Janet Burchill & Jennifer McCamley

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Burchill/McCamley


Catalogue produced on the occasion of the exhibition “Burchill/McCamley” at Neon Parc, February 13-April 9, 2016 by Melbourne artists Janet Burchill and Jennifer McCamley. Features full-colour documentation of the exhibition installation and individual works, alongside an essay by Helen Hughes.
Design by Yanni Florence

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Burchill/McCamley 2016
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PriViews-coverPrimaryViews-spread

Primary Views
Stephen Bram, Janet Burchill and Jennifer McCamley, Juan Davila


Catalogue produced on the occasion of the exhibition, “Primary Views” at MUMA, Monash University Museum of Art in 2008, curated by artists Stephen Bram, Janet Burchill and Jennifer McCamley, and Juan Davila, with co-ordinating curator Kirrily Hammond.
Primary Views invited the insights of four artists represented in the Monash University collection. Each has been invited to curate a self-contained exhibition from the Monash University collection, according to their own areas of interest, expertise and aesthetic/discursive predilections. Alternative to classical or canonical art-historical readings, Primary Views considers the role of the artist as curator, encouraging new readings of the collection, and more partial, polemical and aberrant artistic historiographies.
Features texts by the curating artists and Max Delany.

Artists featured in the exhibition were: Howard Arkley, Paul Bai, Chris Barry, Charles Blackman, Peter Booth, Arthur Boyd, Stephen Bram, Horace Brodzky, Janet Burchill & Jennifer Mccamley, Ian Burn, Jane Burton, Domenico De Clario, Clyde Clinton, Noel Counihan, Mutlu Cerkez, Juan Davila, John Dunkley-Smith, Richard Dunn, Louise Forthun, John Heartfield, Bill Henson, Lynn Hershman, Ronnie Van Hout, Rafaat Ishak, Rosemary Laing, Robert Macpherson, Tracey Moffatt, John Nixon, Jacky Redgate, William Robins, Paul Saint, Dada Samson, Jan Senbergs, Wolfgang Sievers

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Primary Views
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Justin Clemens
Minimal Domination

Minimal Domination collects a selection of Justin Clemens’ art writings from the past decade. The title is drawn from contemporary mathematics: a minimally dominating set is the smallest set of points that neighbour all other points of a graph. A minimally dominating set is therefore a multiple and a structure which has privileged access to that which it is not. This is the secret of contemporary art: it creates discrete selections from which we can survey the whole.

Justin Clemens, former art critic for The Monthly, has written extensively on contemporary art. The essays in Minimal Domination discuss the work of Joseph Kosuth, Gordon Bennett, Juan Davila, Mike Parr, Ricky Swallow, Janet Burchill & Jennifer McCamley, Christian Capurro, Philip Hunter, and others.

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Justin Clemens - Minimal Domination
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Janet Burchill & Jennifer McCamley
Shields

Catalogue produced on the occasion of ‘Shields’, an exhibition of new works by Janet Burchill and Jennifer McCamley with a text by Justin Clemens.

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Janet Burchill & Jennifer McCamley - Shields
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