Jana Euler

Mousse 57
February-March 2017

Dean Daderko, Arthur Jafa and Sondra Perry on blackness, technology and Alien ontologies; Stefanie Hessler exchanges oceanic ideas with Heidi Ballet; Puppies Puppies talk to Tenzing Barshee; Hannah Black as seen by Rahel Aima; essays by Alexander Provan, Orit Gat and Jens Hoffmann; William Pope.L and Mia Locks; Sam Thorne with Marianna Simnett; Anna Gritz and Eric Baudelaire; Luke Willis Thompson; Basel Abbas & Ruanne Abou-Rahme; Raúl de Nieves, and more.

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.
Mousse (Mousse Publishing) is also publisher of catalogues, essays and curatorial projects, artist books and editions.

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Mousse 57
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Starship No.15

Contributors to Starship 15: Nadja Abt, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, Lou Cantor, Nicolas Ceccaldi, Jay Chung, Hans-Christian Dany, Helmut Draxler, Francesca Drechsler, Martin Ebner, Jana Euler, Julian Göthe, Toni Hildebrandt, Karl Holmqvist, Judith Hopf, Stephan Janitzky, Jakob Kolding, Robert McKenzie, Maria Loboda, Nick Mauss, Robert Meijer, Ariane Müller, Christopher Müller, Eileen Myles, Gunter Reski, Mandla Reuter, Cameron Rowland, Julia Scher, Mark von Schlegell, Eva Seufert, Diamond Stingily, Wolfgang Tillmans, Vera Tollmann, Haytham El-Wardany, Nicole Wermers, Amelie von Wulffen, Stephanie Wurster, Florian Zeyfang.

Editors: Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen.
Layout concept: Starship and Dan Solbach.
Graphic Design: Philip Reinartz.
Cover: Gerry Bibby, Gina Folly.
Centerfold: Amelie von Wulffen.
Backcover: Martin Ebner

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Helke Bayrle
Portikus Under Construction 1992–2016


Edited by Fabian Schöneich
Texts by Helke Bayrle, Kirsty Bell, Daniel Birnbaum, Sunah Choi, Nikola Dietrich, Nikolaus Hirsch, Brigitte Kölle, Kasper König, Angelika Nollert, Melanie Ohnemus, Sophie von Olfers, Philippe Pirotte, Fabian Schöneich, Jochen Volz

In 1992, Helke Bayrle began videotaping the installation of each exhibition at the Portikus exhibition space. These videos form a remarkable and intimate archive of the storied Frankfurt contemporary art institution and the exceptional artists and personnel that have worked within it. Coinciding with the launch of a website containing all of Bayrle’s Portikus videos, this publication pays tribute to the artist’s extraordinary work, through a comprehensive timeline, video stills, and statements by past and current directors and curators. Art critic and historian Kirsty Bell writes about the history of Portikus and the meaning of Bayrle’s work. Also included in the book is a conversation with the artist and Sunah Choi, who, since 2001, has edited the videos that comprise Bayrle’s truly unique undertaking.

Copublished with Portikus, Frankfurt am Main
Design by Ronnie Fueglister

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Helke Bayrle - Portikus Under Construction 1992–2016
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KM-coverKMspread

k.m Exhibitions/Ausstellungen 2010-2015
Bart van der Heide, Manuel Raeder (Eds.)

 

Edited by Bart van der Heide and Manuel Raeder.

This book is an overview of the exhibition program of Bart van der Heide from 2010 – 2015, which he realised as the director of Kunstverein München. This program includes exhibitions by Silke Otto-Knapp, Ian Kiaer, Tobias Madison, Keren Cytter, Cathy Wilkes, Group Affinity, Willem de Rooij, Trisha Baga, Richard Tuttle, Mei-mei Berssenbrugge, Simon Denny, Nicolas Ceccaldi, Ger van Elk, James Richards, and others. Each exhibition is presented by a corresponding booklet, containing all texts and images. These accompanying publications were designed individually for each exhibition in cooperation with Studio Manuel Raeder. The different designs play with various fonts, formats, and graphic elements. Together with these publications, a variety of coloured images of exhibition views conveys the curatorial direction as well as the identity of the Kunstverein in those years. A reflection by Bart van der Heide and all booklet texts are included in both German and English.

designed by Studio Manuel Raeder

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