Elmgreen & Dragset

Slip-cover-1Slipspread-1

The Slip of the Tongue
Danh Vo, Caroline Bourgeois, Julie Ault, Heinz Peter Knez, Stefan A. Peterson (Eds.)


Edited by Danh Vo, Caroline Bourgeois, Julie Ault, Heinz Peter Knez, Stefan A. Peterson.
Exhibition curated by Danh Vo and Caroline Bourgeois
Texts by Patricia Falguieres, Elisabeth Lebovici, and Amy Zion
Photography by Heinz Peter Knes

Danh Vo’s conceptual artworks and installations often draw upon elements of personal lived experience (his own, the lives of his parents and other family members) to explore broader historical, social or political themes, particularly those relating to the history of Vietnam at the close of the twentieth century. The works shown in this book—closely related to an exhibition at the Pinault Foundation in Venice—in addition to Vo’s site-specific installations, include some curious old works of art from Venetian museums and collections, provocatively chosen by Vo to establish an unprecedented dialogue between past and present.

Beautifully designed, comprehensive exhibition catalogue with two inserted booklets (text book with words by Patricia Falguieres, Elisabeth Lebovici, and Amy Zion; and exhibition guide/artist profile book and work list), with the main book entirely made up of elegant colour photographic imagery by Heinz Peter Knez of the exhibition itself and the wonderful collection of works assembled. Profusely illustrated with installation views, works and details, featuring the work of Leonor Antunes, Nairy Baghramian, Giovanni Bellini, Constantin Brancusi, Marcel Broodthaers, Giovanni Buonconsigliodetto Il Marescalco, Hubert Duprat, Michael Elmgreen & Ingar Dragset, Luciano Fabro, Peter Fischli and David Weiss, Felix Gonzalez-Torres, Petrit Halilaj, David Hammons, Roni Horn, Peter Hujar, Tetsumi Kudo, Bertrand Lavier, Zoe Leonard, Francesco Lo Savio, Lee Lozano, Robert Manson, Piero Manzoni, Sadamasa Motonaga, Jean-Luc Moulène, Henrik Olesen, Pablo Picasso, Sigmar Polke, Carol Rama, Charles Ray, Auguste Rodin, Cameron Rowland, Andres Serrano, Nancy Spero, Sturtevant, Alina Szapocznikow, Paul Thek, Harald Thys & Jos Degruyter, Danh Vo, David Wojnarowicz, Martin Wong.

Description
The Slip of the Tongue
Product Options
#OptionPriceStock
1-$85.001
Shipping
Shipping Rate: C
Order The Slip of the Tongue - @ $85.00
MORE...
Mousse-54-coverMousse-54-spread

MOUSSE #54
Summer 2016


MOUSSE #54, Summer 2016

Contents:

IEVA MISEVIČIŪTĖ
Character Studies of Primeval Life Form
by Jacquelyn Ross

EXTEND, EXCEED, ENHANCE: PROSTHETICS AND SCULPTURE
by Lisa Le Feuvre

ANNE IMHOF
Choreographed layers
by Hans Ulrich Obrist

RAYMOND BOISJOLY, TANYA LUKIN LINKLATER, WALTER SCOTT
Native North America
by Andrew Berardini, Richard William Hill and Candice Hopkins

INSIDE TO OUTSIDE TO INSIDE
by Jens Hoffmann

NEW SCENARIO
Curating Holes
by Melanie Bühler

ROLE PLAY
by Maurizio Cattelan,
Liam Gillick,
Thomas Demand,
Barbara Bloom,
Christian Jankowski,
Elmgreen&Dragset,
Michelle Grabner,
Tobias Rehberger,
Ugo Rondinone,
Harrell Fletcher,
John Miller,
Paulina Olowska

RONALD JONES
What You See Is What You See
by Krist Gruijthuijsen

GARY INDIANA
I Can Give You Anything But Love
by Andrew Durbin

WILLA NASATIR
Psychic Junkyards
by Lauren Cornell

RAGNA BLEY
An Idiosyncratic Abecedary
by Filipa Ramos

NOAH BARKER
Projecting an Island from Another
by Mark Beasley

ISIAH MEDINA
The impossible is the only (no-)thing that ever happens
by Pia Bolognesi

ME
by Dieter Roelstraete

SHIFTING BACKGROUNDS
by Anselm Franke

NOBODY IS SLEEPING IN THE SKY
by Geoffrey Farmer and Dora García

NOW, I AM AFRAID…
by Chus Martínez

CECILIA BENGOLEA AND FRANÇOIS CHAIGNAUD
Emotional Aesthetics
by Kathy Noble

MORAG KEIL AND GEORGIE NETTELL
Domestic Battlegrounds
by Fredi Fischli and Niels Olsen

AN ESSAY ON DRESS-UP AND OTHER THINGS
by Sabrina Tarasoff

Description
MOUSSE #54
Product Options
#OptionPriceStock
1-$20.000
Shipping
Shipping Rate: C

Out of Stock

MORE...
Queer-coverQueer-spread

QUEER
edited by David J. Getsy

Historically, “queer” was the slur used against those who were perceived to be or made to feel abnormal. Beginning in the 1980s, “queer” was reappropriated and embraced as a badge of honor. While queer draws its politics and affective force from the history of non-normative, gay, lesbian, and bisexual communities, it is not equivalent to these categories, nor is it an identity. Rather, it offers a strategic undercutting of the stability of identity and of the dispensation of power that shadows the assignment of categories and taxonomies. Artists who identify their practices as queer today call forth utopian and dystopian alternatives to the ordinary, adopt outlaw stances, embrace criminality and opacity, and forge unprecedented kinships, relationships, loves, and communities.

Rather than a book of queer theory for artists, this is a book of artists’ queer tactics and infectious concepts. By definition, there can be no singular “queer art.” Here, in the first Documents of Contemporary Art anthology to be centered on artists’ writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference.

Artists and writers include
Nayland Blake, Gregg Bordowitz, Leigh Bowery, AA Bronson, A. K. Burns, Giuseppe Campuzano, Tee Corinne, Barbara DeGenevieve, Dyke Action Machine!, Elmgreen & Dragset, Rotimi Fani-Kayode, Simon Fujiwara, Malik Gaines, Felix Gonzalez-Torres, Gran Fury, Sunil Gupta, Hahn Thi Pham, Harmony Hammond, Sharon Hayes, Hudson, Roberto Jacoby, Derek Jarman, Isaac Julien, Mahmoud Khaled, Zoe Leonard, Lesbian Avengers, Catherine Lord, Ma Liuming, LTTR, Allyson Mitchell, Zanele Muholi, Carlos Motta, Ocaña, Hélio Oiticica, Catherine Opie, Ridykeulous (Nicole Eisenman & A.L. Steiner), Marlon Riggs, Emily Roysdon, Prem Sahib, Assoto Saint, Tejal Shah, Amy Sillman, Jack Smith, Wolfgang Tillmans, Toxic Titties, Danh Vo, David Wojnarowicz, Wu Tsang, Yan Xing, Las Yeguas del Apocalipsis, Akram Zaatari, Sergio Zevallos

About the Editor

David J. Getsy is Goldabelle McComb Finn Distinguished Professor of Art History at the School of the Art Institute of Chicago. His books include Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender, Scott Burton: Collected Writings on Art and Performance, and Rodin: Sex and the Making of Modern Sculpture.

Description
Queer (Documents of Contemporary Art)
Product Options
#OptionPriceStock
1-$52.002
Shipping
Shipping Rate: B
Order Queer (Documents of Contemporary Art) - @ $52.00
MORE...
PS-coverPS-spread

PS: Jahresring 61: Jahrbuch für moderne Kunst
Dominic Eichler, Brigitte Oetker (Eds.)


Contributions by Manuela Ammer, Julie Ault, Monika Baer, Nairy Baghramian, Gerry Bibby, Jennifer Bornstein, Pauline Boudry & Renate Lorenz, Dragana Bulut, Katarina Burin, Françoise Cactus, Leidy Churchman, Ann Cotten, Juan Davila, Dominic Eichler, Elmgreen & Dragset, Yusuf Etiman, Isa Genzken, Susanne Ghez, Margaret Harrison, Daniel Herleth, Annette Kelm, Janette Laverrière, Adam Linder, Lee Lozano, Charlie Le Mindu, Shahryar Nashat, Gina D’Orio, Stephen Prina, Dean Spade, Ming Wong

The Jahresring series is one of the longest continually published annual journals for contemporary art in Germany. The 61st edition is a reader and visual sampler with contributions from visual artists, writers, poets, musicians, choreographers, and designers. Bringing together a discursive array of forms and timbres, it takes an intertextual and interdisciplinary approach to exploring some contemporary cultural resonances with respect to gender and sexuality. In this sense, a “PS” or postscript might be understood as a place where relations or realities not explicitly stated in the main body of any given text, but nevertheless underpinning them, are revealed. A “PS” is a place of interpersonal agency; a compelling textual gesture that might add a “by the way” and an “also” and a “you know what we’re really talking about.” By its nature, a “PS” is contextualized and contextualizing. Though it may parade as the last word, it never is.

The Jahresring is published annually on behalf of Kulturkreis der deutschen Wirtschaft im BDI e.V.

Design by Lambl/Homburger

Description
PS
Product Options
#OptionPriceStock
1-$45.004
Shipping
Shipping Rate: B
Order PS - @ $45.00
MORE...