Lili Reynaud-Dewar

Cosey Complex

Rethinking the one day event Cosey Complex, which Maria Fusco devised and organised with Richard Birkett at the ICA in London in 2010, this new book will be the first major publication discussing and theorising Cosey as methodology. Contributors include: Martin Bax, Gerard Byrne, Daniela Cascella, Lili Reynaud-Dewar, Diedrich Diederichsen, Graham Duff, Anthony Elms, Chris Kraus, Patricia MacCormack, Clunie Reid, Rob Stone, Corin Sworn and Cosey Fanni Tutti.

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Cosey Complex
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Alexis Villiant (Ed.)
Options With Nostrils

Contributions by Kathryn Elkin, Anthony Huberman, Raimundas Malašauskas, Nathaniel Mellors, Marco Pasi, Lili Reynaud-Dewar, Dieter Roelstraete, Aaron Schuster, Alexis Vaillant, and Giles Bailey, Martijn in’t Veld, Serena Lee, Arvo Leo, Susana Pedrosa, Linda Quinlan, Lee Welch, Camilla Wills, Timmy van Zoelen

Options with Nostrils brings together a collection of previously unpublished essays, both theoretical and visual, by artists, curators, a writer, a scholar, and a group of postgraduates from the Piet Zwart Institute’s Fine Art programme in Rotterdam, who together founded the “Office for the Unknown.”

Published as the outcome of a one-year-long project which curator Alexis Vaillant developed upon the invitation of Vanessa Ohlraun at Piet Zwart Institute in 2010, it investigates notions of the unknown and the unpredictable and looks at ways in which these notions enable a critical view on the conditions of art making within what one may call the “contemporanism” we live in. Revealing this process, the publication presents a series of proposals, ideas, shifts, and continuities. Labyrinthine in structure and outlook, Options with Nostrils aims to destabilize the belief that there is an order of things in response to which the artist holds a decisive position, maybe because, as Sarat Maharaj has said, “the artist has an unknowability, the ability to unknow.”

Co-published with Piet Zwart Institute, Willem de Kooning Academy, Rotterdam
Design by Sanghon Kim

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Alexis Villiant - Options With Nostrils
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Petunia #3

Pétunia presents artists’ proposals and texts in French or English. Pétunia’s issues are organised around subjective emergencies. Pétunia avoids using author’s texts as illustrations of a main topic chosen by the chief editors. There is no editorial or publisher’s statement. Each issue will be autonomous, and does not connect with territorial issues and current matters or trends. There are no chapters or sections, but diverse textual forms, from theoretical texts to diary entries to pure fiction or comics, mostly concerning contemporary art. 
The layout of Pétunia will be an important part of each issue; its graphic design will be very present and proclaimed. Pétunia wants to bean unclassified object that paradoxically affirms a strong identity in focusing foremost on the work of women critics, curators, artists…
From this perspective, Pétunia is a feminist publication playing the game of affirmative action, as a response to the constant imbalance of the role and place of women in the art world. Pétunia also reactivates — hopefully with nostalgia and humour — the forms of ideological engagement of women regarding art and critical production, while enriching its view of three decades of “women studies”, “black studies”, post – colonial studies and, of course, post – feminist studies.
Contributors in #3: Katarina Burin, Frances Stark, Laetitia Paviani, Lina Viste Gronli, Nana Oforiatta Ayim, Géraldine Gourbe, Dorothée Dupuis, Emmanuelle Lainé, Clara Meister, Kitty Kraus, Lili Reynaud Dewar, Kathy Acker, Fiona Jardine, bell hooks, Mathieu Kleyebe Abonnenc, Sisters of Jam, Spartacus Chetwynd, Elizabeth Diller.
Design: Change is Good

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Petunia #3
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MAY #2

May Revue is a wonderful arts journal from Paris, edited by Catherine Chevalier and Eva Svennung.

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.

May #2 features texts and contributions by/on artists and critics, including Dahn Vo, Heimo Zobernig, Anthony Elms, Jay Chung, Elvan Zabunyan, Thomas Boutoux, Catherine Chevalier, Benjamin Thorel et Patricia Falguières, Elisabeth Lebovici, Natasa Petresin-Bachelez, Gallien Dejean, Bruno Serralongue, Seth Price, Lili Reynaud Dewar, Karl Holmqvist, Juliane Rebentisch, Hegel, Dork Zabunyan, Chicago, Merlin Carpenter, and more!!!

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MAY #2
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