Cultural Studies Center; and designed by Robert Milne.

Contents

Cover : Gordon Bennett

Editorial by Nicholas Croggon, David Homewood & Helen Hughes

Elizabeth Newman: Abstraction, Simulation, Obscuration by Francis Plagne

Critical Ambiguity: A Kantian Reading of Recent Work by Juan Davila by Helen Johnson

Trans-Pacific: Abstract Painting in Australia, New Zealand and America 1930–1960 by Rex Butler & A.D.S. Donaldson

Object Documentation by David Homewood & Bronté Lambert

The Dispute at the 19th Biennale of Sydney by Michael Ascroft

Illusion in Wendy Paramor’s Triad by Amelia Sully

Ambient Perspective and Endless Art by Nikos Papastergiadis & Amelia Barikin

Figures of the Machine: Richard Tuohy’s Halftone Films by Giles Fielke

Non-Resolution IRL by Danni Zuvela

Interview with Hito Steyerl by Amelia Groom

The Three Bodies of Angus Cerini by Jon Roffe

Encountering a Collection: Fiona Connor’s Wallworks by Kate Warren

What it’s Like to Dance Naked in the Museum and Other Thoughts: Stuart Ringholt’s Kraft (2014) by Liang Luscombe & Patrice Sharkey

Contemporary Art and Contemporaneity: Reflections on Method, Review of Reviews (Part 2) by Terry Smith

The Eternal Return of Irony: Gordon Bennett (1955–2014) by Ian McLean

Clothes by Centre for Style

Back Cover : John Citizen

Guess edited section by Ferdiansyah Thajib, KUNCI Cultural Studies Center (loose booklet in Bahasa and English)

Holopis Kuntul Baris: Karya Seni di Era Kolaborasi yang Tampak Mekanis / Holopis Kuntul Baris: The Work of Art in the Age of Manifestly Mechanical Collab­oration

Pengantar/Introduction by Ferdiansyah Thajib

Kerangka Kolektivitas/Terms of Collectivity by Simon Soon

Wok the Rock & Co.: Memahami Persahabatan dalam Dunia Seni Yogyakarta/Wok the Rock & Co.: Making Sense of Friendship in Yogyakarta’s Art Scene by Nuraini Juliastuti

Punkasila, Kerjasama dan Persahabatan/Punkasila, Cooperation and Friendship by Syafiatudina

Hestu A. Nugroho (Setu Legi)
(artist pages)

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MONOCHROMES
Edited by David Pestorius

7 December 2000—24 February 2001
University of Queensland Art Museum, Brisbane

Monochromes was the first major survey in Australia of artists working with a single colour. It presented artworks produced over the previous 35 years by more than 45 Australian and foreign artists who have exhibited work of this nature in Australia. The approach adopted involved selecting one work by each artist and grouping them by colour. And rather than including only artists who might be considered ‘hard-core’ exponents of the painted monochrome, a more expanded view of monochromatic practice was embraced, one that acknowledged critical shifts in contemporary practice since the 1960s, with numerous conceptual and post-conceptual works presented.

A substantial catalogue, with an introduction by David Pestorius, commissioned essays by Andrew McNamara (QUT) and Morgan Thomas (UQ), and comprehensive installation view photo-documentation, was produced in the immediate aftermath of the exhibition.

artists: Ian Anüll (Zurich) Peter Bonde (Copenhagen) Peter Booth (Melbourne) Ian Burn (Melbourne) A.D.S. Donaldson (Sydney) Mikala Dwyer (Sydney) Andreas Exner (Frankfurt) Dale Frank (Brisbane) Marco Fusinato (Melbourne) Gail Hastings (Sydney) Leni Hoffmann (Düsseldorf) Robert Hunter (Melbourne) Robert Jacks (Melbourne) Gerold Miller (Berlin) Ian Milliss (Sydney) Elizabeth Newman (Melbourne) John Nixon (Sydney) Rose Nolan (Melbourne) Robert Owen (Melbourne) Wendy Paramour (Sydney Ti Parks (Melbourne) Mel Ramsden (Oxfordshire) Robert Rooney (Melbourne) Chris Wilder (Los Angeles) Heimo Zobernig (Vienna), and others.

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