A W.A.S.T.E. of Ink (after Thomas Pynchon)
DDD16 was conceived parallel to—and is issued from under the wing of—the project ‘True Mirror’, directed from the Commander’s Room at the 7th Regiment Armory Building, New York between 4–23 March, 2008 and tracked at http://www.sinisterdexter.org. On reflection, we realised real news doesn’t need a press release.
The issue then draws liberally from three other interlocking projects, all founded by guest-co-editor Raimundas Malašauskas.
In this issue:
- For Immediate Release by Michael Bracewell
- Phantom Rosebuds (Signatures A and B) by Clifford Irving, Portrait by Jason Fulford
- Another Shadow Fight – David Osbaldeston in conversation with Andrew Hunt
- Two-way Mirrors – Reflections on Nabokov’s Pale Fire by Louis Lüthi
- On C by Cory Arcangel
- Indifferent Voices by Paul Elliman
- 51.01 – Guest Editorial by Raimundas Malašauskas
- Stanislaw Lem’s short story ‘The Seventh Voyage’, as recalled while flying over the Atlantic from Moscow to Newark, July 3, 2007 by Larissa Harris
- Screen, saver (Part 1) by David Reinfurt
- Middle by Gintaras Didžiapetris
- Screen, saver (Part 2) by David Reinfurt
- Parallel Cards by Ryan Gander
- 10.15 by Tom Morton
- Honey Coma by Steven Francis
- 100. General Stumm invades the State Library and learns about the world of books, the librarians guarding it, and intellectual order – A close reading of Robert Musil by Rob Giampietro
- Inversions by Mariana Castillo Deball
- Vested Interest – Genesis Breyer P-Orridge in conversation with Mark Beasley
Portrait by Alex Klein
- Phantom Rosebuds (Signatures C and D) by Clifford Irving
plus
Mitim (Zeta) by Radim Peško
(Vera courtesy of Louis Lüthi, after Nabokov)
and
The Middle of Nowhere, Chapter 6 (continued) by Will Holder
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- Dot Dot Dot 16
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ars viva 09/10: Geschichte/History poster
Poster for ars viva 09/10: Geschichte/History exhibition at the Kölnischer Kunstverein featuring Mariana Castillo Deball, Dani Gal, Jay Chung & Q Takeki Maeda
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- ars viva 09/10: Geschichte/History poster
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From Berkeley to Berkeley – Objectif Exhibitions, 2008-2010
Mai Abu ElDahab (Ed.)
Interviews: Mai Abu ElDahab by Will Holder, Guy Ben-Ner by Jan Verwoert, Mariana Castillo Deball by Giovanni Carmine, Sancho Silva by Luca Cerizza, Michael Smith by Larissa Harris, Yael Davids by Frédérique Bergholtz, Mark Aerial Waller by Mike Sperlinger, Anne Daems by Ronald Van de Sompel, Chris Evans by Francesco Manacorda, Antonio Ortega by David G. Torres, Sharon Hayes by Roger Cook, Christian Jankowski by Raimundas Malašauskas, Michael Stevenson by Esperanza Rosales; glossary by Dexter Sinister
The publication includes a series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, over a two-year period, along with a collection of secondary and parallel material produced in collaboration with each artist. Ranging from the humorous to the pseudo-scientific, the artists discuss the methods by which their research is transformed into practice. Both the artists and the interviewers constitute a community of active and concerned arts practitioners who, through art-making, writing, curation and teaching, deal with issues of representation, behavioral patterns and historical legacy.
Co-published with Objectif Exhibitions
Design by Will Holder
Inside cover design by Frances Stark
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- From Berkeley to Berkeley
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Mariana Castillo Deball
These Ruins You See
This title is no longer in print.
Contributions by Mariana Castillo Deball, Guadalupe Espinosa, Jorge Ibargüengoitia, Jesse Lerner, Sonia Lombardo de Ruiz, Sandra Rozental, Adam T. Sellen, Gabriela Torres-Mazuera
Mexico’s relationship with archaeology is a complex one. In addition to studying the distant past through its material vestiges, it is deeply engaged in more recent aspects of politics, education, national identity, and public works. The various layers of its historical past are forever present, giving rise to continual interpretations, reconstructions, demolitions, and annexations. Mexico’s archaeology is resolved in the present and its history is being modified like city landscapes, public policies, and textbooks. The project These Ruins You See shifts between politics, history, heritage, and identity in an attempt to find, in the present, the vestiges of archaeological practice.
The publication contains a collection of found objects and exhumed artifacts, bringing together a number of texts and illustrations—some of them contemporary and others historical—on the history of collections and exhibitions of pre-Cortesian objects, as well as the manufacture of replicas, the shadowy world of forgers, the relocation of key objects, and related themes. The objective of all of this excavation and collecting is to bring into sharp relief the ideological baggage and the range of museographic practices that always and inevitably frame our perception of these objects.
This publication is part of the project These Ruins You See, it includes the project’s research, realization, and a series of specially commissioned essays. The project has manifested in different exhibitions, publications, and lectures. These Ruins You See was exhibited at the Museo de Arte Carrillo Gil from November 8, 2006 to February 28, 2007.
Design by Manuel Raeder and Mariana Castillo Deball
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- Mariana Castillo Deball - These Ruins You See
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