Konstantin Grcic


PIN–UP is a magazine that captures an architectural spirit, rather than focusing on technical details of design, by featuring interviews with architects, designers, and artists, and presenting work as an informal work in progress – a fun assembly of ideas, stories and conversations, all paired with cutting-edge photography and artwork. Both raw and glossy, the magazine is a nimble mix of genres and themes, finding inspiration in the high and the low by casting a refreshingly playful eye on rare architectural gems, amazing interiors, smart design, and that fascinating area where those areas connect with contemporary art. In short, PIN–UP is pure architectural entertainment!

Issue 15 features:

Two Architectural Shape Shifters are Taking Things to the next Level
Interview by Felix Burrichter
Portraits by Asger Carlsen

The Indisputable Grand Dame of French Collectible Design is anything but Steely
Interview by Jina Khayyer
Portraits by Katja Rahlwes

Into the recesses of the Imagination of New York’s resident Space Poet
Interview by Pierre Alexandre de Looz
Portraits by Jason Rodgers

The best of both Worlds with a Modern Internet Explorer
Interview by Stephen Froese
Portraits by Topical Cream

A special feature on the Eminence Grise of Dutch Architecture
Introduction by Dirk van den Heuvel
Interview by Florian Idenburg
Photography by Elsbeth Struijk van Bergen

PLUS 67 pages of Interior Moments, including the Princeton home of Michael Graves, the DESTE Foundation in Athens by Dakis Joannou and Andreas Angelidakis, Jean Pigozzi’s Sottsass-designed beach-side getaway, a beautiful Fifth Avenue penthouse designed by Michael Schaible, an imaginary home at London’s V&A designed by artists Elmgreen & Dragset, Veronica Chou’s Beijing party home, and a spectacular New York lair entirely designed by the late Ward Bennett.

The future imagined with Konstantin Grcic’s most iconic designs, wise words on furniture by the inimitable Edgar Allan Poe, a whole new outfit for the house of Balenciaga, Trix and Robert Haussmann revisited, artist Oliver Michaels’ new architectural vernacular, a design symphony in shades of beige, and so much more.

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Utopie beginnt im Kleinen / Utopia starts small
12th Fellbach Triennial of Small Scale Sculpture

Utopie beginnt im Kleinen / Utopia starts small

Catalogue publication to accompany the 12th Fellbach Triennial of Small Scale Sculpture 2013, featuring the work of Armando Andrade Tudela, Leonor Antunes, Ei Arakawa & Nikolas Gambaroff, Anna Artaker, Vojin Bakic´, Neïl Beloufa, Bless, Arno Brandlhuber, Teresa Burga, Luis Camnitzer, Nina Canell, Lygia Clark, Nathan Coley, Thea Djordjadze, Maria Eichhorn, Michaela Eichwald, Felix Ensslin & Studierende*, Geoffrey Farmer, Yona Friedman, Meschac Gaba, Carlos Garaicoa, Isa Genzken, Konstantin Grcic, Günter Haese, Diango Hernández, Judith Hopf, Iman Issa, Christian Jankowski & Studierende*, Rachel Khedoori, Bodys Isek Kingelez, Jakob Kolding, Moshekwa Langa, Manuela Leinhoß, Anita Leisz, Anna Maria Maiolino, Victor Man, Cildo Meireles, Michaela Melián, Michele Di Menna, Charlotte Moth, Timo Nasseri, Manfred Pernice, Pratchaya Phinthong, Falke Pisano, Erwin Piscator, Rita Ponce de León, Vjenceslav Richter, Yorgos Sapountzis, Jochen Schmith, Nora Schultz, Eckhard Schulze-Fielitz, Yutaka Sone, Ettore Sottsass, Pascale, Marthine Tayou, Joëlle Tuerlinckx, Danh Võ and Haegue Yang.

With contributions by Yilmaz Dziewior, Angelika Nollert, Dieter Roelstraete, Thomas Schölderle, Kerstin Stakemeier, et al.

Edited by Kulturamt der Stadt Fellbach, Angelika Nollert, Yilmaz Dziewior

240 pages with numerous colour illustrations

Beyond the bounds of the visual arts, this accompanying publication also examines approaches from architecture, theatre and design by means of examples. Alongside historical positions, the focus is placed in particular on contemporary, young artists, whose works has frequently been created in situations of radical change in Eastern Europe, Latin America and Asia. As well as texts on the exhibiting artists, the accompanying catalogue includes four academic essays that deal with the sociopolitical meaning of utopia through its historical development, the thematization and development of utopian models in art as well as the aesthetics of the small.

Utopie beginnt im Kleinen
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