Hassan Khan

Kaleidoscope 15
Summer 2012

“A” is for Africa

HIGHLIGHTS Santu Mofokeng by Philippe Pirotte; Hassan Khan and Wael Shawky by Shahira Issa; Sci-Fi Narratives by Nav Haq and Al Cameron; Athi-Patra Ruga by Linda Stupart; Cinémathèque de Tanger by Omar Berrada.

MAIN THEME – The Future of The Continent, Continent of the Future. Part A) Art by Nana Oforiatta-Ayim; Part B) Cinema by Olufemi Terry and Frances Bodomo; Part C) Music by Benjamin Lebrave; Part D) Urban Planning by Antoni Folkers.

MONO – Nicholas Hlobo Interview by Sean O’Toole; Essay by Tracy Murinik; Focus by Liese van der Watt.

REGULARS Futura: Lynette Yiadom-Boakye by Hans Ulrich Obrist; Panorama: From Nigeria to Ethiopia by Emmanuel Iduma; On Exhibitions: “African Negro Art” by Paola Nicolin; Souvenir d’Italie: Massimo Grimaldi by Luca Cerizza; Producers: Elvira Dyangani Ose by Carson Chan.

KALEIDOSCOPE is an international quarterly of contemporary art and culture. Distributed worldwide on a seasonal basis, it offers a timely guide to the present (but also to the past and possible futures) with an interdisciplinary and unconventional approach.

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Kaleidoscope 15
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After Berkeley Objectif Exhibitions, 2010–2011
Mai Abu ElDahab (Ed.)

Interviews: Matias Faldbakken by Nikki Columbus, Will Holder by Richard Birkett, Sophie Nys by Dieter Roelstraete, Clifford Irving by Francis McKee, Patricia Esquivias by Jonas Žakaitis, Norma Jeane and Tim Etchells by Anna Colin, Michael Portnoy by Sofía Hernández Chong Cuy, Hassan Khan by Brian Kuan Wood, Barbara Visser by Malašauskas; and contributions by Mai Abu ElDahab and Dexter Sinister

Following From Berkeley to Berkeley: Objectif Exhibitions, 2008–2010, this publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011. The interviews are accompanied by a collection of secondary and parallel material produced in collaboration with each artist.  

After Berkeleyopens with a letter from Mai Abu ElDahab addressed to the book’s designer, Will Holder, about parallels between their project and Roberto Bolaño’s book The Savage Detectives. It and proceeds through a series of conversations revealing the references, methods, and interests of the participants at Objectif Exhibitions ranging from reticence and possession in artistic production to a historical account of so-called carrot jokes.

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After Berkeley Objectif Exhibitions, 2010–2011
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