Josh Kline

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9th Berlin Biennale for Contemporary Art
The Present in Drag

 


The Present in Drag is published as a companion volume to the 9th Berlin Biennale for Contemporary Art, which was curated by New York collective DIS. Providing information on the works shown in the exhibition, it also includes contributions by Roe Ethridge, Simon und Daniel Fujiwara, Boris Groys, Katja Novitskova, Chus Martinez, Bjarne Melgaard, Sean Patrick Monahan, Sabine Reitmaier, McKenzie Wark, and others.
The 9th Berlin Biennale for Contemporary Art features the work and contributions of: 69, Antoni Abad, Halil Altindere, Ei Arakawa (in collaboration with Dan Poston, Stefan Tcherepnin), Korakrit Arunanondchai/Alex Gvojic, atelier le balto, Armen Avanessian/Alexander Martos (in collaboration with Christopher Roth), åyr, Will Benedict, Julien Ceccaldi, Centre for Style
(in collaboration with Anna-Sophie Berger; Burkhard Beschow & Anne Fellner; Max Brand; Rare Candy with Alden Epp, Spencer Lai, Natasha Madden, Misty Pollen, Ander Rennick & Amber Wright; Susan Cianciolo; Marlie Mul; Liam Osborne; H.B. Peace & Kate Meakin; Joshua Petherick; Lin May Saeed; Eirik Sæther), Brody Condon, CUSS Group (in collaboration with ANGEL-HO, FAKA, Megan Mace, NTU), Kathleen Daniel, Debora Delmar Corp., Simon Denny with Linda Kantchev, Cécile B. Evans, Nicolás Fernández, Lizzie Fitch/Ryan Trecartin, Simon Fujiwara, GCC, GUAN Xiao, Calla Henkel/Max Pitegoff, Camille Henrot, Yngve Holen, Alexa Karolinski/Ingo Niermann, Kartenrecht, Josh Kline, Korpys/Löffler, Nik Kosmas, M/L Artspace, Shawn Maximo, Ashland Mines, Katja Novitskova, Trevor Paglen/Jacob Appelbaum, Juan Sebastián Peláez, Adrian Piper, Alexandra Pirici, Josephine Pryde, Puppies Puppies, Babak Radboy, Jon Rafman, Timur Si-Qin, Lucie Stahl, Hito Steyerl, TELFAR, Christopher Kulendran Thomas, Wu Tsang, Anna Uddenberg, Amalia Ulman, Anne de Vries, Abu Hajar, Halil Altindere, Math Bass, Lizzi Bougatsos & Brian DeGraw, Elysia Crampton, Lizzie Fitch/Ryan Trecartin, Isa Genzken, Juliana Huxtable, Kelela, Nguzunguzu, PATRICIA (Patricia Satterwhite, Jacolby Satterwhite, Nick Weiss), Adrian Piper, Fatima Al Qadiri, Carles Santos, Hito Steyerl, Total Freedom, Amalia Ulman, Antoni Abad, åyr/Rem Koolhaas/Hans Ulrich Obrist, Kathleen Daniel, Cécile B. Evans and Andrew Snyder-Beattie, Oleg Fonaryov and Oleksiy Radynski, Simon & Daniel Fujiwara, GCC, Boris Groys, Rob Horning, Izabella Kaminska and Simon Denny, Chus Martínez, Meredith Meredith, Sean Monahan, New Scenario, Ingo Niermann, Alexandra Pirici, Puppies Puppies, Sean Raspet, Natasha Stagg, Amalia Ulman, Sencer Vardarman, Eduardo Viveiros de Castro and Déborah Danowski in conversation with Michelle Sommer and Daniel Steegmann Mangrané, McKenzie Wark, Will Benedict, Dora Budor, Cao Fei, Roe Ethridge, Hood by Air, Bjarne Melgaard, Simon Dybbroe Møller, Zanele Muholi, Johannes Paul Raether, Torbjørn Rødland, Akeem Smith, Martine Syms, Stewart Uoo, Nina Cristante, Sabine Gottfried, Nik Kosmas, Lesley Moon, Helga Wretman, Frank Benson, Asger Carlsen, DIS, Casey Jane Ellison, Roe Ethridge, Avena Gallagher, Saemundur Thor Helgason, Tilman Hornig, Benjamin Alexander Huseby, Chris Kraus, Bjarne Melgaard, Jason Nocito, Babak Radboy, Sean Raspet, Sabine Reitmaier, Aaron David Ross, Andrew Norman Wilson, Anonymous, Anonymous, Anonymous and others.

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9th Berlin Biennale for Contemporary Art
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Life Itself
Edited by Daniel Birnbaum, Stefanie Hessler, Carsten Höller & Jo Widoff

Anyone undertaking a study of the concept of “life” in our culture will observe that it never gets defined as such, writes Giorgio Agamben. Instead, he claims, this indeterminate thing – life itself – gets articulated and divided time and again through a series of oppositions that give it a function in the sciences without ever being defined as such. These theoretical and literary articulations are what this book is about, and what the 173 texts by authors, scientists and philosophers from all times and all disciplines will try to answer.
Ernst Haeckel, speculative biologist and naturalist, coined key concepts as phylum and ecology. In the years 1899-1904 he published Kunstformen der Natur (Art Forms of Nature), one hundred prints depicting organisms many of which were first described by Haeckel himself, who with this project took an unusual step from science to art. His sketches thus create a bridge between this book and the exhibition at Moderna Museet, appearing in the margins of both. Otherwise there is no art in this publication and the division of labor strict: the exhibition is art?s chance to answer the topic spelled out in the subtitle to Life Itself: “On the question of what it essentially is; its materialities, its characteristics, considering that attempts to answer this question by occidental sciences and philosophies have proven unsatisfactory.”

Exhibition featured the work of Giovanni Anselmo, Olga Balema, Hicham Berrada, Joseph Beuys, Karl Blossfeldt, Constantin Brancusi, Victor Brauner, Nina Canell, Lygia Clark, Trisha Donnelly, Monica Englund, Valia Fetisov, Dirk Fleischmann, Katharina Fritsch, Ernst Haeckel, Barbara Hauser, Tamara Henderson, Eva Hesse, Damien Hirst, Tehching Hsieh, Pierre Huyghe, Carsten Höller/Rosemarie Trockel, On Kawara, Josh Kline, Hilma af Klint, Edward Krasinski, Mark Leckey, Helen Marten, Henri Michaux, Barnett Newman, Otobong Nkanga, Katja Novitskova, Philippe Parreno, Giuseppe Penone, Leo Reis, Ulf Rollof, Rachel Rose, Anri Sala, Sebastian Stöhrer, Sturtevant, Paul Thek, Rosemarie Trockel, Rosemarie Trockel/Günter Weseler, Christine Ödlund.

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Life Itself
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CURA. No. 20
Fall 2015


cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities, based in Rome, Italy.

CURA. No.20
FALL 2015
Cover by Allison Katz

INSIDE THE COVER
Allison Katz. Pungent Painting
text by Ruba Katrib

PORTRAITS IN THE EXHIBITION SPACE
Wim Beeren and Tomorrow’s Museum
by Lorenzo Benedetti

TALKING ABOUT
Why Poetry?
by Jean-Max Colard

POP-UP SECTION: DISPLAY
ISSUE 01
You Display, I Display, We Display
by Céline Condorelli and Gavin Wade

ABOUT
Josh Kline
by Ciara Moloney

PROJECT
A Wonderful World Under Construction
by GCC

SPOTLIGHT
Ryan Gander
in conversation with Adam Carr

ABOUT
Michael E. Smith
by Jenny Jaskey

A VISIT TO
Pedro Barateiro: The Current Situation /
Palmeiras Bravas, Museu Colecão Berardo, Lisbon
with João Mourão & Luís Silva

ABOUT
Marguerite Humeau
by Hans Ulrich Obrist

HOT!
Olga Balema
by Chris Sharp

Darja Bajagić
by Franklin Melendez

Sascha Braunig
by Rose Bouthillier

Rachel Rose
by Frances Loeffler

PROJECT
Villa Design Group 
and Nicoletta Lambertucci

PROJECT
Lena Henke and Anna Gritz

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CURA. No. 20
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Mousse #40

TALKING ABOUT – Museum of Malware by John Menick
LAURA POITRAS – Primary Documents by Lauren Cornell
TALKING ABOUT – The Resistance to Symbols by Jennifer Allen
TALKING ABOUT – Outside In by Chris Wiley
TALKING ABOUT – Outside Art. After Venice by Dieter Roelstraete
MATT WOLF – Dreaming Documentary by Stuart Comer
TALKING ABOUT – Excuse My Dust by Jennifer Bornstein
TALKING ABOUT – Thinking Contemporary Exhibitions by Terry Smith and Jens Hoffmann
RACHEL ROSE – A State of Constant Becoming by Laura McLean-Ferris
ADRIANO COSTA – Materials Love to Find Me… by Gigiotto Del Vecchio
GAVIN KENYON – Sculptural Bondage by Cecilia Alemani
TALKING ABOUT – After Effects: Art and Technology, Then and Now by João Ribas
LUCIEN SMITH – History Repeating by Chelsea Haines
PARIS – MATI DIOP – Provoking Colours by Filipa Ramos
LOS ANGELES – SCOLI ACOSTA – Percussive Paintings and Quixotic Cadences: The Travels and Travails of Scoli Acosta by Andrew Berardini
LONDON – RICHARD SIDES – Social Spaces by Pavel S. Pys´
NEW YORK – JOSH KLINE – New Objects of Common Pictures by Christopher Y. Lew
ARIANA REINES – ABRACADABRA by Stuart Shave
VANESSA PLACE – The Frictionless Witness or Us, Keeping Us Real by Quinn Latimer
TALKING ABOUT – Artists and Workers by Julian Myers-Szupinska
TALKING ABOUT – May Your Children Turn Their Faces from You by Doug Ashford

and much more…

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