George Egerton-Warburton

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124,908
Tara McDowell (Ed.)

124,908 by Tara McDowell, with photography by Daro Sulakauri, experiments with how to document exhibitions in an embodied way. It deals with an exhibition that unfolded throughout the postindustrial city of Rustavi in the Republic of Georgia, in conjunction with the 2nd Tbilisi Triennial. The exhibition was titled for Rustavi’s population – 124,908 – and featured works by Xin Cheng, Leone Contini, Eliza Dyball, Clementine Edwards, George Egerton-Warburton, Cevdet Erek, Debris Facility, Emma Fitts, Amy Franceschini, Helen Grogan, Susan Jacobs, Ash Kilmartin, Ieva Misevičiūtė, Virginia Overell, and Kateřina Šedá. Echoing the model of Lucy R. Lippard’s numbers exhibitions from the early 1970s, Tara McDowell and assistant curator Nicholas Tammens invited artists to propose temporary artworks, which were installed in the city center, factory square, museum, theaters, pyramid and zoo, working with local artists, students, and Rustavi residents.

The images within the publication 124,908 were taken by photojournalist Daro Sulakauri over a single day (October 3, 2015) of the exhibition. The fragmented text that intersperses this image narrative reflects the fractured, time-skipping nature of the project’s composition. Lucy R. Lippard has reacted to the project as the “best understood account” of her numbers exhibitions, but 124,908 could also be characterised as facing the impossibilities of re-curation.

Design by Žiga Testen

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Endless Lonely Planet 5

 

Endless Lonely Planet 5, published on the occasion of the 4th/5th Melbourne Artist Facilitated Biennial held at Tarrawarra Museum of Art as part of TARRAWARRA BIENNIAL 2016: ENDLESS CIRCULATION (19 August – 6 November 2016) curated with Discipline. Exhibition and publication features the work of Christopher L G Hill, Nick Selenitsch, Lou Hubbard, Lewis Fidock, Endless Lonely Planet, Liam Osborne, Lisa Radford, Elizabeth Newman, Nicholas Tammens, Kate Meakin, George Egerton-Warburton, James Deutsher, Zac Segbedzi, Aurelia Guo, Rudi Williams, Alex Vivian, Lucina Lane, Lauren Burrow, Counterfeitnessfirst, Virginia Overell, Joshua Petherick, Laurel Doody, Tahi Moore, elp3 Vine, and more…

Free in the shop.
Free on request with any order (include in your order and shipping cost will be credited back)
If ordered alone, shipping charges apply.

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MAY #15


MAY #15
“FASHION”

contents include:

Preface — MAY

Crisis Fashion — DANIEL HORN

DIS and That — MIKAEL BRKIC & DIS

Vetements – Fall / Winter 2016. Panel Discussion — LOU STOPPARD & SAHIL BABBAR, AUDE FELLAY, AYA NOEL, PRIYESH PATEL, VILDE SORUM

The Modern Naked King — TAQUE HIRAKAWA

Interview with Women’s History Museum — ADA O’HIGGINS

Maison Artists Space. Interview with Stefan Kalmár — MAY

Roundtable — BLESS & ANJA ARONOWSKY CRONBERG, HEINZ PETER KNES

THE STREET — TOBIAS KASPAR & TOBI MAIER

Jesus as Readymade. Interview with Kaspar Müller — PETER FISCHLI

REVIEWS

La mode retrouvée. On the Wardrobe of the Countess Greffulhe at Palais Galliera, Paris — HANNAH ADKINS

Post-Hummannerism. On “Inhuman” at Fridericianum Museum, Kassel — JAKOB SCHILLINGER

Magma — ERIC BELL

Finely Crafted Stool. On Mathieu Malouf at Jenny’s, Los Angeles — GEORGE EGERTON-WABURTON

Wolfpack. On the film “The Wolfpack” by Crystal Moselle — JULIA MORITZ

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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ENDLESS LONELY PLANET 3

 
Endless Lonely Planet is a yearly periodical of print and data from Melbourne, Australia.

ELP3 features: “a c90 tape from Porpoise Torture, an edition work and poem from Virginia Overell, a vine channel from Fictitious Sighs and Bunyip Trax, including at least 52 artists throughout the coming year, a selection of poetry from Internetemotions, a seasonal treat from Christopher L G Hill, a calender of contributors birthdays from Discipline, a poem by George Egerton-Warburton, an edition work by David Homewood, artist pages from James Deutsher, Kain Picken, Matthew Benjamin, and Dan Arps, an excerpt from a possible novella by Fayen d’Evie, two beautiful text works from Alex Vivian, a posy of poems from Adelle Mills, cover art as always by the illustrious Joshua Petherick”

Self published by Christopher LG Hill and contributors, each copy of Endless Lonely Planet issue III comes with all collateral bound together in a transparent plastic shopping bag.

Limited to 100 copies.

Contributors to this issue in full and counting: Adelle Mills, Alex Vivian, Christopher L G Hill, Dan Arps, David Homewood, Disciple, Fayen K X d’Evie. George Egerton-Warburton, Giles Fielke, Molly Dyson, Julian Schwarmer, Aurelia Guo, Jessica Yu, Trevelyan Clay, Anastsia Klose, Eva Birch, Clare Wöhlnick, Alice Jamerson, Jarved Costa, Tim Cøstẽr, Hamish M Macdonald, Holly Childs, Kate Meakin, Lipstick Larry, Simon Zoric, Brennen Oliver, Jessica van Hecke, Ruth O’Leary, Maffew Linde, Kain Picken, James Deutsher, Joshua Petherick, Matthew Benjamin, Porpoise Torture, Virginia Overell, Endless Lonely Planet III vine channel, Matthew P Hopkins, Kieran Hegarty, Air Max ’97, and more to come…..

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