Matias Faldbakken

Hegdehaugsveien 3
STANDARD (OSLO)


This cloth-bound volume documents the first seven years (2005-2012) of STANDARD (OSLO), a contemporary art gallery in Norway, at their first location of Hegdehaugsveien 3.  During which time work was exhibited by Matias Faldbakken, Kim Hiorthøy, Michaela Meise, Johanna Billing, Claire Fontaine, David Lieske, Cory Arcangel, Martin Boyce, Gardar Eide Einarsson, Tauba Auerbach,  Torbjørn Rødland, Josh Smith, Marius Engh, Emily Wardill, Franz West, Sister Corita Kent, Edvard Munch, Franz West, Alex Hubbard,  Hans-Peter Feldmann, Oscar Tuazon, Raymond Pettibon, Lucy McKenzie, Olaf Breuning, Roe Ethridge, Uwe Henneken, Ricky Swallow, Richard Prince, Adam McEwen, Camilla Løw, Jutta Koether, Dan Rees, Fredrik Værslev, and many more.

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Hegdehaugsveien 3
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After Berkeley Objectif Exhibitions, 2010–2011
Mai Abu ElDahab (Ed.)

Interviews: Matias Faldbakken by Nikki Columbus, Will Holder by Richard Birkett, Sophie Nys by Dieter Roelstraete, Clifford Irving by Francis McKee, Patricia Esquivias by Jonas Žakaitis, Norma Jeane and Tim Etchells by Anna Colin, Michael Portnoy by Sofía Hernández Chong Cuy, Hassan Khan by Brian Kuan Wood, Barbara Visser by Malašauskas; and contributions by Mai Abu ElDahab and Dexter Sinister

Following From Berkeley to Berkeley: Objectif Exhibitions, 2008–2010, this publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011. The interviews are accompanied by a collection of secondary and parallel material produced in collaboration with each artist.  

After Berkeleyopens with a letter from Mai Abu ElDahab addressed to the book’s designer, Will Holder, about parallels between their project and Roberto Bolaño’s book The Savage Detectives. It and proceeds through a series of conversations revealing the references, methods, and interests of the participants at Objectif Exhibitions ranging from reticence and possession in artistic production to a historical account of so-called carrot jokes.

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After Berkeley Objectif Exhibitions, 2010–2011
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The Sound of Downloading Makes Me Want to Upload

The Institute of Social Hypocrisy has invited an eclectic mix of artists, teachers, photographers, thinkers, writers and curators to provide essays, images and musings exploring the cultural influence of the internet on the way we absorb and share information.

Edited by Victor Boullet, the resulting contributions reveal the disparate perspectives of the various up and downloaders. It illustrates how the internet is used and manipulated as a creative tool and as a font of information and communication at every level.

Contributors include: Gilbert & George, Theodor Barth, Merlin Carpenter, Richard Parry, Keren Cytter, Guy Debord, Matias Faldbakken, Peter J. Amdam, Karl Holmqvist, Brian Kennon, Oliver Laric, David Lewis, Joe Scanlan, Edie McKay, Hans Ulrich Obrist and many more

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The Sound of Downloading Makes Me Want to Upload
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