Michael E. Smith

Registry-coverRegistry-spread

The Registry of Promise
Chris Sharp (Ed.)


Over the course of a year, The Registry of Promise consisted of four interrelated exhibitions, which are represented as chapters in this book. In these chapters, Chris Sharp reflects on our increasingly fraught relationship with what the future may or may not hold, and the work engages with and plays upon the various readings and mutability of promise, along with the inevitability of what may come, whether positive or negative. Such polyvalence is particularly topical, as we have shifted from the anthropocentric promise of modernity to a negative faith in the post-human. Richly illustrated with works and installation views, and an archive of previously published articles by Chris Sharp.
With: Becky Beasley, Patrick Bernatchez, Juliette Blightman, Peter Buggenhout, Nina Canell, Michael Dean, Alexander Gutke, Jochen Lempert, Jean-Luc Moulène, Marlie Mul, Matt Mullican, Rosalind Nashashibi, Antoine Nessi, Jean-Marie Perdrix, Reto Pulfer, Mandla Reuter, Hans Schabus, Lucy Skaer, Michael E. Smith, Carlo Gabriele Tribbioli, Francisco Tropa, Andy Warhol and Anicka Yi.

Texts in English and French.

Design: Roger Willems

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Michael E. Smith


Catalogue produced in an edition of 1000 copies to accompany the exhibition “MICHAEL E. SMITH” at The Power Station, Dallas, February 15 – March 29, 2014.

The Power Station is a not-for-profit contemporary art space in Exposition Park, Dallas, Texas, founded by Janelle and Alden Pinnell in 2011. It is housed in a former Dallas Power & Light building which was constructed in 1920, and hosts large scale exhibitions which compliment the building’s raw architecture. For each of its international exhibitions, The Power Station works with the artists to produce a publication in conjunction with their project, limited to 1000 copies. Its programming also includes a summer exhibition and additional events each year. The building includes an apartment where artists can live as they create and build their installations. The first exhibitor was American artist Oscar Tuazon.

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Michael E. Smith

The first catalogue surveying the art of Michael E. Smith (born Detroit 1977) was published on occasion of the artist’s solo exhibition at Ludwig Forum Aachen (April 21 – June 23 2013). Besides essays by Brigitte Franzen, Alexander Koch, Simone Menegoi, Anna Sophia Schultz, and Chris Sharp, and an in-depth photographic survey of this major museum exhibition of Smith, the book also features a catalogue raisonné documenting Smith’s work since 2007. Edited by Brigitte Franzen and Anna Sophia Schultz.

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Michael E. Smith
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CURA. No. 20
Fall 2015


cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities, based in Rome, Italy.

CURA. No.20
FALL 2015
Cover by Allison Katz

INSIDE THE COVER
Allison Katz. Pungent Painting
text by Ruba Katrib

PORTRAITS IN THE EXHIBITION SPACE
Wim Beeren and Tomorrow’s Museum
by Lorenzo Benedetti

TALKING ABOUT
Why Poetry?
by Jean-Max Colard

POP-UP SECTION: DISPLAY
ISSUE 01
You Display, I Display, We Display
by Céline Condorelli and Gavin Wade

ABOUT
Josh Kline
by Ciara Moloney

PROJECT
A Wonderful World Under Construction
by GCC

SPOTLIGHT
Ryan Gander
in conversation with Adam Carr

ABOUT
Michael E. Smith
by Jenny Jaskey

A VISIT TO
Pedro Barateiro: The Current Situation /
Palmeiras Bravas, Museu Colecão Berardo, Lisbon
with João Mourão & Luís Silva

ABOUT
Marguerite Humeau
by Hans Ulrich Obrist

HOT!
Olga Balema
by Chris Sharp

Darja Bajagić
by Franklin Melendez

Sascha Braunig
by Rose Bouthillier

Rachel Rose
by Frances Loeffler

PROJECT
Villa Design Group 
and Nicoletta Lambertucci

PROJECT
Lena Henke and Anna Gritz

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CURA. No. 20
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