Historically, “queer” was the slur used against those who were perceived to be or made to feel abnormal. Beginning in the 1980s, “queer” was reappropriated and embraced as a badge of honor. While queer draws its politics and affective force from the history of non-normative, gay, lesbian, and bisexual communities, it is not equivalent to these categories, nor is it an identity. Rather, it offers a strategic undercutting of the stability of identity and of the dispensation of power that shadows the assignment of categories and taxonomies. Artists who identify their practices as queer today call forth utopian and dystopian alternatives to the ordinary, adopt outlaw stances, embrace criminality and opacity, and forge unprecedented kinships, relationships, loves, and communities.
Rather than a book of queer theory for artists, this is a book of artists’ queer tactics and infectious concepts. By definition, there can be no singular “queer art.” Here, in the first Documents of Contemporary Art anthology to be centered on artists’ writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference.
Artists and writers include
Nayland Blake, Gregg Bordowitz, Leigh Bowery, AA Bronson, A. K. Burns, Giuseppe Campuzano, Tee Corinne, Barbara DeGenevieve, Dyke Action Machine!, Elmgreen & Dragset, Rotimi Fani-Kayode, Simon Fujiwara, Malik Gaines, Felix Gonzalez-Torres, Gran Fury, Sunil Gupta, Hahn Thi Pham, Harmony Hammond, Sharon Hayes, Hudson, Roberto Jacoby, Derek Jarman, Isaac Julien, Mahmoud Khaled, Zoe Leonard, Lesbian Avengers, Catherine Lord, Ma Liuming, LTTR, Allyson Mitchell, Zanele Muholi, Carlos Motta, Ocaña, Hélio Oiticica, Catherine Opie, Ridykeulous (Nicole Eisenman & A.L. Steiner), Marlon Riggs, Emily Roysdon, Prem Sahib, Assoto Saint, Tejal Shah, Amy Sillman, Jack Smith, Wolfgang Tillmans, Toxic Titties, Danh Vo, David Wojnarowicz, Wu Tsang, Yan Xing, Las Yeguas del Apocalipsis, Akram Zaatari, Sergio Zevallos
About the Editor
David J. Getsy is Goldabelle McComb Finn Distinguished Professor of Art History at the School of the Art Institute of Chicago. His books include Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender, Scott Burton: Collected Writings on Art and Performance, and Rodin: Sex and the Making of Modern Sculpture.
- Queer (Documents of Contemporary Art)
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“An Eight Issue Magazine Dedicated to Hobbies”
Issue O :Published in conjunction with an exhibition at Halle für Kunst Lüneburg eV, Lüneburg, Germany in April/June, 2010, and edited by Daiga Grantina, Tobias Kaspar and Hannes Loichinger.
Features: Special “The Screens / The Islands” dust-jacket by Gerry Bibby, Nick Mauss & Ken Okiishi (via Victor Hugo and Halston), Velours et guipure, Mallarmé et La Dernière Mode, Fumi Yosano, Artful Lodgers, Fia Backström, The Artists and the Dealer. The Roles of Gustave Caillebotte, Mary Cassat and Paul Durand-Ruel in 19th Century Revolutionary Art by Ulf Wuggenig, Jay Chung and Q Takeki Maeda examine Flaubert’s Bouvard and Pécuchet , Edgars Gluhovs, Ei Arakawa asks Malik Gaines and learns about W.E.B. Du Bois, the American civil rights activist, and the ﬁrst African American Ph.D. recipient from Harvard University in 1895, Les Journalistes by Chantal Georgel, more, etc.
- Provence issue O
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