Lutz Bacher

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Martin Herbert
Tell Them I Said No


This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms. A large part of the artist’s role in today’s professionalized art system is being present. Providing a counterargument to this concept of self-marketing, Herbert examines the nature of retreat, whether in protest, as a deliberate conceptual act, or out of necessity. By illuminating these motives, Tell Them I Said No offers a unique perspective on where and how the needs of the artist and the needs of the art world diverge. Essays on Lutz Bacher, Stanley Brouwn, Christopher D’Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York.

Martin Herbert is a writer and critic living in Berlin. He is associate editor of ArtReview and writes for international art journals. Previous books include The Uncertainty Principle (2014) and Mark Wallinger (2011).

Design by Fraser Muggeridge studio

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Lutz Bacher
Shit for Brains

 

Lutz Bacher wrote this novel in August 2010 in California.

Published by Galerie Daniel Buchholz in an edition of 800 copies.

Over her 40-year career, Bacher has produced conceptual works that defy classification in a variety of formats, including videotapes, photographs, and other mixed media. Described as eclectic, rough, open-ended, and disturbing, many works incorporate elements from pop culture, personal artefacts, and found objects, and address questions of identity as expressed through sexuality and the human body.

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Lutz Bacher
The Gift


This artist’s book is published on the occasion of the exhibition ‘More Than This’ at the Secession, Vienna, and features the heterogeneous oeuvre of American artist Lutz Bacher. Over her 40-year career, Bacher has produced conceptual works that defy classification in a variety of formats, including videotapes, photographs, and other mixed media. Described as eclectic, rough, open-ended, and disturbing, many works incorporate elements from pop culture, personal artefacts, and found objects, and address questions of identity as expressed through sexuality and the human body. The book is filled with newspaper clippings, personal communications, and many images.

Limited to 400 copies.

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Lutz Bacher
Do You Love Me?


Lutz Bacher is known for diverse conceptual works that span photography, video, sculpture and installation. ‘Do You Love Me?’ is a print extension of Bacher’s video work of the same name, in which she interviews colleagues, friends and family about Bacher “the person” and Bacher “the artist”. The interviews span fifteen years, tracing her evolving career and relationships. Although the artist is always the starting point, these exchanges often reveal more about their subjects than Bacher herself. The publication takes the form of transcripts interwoven with images of artwork from the 1970s to the present, and also includes personal photos, correspondence and ephemera.

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