Karla Black

Karla-Black-yellow-coverKarla-Black-Yellow-spread

Karla Black

 

Published on the occasion of the exhibition at Kestnergesellschaft, Hannover, 13 December 2013 – 9 March 2014.

Karla Black avails herself of their methods to further develop the possibilities of sculptural installations as pliant figures in enclosed spaces. In doing so, she relies on an oft-scorned colourfulness, on materials not frequently encountered in the annals of art history, and on fragile and ephemeral aggregations.

This large, heavily visual book surveys much of Black’s works from over the years, including large-scale installations and intimate details.

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Karla Black - Kestnergesellschaft, Hannover
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Karla Black
Brains Are Really Everything


Published by Fruitmarket Gallery in Edinburgh, Scotland, in conjunction with the exhibition in Venice, held at Palazzo Pisani (S. Marina), 4 June-27 November 2011, this publication on the work of Karla Black features full colour photographs of her installation, painting and sculptural works.

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Karla Black - Brains Are Really Everything
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Flaca / Tom Humphreys

Edited by Nikolaus Hirsch, Sophie von Olfers
Contributions by Thomas Bayrle, Christian Egger, Nikolaus Hirsch, Sophie von Olfers

Will Benedict, Michael Beutler, Karla Black, Henning Bohl, Jana Euler, Ellen Gronemeyer, Claire Hooper, Tom Humphreys, Paul Lee, Laure Prouvost, Nora Schultz, Lucie Stahl, Sue Tompkins, Alexander Wolff, Sergej Jensen…
Emerging from the eponymous exhibition at Portikus in Frankfurt am Main, Flaca / Tom Humphreys reflects on the London exhibition space, Flaca, that Tom Humphreys organized between 2003 and 2007. Humphreys developed an exhibition that made no pretense to offer an illustrative or historically accurate representation of his activities at the time, instead turning the space into a distorted double set in the present. Humphreys is interested in questioning the activities of that time; some of the artists he invited for this exhibition, for instance, never showed at Flaca. As Christian Egger writes in the catalogue: “Exhibiting there often meant that you could look with a fresh eye at the first solo shows in London of artists you’d only just seen at Flaca, and that was all really quite exciting, as though you were experiencing a little bit of what the mobile phone you’d brought along had gone through when you first scared it by charging it with island juice, there was somehow a different energy—a flirtation with malfunction.” The catalogue compliments the energetic, engaged style embodied by both Flaca and the reflective exhibition.

Co-published with Portikus
Design by Manuel Raeder

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Flaca / Tom Humphreys
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