Katharina Sieverding

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Texte Zur Kunst #104
DECEMBER 2016 "THE INDIVIDUAL"

Issue #104 of TzK examines a key protagonist of the modern age: the individual. As our cover suggests, there is an inherent tragedy to this being who, however autonomous, is beholden to a program that it must internalize at the price of suffering enormously. This issue takes up the individual not as a fixed subject, but as a mode of the self that shifts according to the current form of governance, asking how 15-some years of the “new spirit of capitalism” has shaped her – as an artist, as an entrepreneur, as a “productive” contemporary self.

ISSUE NO. 104 / DECEMBER 2016 “THE INDIVIDUAL”

TABLE OF CONTENTS

PREFACE

INVEST YOURSELF! / Wendy Brown in conversation with Isabelle Graw

NINA POWER
FROM THE ONE TO THE MANY

CAN THE ENTREPRENEURIAL SELF TWEET? / An interview with Ulrich Bröckling

BUFFERING OF THE SELF: GUISING IN THE MID-’00S / Storm van Helsing, André Rottmann, Sarah Nicole Prickett, Reena Spaulings, @lilinternet, i.i.i., Luther Blissett — on — Luther Blissett, JT LeRoy, Reena Spaulings, @lonelygirl15, Claire Fontaine, An Hero, Lee Williams, and Strom van Helsing

SVEN LÜTTICKEN
SPEECH GESTURES / Notes on the individual and the socialization of language after Gutenberg

WOLFGANG RUPPERT
PRODUCING INDIVIDUALITY / The Artist among his Contemporaries

I’M NOT PUNK / Alex Israel in conversation with Texte zur Kunst
BILDSTRECKE

ANNA HAIFISCH
PORTFOLIO
ROTATION

FEEDBACK FÜR BLINDE FLECKE / Karin Gludovatz über „Jenseits des Spiegels. Das Sehen in Kunstgeschichte und Visual Culture Studies“ von Susanne von Falkenhausen

WORLD WIDE WEB / Anthony Vidler on Felicity D. Scott’s “Outlaw Territories”
LIEBE ARBEIT KINO

LANGSAMER ABSCHIED / Esther Buss über Albert Serras „La mort de Louis XIV“

DAS SICH SELBST TRÄUMENDE INTERNET / Sulgi Lie über Werner Herzogs „Lo and Behold. Reveries of the Connected World“
KLANG KÖRPER

SHARING ANGST / Gaby Tront on Anne Imhof’s “Angst II” at Hamburger Bahnhof, Berlin

SHORT WAVES
Mikael Brkic on Alex Israel at the Astrup Fearnley Museum, Oslo / Steven Warwick on Morag Keil at Eden Eden, Berlin / Hanna Magauer über Dana Schutz bei Contemporary Fine Arts, Berlin / Tonio Kröner über Amelie von Wulffen in der Galerie Barbara Weiss, Berlin / Kari Rittenbach on Margaret Lee at Jack Hanley Gallery, New York / Susanne von Falkenhausen über „Die zu sein scheint, die bin ich.“ Birgit Jürgenssen, Cindy Sherman, Katharina Sieverding und Francesca Woodman in der Galerie Thomas Schulte, Berlin

REVIEWS
INDIVIDUELLER ORIENT / Diedrich Diederichsen über Michael Buthe im Haus der Kunst, München

ÜBERBLENDUNGSVERHÄLTNISSE / Sabeth Buchmann über Ellen Cantor im Künstlerhaus Stuttgart

… MY MERE SELF / Rachel Haidu on Kai Althoff at the Museum of Modern Art, New York

DIE KUNST DER STUNDE / Susanne Leeb über Kader Attia im Museum für Moderne Kunst, Frankfurt / M.

RUBY STERLING ZEIGT STERLING RUBY / Tanja Widmann und Inka Meißner über Sterling Ruby im Winterpalais Wien

DAS VIRTUELLE IM PHYSISCHEN / Hanne Loreck über Katrin Mayer und Eske Schlüters in der Kunsthalle Lingen

WHY BOTHER WITH SHOW BUSINESS? / Bosko Blagojevic on Antek Walczak at Real Fine Arts, New York

WERKE / Nikola Dietrich über Karl Holmqvist und Klara Lidén im Kunstverein Braunschweig
OBITUARY

BIRD OF PARADISE / Frank Wagner (1958–2016) in the words of Julie Ault

EDITION
ROBERT LONGO
OSCAR MURILLO
COSIMA VON BONIN

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Texte Zur Kunst #104
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