K8 Hardy

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Invisible Adversaries
edited by Lauren Cornell

‘Invisible Adversaries’ was a major exhibition curated by Lauren Cornell and Tom Eccles inspired by the 1976 feature film by the radical Austrian artist Valie Export. The film presents a woman’s struggle to retain her sense of self against hostile alien forces that appear increasingly ubiquitous, colonizing the minds of all those around her. Motifs from the film – among them, architecture’s influence on identity; feminist critique; and the power of political fantasy – operate as filters through which to consider significant pieces from the Marieluise Hessel Collection.

With works by over 50 artists including Eija-Liisa Ahtila, Chantal Akerman, Kai Althoff, Janine Antoni, Ida Applebroog, Phyllida Barlow, Lynda Benglis, Barbara Bloom, Paul Chan, Patty Chang, Anne Collier, Rineke Dijkstra, Trisha Donnelly, VALIE EXPORT, Hans-Peter Feldmann, Isa Genzken, Liam Gillick, K8 Hardy, Rachel Harrison, Mona Hatoum, Roni Horn, Emily Jacir, Annette Kelm, Leigh Ledare, Nikki S. Lee, Sarah Lucas, Tala Madani, Christian Marclay, Helen Marten, Ulrike Müller, Bruce Nauman, Tony Oursler, Philippe Parreno, William Pope.L, Seth Price, Magali Reus, Rachel Rose, Thomas Ruff, Ilene Segalove, Cindy Sherman, Stephen Shore, Diane Simpson, Lorna Simpson, Jo Spence, Hito Steyerl, Tunga, Gillian Wearing, Martha Wilson, and Krzysztof Wodiczko, amongst others.

This 300-page publication designed by Zak Group with original essays by nine influential writers, scholars and artists: Zach Blas, Johanna Fateman, Nav Haq, Vít Havránek, J. Hoberman, Alex Kitnick, Tavia Nyong’O, Lauren O’Neill-Butler, and Julian Rose. The catalogue also includes original interviews with VALIE EXPORT, Trevor Paglen, and Hito Steyerl.

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TEXTE ZUR KUNST #102
JUNE 2016 “FASHION”


Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of institutional critique) as they push back against the pressures of a hyper-accelerated fashion market. In this issue, TzK examines, also, how the industry’s current volume is a product of its late-’00s promise of online democratization; the changing function of such long-held value designations as “luxury,” “discount,” and “underground,” and the role of “real”-er bodies in a climate wherein models are preferably “nodels” or “othered” bodies, hyper-individualised to stand out in the stream.

TABLE OF CONTENTS

PREFACE

ROBERT KULISEK & DAVID LIESKE
FASHION PROFILES OF:
69 WORLDWIDE / NASIR MAZHAR / KYLE LUU / ­BERNADETTE VAN-HUY / LIAM HODGES / TELFAR / NIK KOSMAS & JEANNE-SALOMÉ ROCHAT / MARTINE ROSE / JULIANA HUXTABLE / ECKHAUS LATTA / DIS / NHU DUONG /
with texts by Harry Burke, Tess Edmonson, Jack Gross, and Bianca Heuser

INGEBORG HARMS
 “CRYSTAL MESH / Existential imagery in current fashion”

COLLECTIVE SOUL / Jessica Gysel in conversation with Lotta Volkova Adam and Atelier E.B. (Beca Lipscombe & Lucy McKenzie)

CAROLINE BUSTA
 “NEO-BODIES”

NATASHA STAGG
 “ACCESS CODING”

PHILIPP EKARDT
 “DRESSING AFTER THE GREAT DIVIDE / The emancipation of Jonathan Anderson”

CALLA HENKEL & MAX PITEGOFF
 “LAST NIGHT”

ROTATION

IN DER FRÜHE / Peter Geimer über Friedrich Kittlers „Baggersee“

RETURNS OF THE STONE AGE / Sven Lütticken on the exhibition publications for “Kunst der Vorzeit” and “Allegory of the Cave Painting”

ZUR KULTURPOLITISCHEN BEKÄMPFUNG DER MODERNEN KUNST / Otto Karl Werckmeister über die neue Ausgabe von Hitlers „Mein Kampf“

LIEBE ARBEIT KINO

DURATIONAL FASHION / Sara Marcus on K8 Hardy’s “Outfitumentary”

KLANG KÖRPER

HAVE YOU EVER BEEN TO ELECTRIC LADYLAND / Barbara Vinken über Michaela Melián im Lenbachhaus, München

EINE KULTURGESCHICHTE DER ENTGRENZUNGEN / Daniel Martin Feige über „I Got Rhythm. Kunst und Jazz seit 1920“ im Kunstmuseum Stuttgart

SHORT WAVES
Jens Hoffmann on “Unfinished: Thoughts Left Visible” at the Met Breuer, New York  /  Magdalena Nieslony über Agnes Martin im K20, Düsseldorf  /  Dena Yago on Ei Arakawa, Gela Patashuri, and Sergei Tcherepnin at Midway Contemporary, ­Minneapolis  /  Eva Wilson on Das Institut at the Serpentine Sackler Gallery, London /  Julia Moritz on Tobias Madison at Kestnergesellschaft, Hannover

REVIEWS

MARIUS UND DIE INFORMATION / Hans-Christian Dany über „Nervöse Systeme. Quantifiziertes Leben und die soziale Frage“ im Haus der Kulturen der Welt, Berlin

DIE KUNST VERACHTEN, DEN REST DER WELT ANKLAGEN /Susanne von Falkenhausen über Boris Lurie im Jüdischen Museum Berlin

DEUTSCHES VITRINENGLAS / Steffen Zillig über Dierk Schmidt bei KOW, Berlin

NOTHING BUT KINDNESS / Verena Dengler über Lili Reynaud-Dewar in der Galerie Emanuel Layr, Wien

EARLY SYSTEMS ESTHETICS / Craig Buckley on Les Levine at Buell Hall, GSAPP, Columbia University, New York

WHAT A BODY CAN’T DO / Sophie Goltz über Regina José Galindo im Frankfurter Kunstverein und Maria José Arjona in der Kunsthalle Osnabrück

NACHRUFE / OBITUARIES

PIERRE BOULEZ (1925–2016)
 by Björn Gottstein
ZAHA HADID (1950–2016) 
by Than Hussein Clark

EDITION
JOHN MILLER
TORBJØRN RØDLAND

 

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Centre for Style Rag
by Centre for Style

Centre for Style Rag: Silly Canvas
2nd Printing.

Re-edited, re-printed, re-designed, re-bound, and comes with a free copy of “Boulevard” by Centre for Style at Gertrude Contemporary (softcover, 34 pages, 14 x 20 cm) from World Food Books!

Texts by:
Harry Burke, Helen Hughes, Lisa Radford, Olivia Barrett, Sally Gray, Tim Gentles

Artist pages by:
Anna-Sophie Berger, H.B. Peace, Dan Arps, Dena Yago, Elisa van Joolen, Lou Hubbard

The Prologue Edition doubles as the catalogue of Silly Canvas, with images from the exhibition curated by Centre for Style at Utopian Slumps in December 2014

Participants include:
A Constructed World, Amalia Ulman, Anna-Sophie Berger, Bless, Body by Body, D&K, ffiXXed, H.B. Peace , Ida Ekblad and Eirik Sæther, Lucina Lane, Marlie Mul, Mikala Dwyer, Susan Cianciolo, Trevor Shimizu

Designed and printed by Clare Wohlnick and Maff.

“Boulevard” by Centre for Style at Gertrude Contemporary features the work of Ander Rennick, Brooke Ally, Bum Creek, Chloe Maratta, Christopher LG Hill, Claire Lambe, D&K, Flannery Silva, Guy Benfield, H.B. Peace, Hamish Macdonald, Jenny Watson, Jessie Kiely, Joshua Petherick, K8 Hardy, Kate Meakin, Le Service Public, Laura Fanning, Lewis Fidock, Liam Osborne, Matthew Linde, Marie Karlberg, Michael Smith, Moses Gauntlett Cheng, Nicolas Ceccaldi, Odwalla 88, Quintessa Matranga, Rafael Delacruz, Rare Candy, Richard Malone, Sylvie Zijlmans & Hewald Jongenelis, Tobias Madison, Vejas, Zoe Latta.

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Texte Zur Kunst #80, December 2010 “Political Art ?”

“Political Art ?”

With this 80th issue, Texte zur Kunst celebrates its 20th anniversary. However, the correspondingly “grand” topic of our anniversary issue is not immediately revealed on the cover. Only gradually do the words “Politische Kunst?” (“Political Art?”) emerge from the golden stripes. Already this visual effect, but even more so the question mark in the title, highlights the innumerable layers of meaning in this pair of concepts. Which can hardly be reduced to a common denominator, for political art seems to be omnipresent today. In addition to the Kunstvereine, biennales and other large-scale events have meanwhile established themselves as venues predominantly presenting political art. Yet it cannot be grasped as a fixed category. What does apply, though, is that a certain form of commitment and a fixed positioning of political art must by all means be considered in the framework of their differentiation. But what is the political of political art in the first place, and in what relation do art and politics stand? How do the claims, modes of reception and the effects of political art relate to each other (cf. the statements of Claire Bishop, Tania Bruguera, Diedrich Diederichsen, Hans Haacke, Tom Holert, Clemens Krümmel, and Otto Karl Werckmeister)?
………

Includes : Helmut Draxler – The Curse of the Good Deed / The Claim to Autonomy and the Suspicion of Ideology in Political Art; Roundtable – When Art Meets Politics / A Roundtable Conversation about Political Art with Alice Creischer, Hans-Christian Dany, Tim Eitel, Constanze Ruhm, moderated by Sven Beckstette; Simon Sheikh The Politics of Art and the Process of Biennialization; Maria Muhle – Political Art as Aesthetic Realism or Passion of the Real?; Clemens KrümmelPoltical Art; Hans Haacke responds to questions from „Texte zur Kunst”; Diedrich Diederichsen – Speaking of Political Art; Claire BishopArt and Politics; Tom HolertCritique or Gesture: Is that the Alternative?; Otto Karl WerckmeisterMarx´s Theorie does not prescribe an Art of the Left; Tania BrugueraPolitical Art Transforms the Audience into Citizens….
etc.

Plus reviews from Berlin, Madrid, Basel, Antwerp, London, Graz, Paris, Rotterdam, New York, Wien, Kassel, Cologne, etc….

One of the finest art journals, period.
TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 by Stefan Germer (†) and Isabelle Graw and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as on art history, theory and cultural politics. Since 2006 the comprehensive main section section, each time devoted to a different topic, and selected reviews are published in both German and English.

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