Kenneth Snelson

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Art International
Vol. XI/4 April 20, 1967

Art International, Vol. XI/4 April 20, 1967
Published and Edited by James Fitzsimmons
Advisory Editors: Umbro Apollonio, Jorge Romero Brest, Lucy R. Lippard, James Mellow.

Features: Jacques Kaplan, Clement Greenberg, Anne Truitt, Anthony Caro, Carl Andre, Ronald Bladen, Robert Smithson, Lucy R. Lippard, Larry Poons, Colin Self, Eli Bornstein, Bridget Riley, Maurice de Sansmarez, Nanda Vigo, Victor Vasarely, Marcel Broodthaers, Arman, Roberto Crippa, Richard Smith, Howard Hodgkin, Avinash Chandra, Mary Preminger, Dan Flavin, Steve Kaltenbach, DeWain Valentine, Leonard Esbensen, Craig Kauffman, Kenneth Snelson, Morris  Louis, Franz Kline, Aubrey Beardsley, Sam Francis, Richard Tuttle, Paul Klee, Gary Kuehn, Tony Smith, John Wesley, Jack Beal, Antonin Artuad, Nicholas Krushenick, Colin Self, Lucio del Pezzo, Peter Voulkos, Leonard da Vinci, Kenneth Noland, Jules Olitski, Ludwig Sander, Yves Klein, Edward Kienholz, Adolph Gottlieb, and many more.

Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.

* Condition: Good-Very good  – All care is taken to provide accurate condition details of used books, photos available on request.

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Art International, Vol. XI/4 April 20, 1967
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OBJECT
Antony Hudek (Ed.) - Documents of Contemporary Art Series

Edited by Antony Hudek

Artists increasingly refer to “post-object-based” work while theorists engage with material artifacts in culture. A focus on “object-based” learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the “objectness” of production, with art as its focus.

Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object’s transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past.

Artists surveyed include
Georges Adéagbo, Art in Ruins, Iain Baxter, Louise Bourgeois, Pavel Büchler, Lygia Clark, Claude Closky, Brian Collier, Jimmie Durham, Fischli & Weiss, Luca Frei, Meschac Gaba, Isa Genzken, Gruppe Geflecht, Eva Hesse, Mike Kelley, John Latham, Antje Majewski, Gustav Metzger, Cady Noland, Gabriel Orozco, Adrian Piper, Falke Pisano, Eva Rothschild, Aura Satz, Kenneth Snelson, Hito Steyerl, Josef Strau, Alina Szapocznikow, Joelle Tuerlinckx, Erwin Wurm

Writers include
Homi K. Bhabha, Jack Burnham, Ewa Lajer-Burcharth, Lynne Cooke, Gillo Dorfles, Jean Fisher, Ferreira Gullar, Charles Harrison, Paulo Herkenhoff, Julia Kristeva, Bruno Latour, Bracha Lichtenberg-Ettinger, Jean-Fran?ois Lyotard, Lev Manovich, Ursula Meyer, Bruno Munari, Georges Perec, Hans-Jorg Rheinberger, Dieter Roelstraete, Howard Singerman, Nancy Spector, Marcus Steinweg, Anne Wagner, Gérard Wajcman, Slavoj Zizek

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OBJECT (Documents of Contemporary Art series)
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