Jiro Takamatsu

1960-cover1960-spread

Trends of Japanese Art in the 1960s
Departure for Diversity

Great book published on the occasion of the exhibition at the Tokyo Metropolitan Art Museum in 1983.
Illustrated throughout in colour and black and white with examples of leading firgure in 1960s Japanese art scene, across themes and movements such as Gutai, Mono-ha, Pop, Fluxus, Dada, conceptual art and much more, including profiles on Tetsumi Kudo, Yukihisa Isobe, Ushio Shinohara, Shusaku Arakawa, Takami Sakurai, Yoshio Murakami, Hisashi Indo, Tomio Miki, Nobuaki Kojima, Jiro Takamatsu, Genpei Akasegawa, Natsuyuki Nakanishi, Koichi Tateishi, Hiroshi Nakamura, Koichi Tanikawa, Kei Hiraga, Ay-o, Tadanori Yokoo, Tasuo Ikeda, Tetsuro Komai, Hideo Hagiwara, Fumiaki Fukita, Yukio Fukazawa, Arinori Ichihara, Masuo Ikeda, Mitsuo Kano, Hideo Yoshihara, Tetsuya Noda, Bushiro Mouri, Saburo Muraoka, Shu Eguchi, Hisayuki Mogami, Ryokichi Mukai, Yoshikuni Iida, Bukichi Inoue, Isamu Wakabayashi, Masakazu Horiuchi, Kakuzo Tatehata, Haruhiko Yasuda, Moio Shinoda, Katsuhiro Yamaguchi, Masunobu Yoshimura, Tatsuo Kawaguchi, Minami Tada, Aiko Miyawaki, Nobuo Sekine, Takeo Yamaguchi, Masanari Murai, Toshinobu Onosato, Yoshishige Saito, Minoru Kawabata, Kumi Sugai, Yayoi Kusama, On Kawara, Keiji Usami, Takahiko Iimura.

Texts in Japanese.

* Condition: Very Good (only very light cover wear otherwise tight, clean copy) – All care is taken to provide accurate condition details of used books, photos available on request.

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Trends of Japanese Art in the 1960s
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Photograph: Jiro Takamatsu

Jiro Takamatsu is one of the main figures of the Japanese avant-garde of the 1960s onward, having participated in the seminal artists’ collective High Red Center (1963-64) and approached the Mono-Ha movement (1967–1979). The “photographs of photographs,” shown in the 1973 edition of the Bienal de São Paulo, were made in collaboration with a professional photographer based on photos from the artist’s personal, family archive. The procedure plays with photography’s temporal dimension and with memory, while also relating the images with other scenes and “real” objects: a hand, a ruler, a work shelf, a doorstop.

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Photograph: Jiro Takamatsu
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