John Davis

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Anything Goes
Art in Australia 1970-1980

First printing of “Anything Goes : Art in Australia 1970-1980”, published by Art & Text in 1984. Edited by Paul Taylor, founder of Art & Text, this large, valuable volume of essays by leading writers of those years – covering all aspects of painting, sculpture, photography and experimental art forms since 1970 – features contributions by Janine Burks, Mary Eagle, Christine Godden, Robert Lindsay, Ian Burn, Julie Ewington, Memory Holloway, Terry Smith, Ann Stephen, Margaret Plant, Patrick McCaughey, Daniel Thomas.

“The 1970s were years of unprecedented change in Australian art and culture, and Anything Goes is the first book about that decade’s remarkable variety of art.”

Includes the work of: →↑→, Mike Parr, Howard Arkley, Jenny Watson, Donald Judd, Ian Burn, John Lethbridge, John Davis, Mel Bochner, Joseph Beuys, Mel Ramsden, Women’s Domestic Needlework Group, Andy Warhol, Tim Johnson, Nigel Lendon, Artsworkers Union, Robert Rooney, Clive Murray-White, Tony McGillick, Fred Williams, John Firth-Smith, George Haynes, Donald Laycock, Michael Taylor, Fred Cress, Ron Robertson-Swann, David Aspden, Sydney Ball, Roger Kemp, Paul Partos, Trevor Vickors, Robert Hunter, Robert Jacks, Vivienne Binns, Bonita Ely, Marie McMahon, Virginia Cuppaidge, Imants Tillers, Les Kossatz, Ti Parks, Peter Cripps, Ken Searle, Jan Senbergs, George Baldessin, John Armstrong, Janet Dawson, Dale Hickey, Tony Coleing, Marr Grounds, Chips Mackinolty, Ann Newmarch, Colin Little, Jan Mackay, Toni Robertson, Jenny Hill, Christo, Ross Grounds, Ken Unsworth, Kevin Mortensen, Stelarc, Jillian Orr, Hossein Valamanesh, W. Thomas Arthur, Ewa Pachucka, Vicki Varvaressos, Carol Jerrems, Elizabeth Gower, Geoff Hogg, Ann Newmarch, Peter Kennedy, Jon Rhodes, Bill Henson, Stephen Lojewski, Robert Owen, Mark Johnson, Peter Booth, John Duckley-Smith, Ron Robertson-Swann, Alun Leach-Jones, Michael Johnson, Lesley Dumbrell, Fred Cross, John Walker, David Aspden, and many more.

Paul Taylor (Melbourne, 1957–7 September 1992) was an Australian art critic, curator, editor and publisher. In 1981, he founded Art & Text, the contemporary art journal considered to be responsible for generating and promoting postmodernist discourse in Australian art.

* Condition: Very Good (tight, clean copy, tanning to cover edges/spine) – All care is taken to provide accurate condition details of used books, photos available on request.

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Anything Goes (1984)
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Institute of Modern Art 1975-1989
A Documentary History - Bob Lingard, Sue Cramer (Eds.)

Institute of Modern Art 1975-1989 – A Documentary History, was edited by Bob Lingard, Sue Cramer in Brisbane in 1989, and takes an in-depth look at the history of a very important period of one of Australia’s oldest contemporary art spaces. Through essays by Bob Lingard and Peter Anderson, exhibition photography, a full list of exhibitions, catalogues and bulletins, this publication retrospectively showcases the directorship years of Robert Jadin de Fronenteau, John Buckley, John Nixon, Barbara Campbell, Peter Cripps and Sue Cramer, exhibiting John Olsen, Robert MacPherson, Ian Hamilton, Sidney Nolan, John Baldessari, Peter Cripps, Gunter Christmann, David Hockney, Diane Arbus, Jenny Watson, Chuck Close, Joseph Kosuth, Paul Sharits, Mike Parr, Arthur Boyd, Robert Jacks, John Davis, Mario Merz, Peter Tyndall, Hilary Boscott, Imants Tillers, John Nixon, Elizabeth Gower, Janet Burchill, Tony Clark, Dale Frank, Henri Chopin, Scott Redford, Tim Johnson, Robert Mapplethorpe, Vivienne Shark Lewitt, Fiona McDonald, Fiona Hall, Joanna Flynn, Jan Nelson, Joanna Ritson, Robert Hunter, Stephen Roach,Dominique Gonzalez-Foerster, Lehan Ramsey, Hiram To, John Dunkley-Smith, Stieg Persson, Merilyn Fairskye, Linda Marrinon, Bill Henson, Fritz Rahman, Melinda Harper, Geoff Lowe, Lindy Lee, Eugene Carchesio, Diena Georgetti, Maria Kozic, Lyndal Jones, amongst many others!

“This publication documents the history of the Institute of Modern Art, Brisbane from its inception in 1975 until the present day (1989). In doing so, it provides a partial record, both visual and verbal, of the life of one particular institution and an insight into a fifteen year history of exhibition-making within contemporary art. There can be no doubt that “Contemporary Art Spaces” (previously institutions such as the IMA were known as “alternative spaces”) have a crucial and unique role in supporting and developing contemporary art and curatorial practices within Australia. As the photographs of exhibitions, and the essays in this publication show, the Institute has played a significant role over its fifteen years as a venue not only for the exhibition of art that is being made in Brisbane itself, but also that of artists working elsewhere in Australia and overseas. It is worth remembering too that the Institute is the second oldest of the Contemporary Art Spaces in Australia. With this in mind, the Institute’s archive, from which this publication has been drawn, becomes a valuable resource in the study of recent art. The photographs published here ofier a visual record of individual works by many contemporary artists, a number of which may not have been published elsewhere. It is hoped therefore, that this publication might fruitfully be regarded as a source book from which more detailed projects of research can be undertaken. It is impossible in one publication to cover all of the activities and personalities, ideas, debates and discussions that have made up the life of the gallery. Alongside the exhibition program, the Institute has generated forums, lectures, film screenings and publications as an important part of its activities…”
SUE CRAMER DIRECTOR, June 1989

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Institute of Modern Art 1975-1989
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ART & TEXT 11
Spring 1983

 

ART & TEXT 11
Spring 1983

Edited by Paul Taylor
Blurb by Malcolm McLaren

CONTENTS:
“The Precession of Simulacra” by Jean Baudrillard (translated by Paul Foss and Paul Patton
“Kristeva, Bakhtin and Carnival” by Kateryna Arthur
“Performance Art As Politicised Epistemology” by Thomas Huhn
“Anything Still” by John Young
“Duck Rock” by Andrew Preston
“A Melbourne Mood” by Frances Lindsay
“Made by →↑→” by Mary Eagle
“Horrality” by Philip Brophy


Art & Text, one of the landmark contemporary art magazines of the 1980s and 1990s. Founded in Melbourne, Australia, in 1981 by Paul Taylor (1957–92), who soon moved to New York City to make his mark as an art critic, the magazine went on to become one of a handful of international art magazines that succeeded in capturing the turmoil and passing brilliance of that period of postmodernism.

* Condition: Very Good (light wear, otherwise tight, clean copy) – All care is taken to provide accurate condition details of used books, photos available on request

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ART & TEXT 11
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Pitch Your Own Tent
Art Projects | Store 5 | 1st Floor

Extensive catalogue produced on the occasion of the exhibition “Pitch Your Own Tent: Art Projects | Store 5 | 1st Floor” curated by Max Delany, at Monash University Museum of Art, 23 June to 27 August 2005.
Featuring essays by Carolyn Barnes, Max Delany, Robyn McKenzie, Tessa Dwyer, Andrew Hurle, Danny Huppatz and Sarah Tutton.

Monash University Museum of Art presents Pitch Your Own Tent: Art Projects | Store 5 | 1st Floor, an exhibition and publication examining the recent history of contemporary Australian art from 1979-2002 through the activities and practices of three influential artist-run spaces: Art Projects, Melbourne 1979-1984, established by John Nixon; Store 5, Melbourne 1989-1993, established by Gary Wilson; 1st Floor, Melbourne 1994-2002, established by David Rosetzky.

The exhibition explores a strong lineage in the recent history of contemporary Australian art; of avant-garde, experimental and innovative practices and discourses developed by communities of artists through independent artist-run exhibition and publishing initiatives.

Each of the three respective artist-run spaces will be represented through one of MUMA’s three galleries, which will provide the opportunity to represent each organisation in context, whilst also allowing a comparison of the ideas, modes of display, and material culture of each respective enterprise. One contention of the exhibition is the degree to which it is artists themselves who are responsible for the interpretation and writing of art history.

One important parameter that has been established within the curatorial framework is to involve only those works of art which were actually presented in the programs of the respective artist-run spaces, thereby invoking the forms, production values and materiality of the respective periods.

The title, Pitch Your Own Tent, makes reference to Gustave Courbet who pitched his own tent in front of the 1855 Exposition Universelle in Paris, to Ti Parks tents (one of which was exhibited at Art Projects and will be included in the exhibition), to Rikrit Taravanija’s tent installed in front of the AGNSW, and to the perpetually provisional and itinerant nature of artist-run spaces generally.

Given that the programs of Art Projects, Store 5 and 1 st Floor were each ambitious, diverse and encompassed exhibition and publishing programs conducted over periods of 5-9 years, the exhibition will inevitably focus upon the principal artists, and selected works which have made influential and/or lasting contributions, or are strongly representative of innovative visual arts culture of the time.

Artists include:
Art Projects – Anti-Music, Tony Clark, Peter Cripps, John Davis, John Dunkley-Smith, Richard Dunn, Robert Jacks, Robert MacPherson, John Nixon, Imants Tillers, Ti Parks, Mike Parr, Peter Tyndall, Ania Walwicz, Jenny Watson.
Store 5 – Stephen Bram, Sandra Bridie, Tony Clark, Bronwyn Clark-Coolee, Marco Fusinato, Diena Georgetti, Melinda Harper, Gail Hastings, Anne-Marie May, John Nixon, Rose Nolan, Kerrie Poliness, Kathy Temin, Gary Wilson, Constanze Zikos.

1st Floor Artists and Writers Space – Amanda Ahmed, Guy Benfield, Kate Beynon, Martine Corompt, Michael Delany, Kate Ellis, Mira Gojak, Eliza Hutchison, Raafat Ishak, Brendan Lee, Andrew McQualter, John Meade, Sean Meilak, Callum Morton, David Noonan, Alex Pittendrigh, David Rosetzky, Jacinta Schreuder, John Spiteri, Lyndal Walker.

Text: Carolyn Barnes, Max Delany, Tessa Dwyer, D.J Huppatz, Andrew Hurle, Robyn McKenzie, Sarah Tutton, edited by Max Delany.

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Pitch Your Own Tent
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