Marc Camille Chaimowicz

Question The Wall Itself
Fionn Meade (Ed.)

Edited with text by Fionn Meade. Foreword by Olga Viso. Texts by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Robert Wiesenberger.

Question the Wall Itself examines ways that interior spaces and décor can be fundamental to the understanding of cultural identity. It showcases 23 international artists who explore the political and social dimensions of interior architecture as well as its complicated relationship to history and their own backgrounds. The featured artists are Jonathas de Andrade, Uri Aran, Nina Beier, Marcel Broodthaers, Tom Burr, Alejandro Cesarco, Marc Camille Chaimowicz, Theaster Gates, Ull Hohn, Janette Laverrière, Louise Lawler, Nick Mauss, Park McArthur, Lucy McKenzie, Shahryar Nashat, Walid Raad, Seth Siegelaub, Paul Sietsema, Florine Stettheimer, Rosemarie Trockel, Cerith Wyn Evans, Danh Vo and Akram Zaatari.
The book and the exhibition it accompanies take as its guiding principle what Marcel Broodthaers termed “esprit décor”: a critique of ideas of nationality, globalization and the space of the institution through constructed interior scenes. Recasting our conception of interior space and design, the featured works exist between art, prop, and set or stage. Espousing this mise-en-scène approach, Question the Wall Itself plugs readers into material that expands the show in the form of book-as-exhibition. It includes an extensive photographic walk-through of the installations, and essays by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Fionn Meade, and Robert Wiesenberger, as well as contributions from participating artists.

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Mousse 56
2006-2016 A Small Anthology

 

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

Featuring: Chantal Akerman, Cecilia Alemani, Jennifer Allen, Kai Althoff, Bruce Altshuler, Ed Atkins, Lutz Bacher, Darren Bader, Alex Bag, John Baldessari, Phyllida Barlow, Kirsty Bell, Andrew Berardini, Jonathan Berger, Michael Bracewell, Tom Burr, Maurizio Cattelan, Marc Camille Chaimowicz, Sofía Hernández Chong Cuy, Carolyn Christov-Bakargiev, Stuart Comer, Lauren Cornell, Nicholas Cullinan, Roberto Cuoghi, Nick Currie, Massimo De Carlo, Gino De Dominicis, Gigiotto Del Vecchio, Simon Denny, Brian Dillon, Jimmie Durham, Dominic Eichler, Peter Eleey, Matias Faldbakken, Luigi Fassi, Elena Filipovic, Morgan Fisher, Isa Genzken, Yervant Gianikian & Angela Ricci Lucchi, Liam Gillick, Massimiliano Gioni, Isabelle Graw, Ed Halter, Jens Hoffmann, Judith Hopf, William E. Jones, Omar Kholeif, Alexander Kluge, Jiří Kovanda, William Leavitt, Elisabeth Lebovici, Andrea Lissoni, Helen Marten, Chus Martínez, Nick Mauss, Lucy McKenzie, Fionn Meade, Simone Menegoi, John Menick, Ute Meta Bauer, Massimo Minini, Hans Ulrich Obrist, Trevor Paglen, Stefania Palumbo, Francesco Pedraglio, Otto Piene, Laura Poitras, Elizabeth Price, Seth Price, Laure Prouvost, Alessandro Rabottini, Carol Rama, Filipa Ramos, Jason Rhoades, Dieter Roelstraete, Esperanza Rosales, Nicolaus Schafhausen, Fender Schrade, Stuart Sherman, Frances Stark, Jamie Stevens, Hito Steyerl, Sturtevant, Sabrina Tarasoff, Ana Teixeira Pinto, Oscar Tuazon, Giorgio Verzotti, Jan Verwoert, Francesco Vezzoli, Adrián Villar Rojas, Peter Wächtler, Ian Wallace, Klaus Weber, Cathy Wilkes, Christopher Williams, Jordan Wolfson.

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.
Mousse (Mousse Publishing) is also publisher of catalogues, essays and curatorial projects, artist books and editions.

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Atelier E.B.
Ost End Girls



Atelier E.B is the company name under which the designer Beca Lipscombe and the artist Lucy McKenzie sign their collaborative projects. The group was formed in 2007 by Lipscombe and the illustrator Bernie Reid, who are based in Edinburgh, and McKenzie, who is originally from Glasgow and lives in Brussels. Since 2011 the pair have operated as a fashion label, and this June at Galerie Micheline Szwajcer they present their third collection, The Inventors of Tradition II, for sale direct to the public from a custom-built boutique installation.
Art’s fascination with fashion rarely penetrates beneath its glamorous surface, seemingly content to perpetuate its contradictions without critical analysis. Atelier E.B, by placing both practices on an equal footing, combine art and fashion to explore many complex themes, including alternative forms of commercial production and distribution. Their designs are produced, sold and promoted ethically, yet are too idiosyncratic to be easily marketed as an ‘eco brand’. Ateler E.B recognise that clothes are sophisticated tools for empowerment and pleasure.

Sportswear has been acting as a modernizing influence on fashion since the nineteenth century, and continues to be at the forefront of how people express their cultural allegiances. In 2014, with the referendum to leave the United Kingdom, Scotland was asked to reflect on its identity, and Atelier E.B is the only label explicitly to address this through fashion. For IOT II they combine exquisitely woven or knitted cashmeres and silk lingerie with neo-classical nylon ‘cosplay’ tracksuits. Hand intarsia Scottish football tops in cashmere have nationalist logos appropriated then pixilated. Silk and lace football shorts, oversized polo shirts, a football hooligan paisley shawl, fake Charles Rennie Mackintosh jewellery, counterfeit Bennetton, a trompe-l’œil zip brooch, and fictitious sponsorship from the Clydesdale Bank. Other highlights include a wool mix school-skirt, an Ivan Lendl picnic blanket, the perfect artschool-girl coat, cashmere leisure suits in Black, Derby grey, Blackcurrant and Rum and Eastern European gym shoes.

This publication was produced by Atelier E.B. around their “Ost End Girls” collection, featuring garments, texts by Lucy McKenzie, photoshoots and graphic details/textiles/showroom interiors/shop-fronts/ads from the work of Atelier E.B. (and also Marc Camille Chaimowicz), Designed by H I T studio, London.

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Marc Camille Chaimowicz
An Autumn Lexicon

Chaimowicz is increasingly influential for younger generations of artists, his work explores the space between public and private, design and art, and includes painting, sculpture and photography with prototypes for everyday objects, furnishings and wallpapers.

A choreography of objects, images and colours, in his Serpentine Gallery installation the artist draws upon ideas of memory and place. This responds to the architecture, natural surroundings and history of the Serpentine which was converted from a 1930s park café to a gallery in 1970.

This unique hybrid between a catalogue and artist’s book is a personal exhibition journal that takes the form of a French cahier – a ‘book within a book’ which comprises a visual index of technical drawings and photographs relating to recent projects. Wrapped in a dust jacket featuring a new wallpaper design and including a number of installation and archival images.

Designed by Fraser Muggeridge studio and featuring texts by Michael Bracewell, Mason Leaver-Yap, and Stuart Morgan.

Published on the occasion of the exhibition Marc Camille Chaimowicz: An Autumn Lexicon at Serpentine Sackler Gallery, London, 29 September – 20 November 2016.

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