Michael Portnoy

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Choreographing Exhibitions
M. Copeland, J. Pelegrin (Eds.)


An overview of the relation between choreography and exhibition, through the contributions of over thirty international visual artists, choreographers, musicians, filmmakers, theorists, and curators.

In 2008, the Contemporary art centre La Ferme du Buisson, invited the curator Mathieu Copeland to present his work, Choregraphed Exhibition, composed of movements executed by three dancers over two months. This exhibition nourished a multitude of questions that gave birth to a book, Choreograping Exhibitions, overview of the relation between choreography and exhibition. It brings together over thirty international visual artists, choreographers, musicians, filmmakers, theorists, and curators.

Contributions by Kenneth Anger, Fia Backström, Jérôme Bel, Julien Bismuth, Giovanni Carmine, Boris Charmatz,Mathieu Copeland, Tim Etchells, Barbara Formis, Maite Garbayo Maeztu, Kenneth Goldsmith, Amy Greenfield, Abbie Hoffman, Karl Holmqvist, Pierre Huyghe, Myriam Van Imschoot, Jennifer Lacey, LeClubdes5, Franck Leibovici, Pablo León de la Barra, André Lepecki, Alan Licht, Raimundas Malašauskas, Loreto Martínez Troncoso,Malcolm McLaren, Gustav Metzger, Lilo Nein, Phill Niblock, Hans Ulrich Obrist, Michael Parsons, Julie Pellegrin, Mickaël Phelippeau, Michael Portnoy, Claude Rutault, Irena Tomažin, Catherine Wood.

Edited by Mathieu Copeland and Julie Pellegrin.

Graphic design: Nicolas Eigenheer and Jeremy Schorderet.

Published with Mathieu Copeland editions, la Ferme du Buisson and Kunst Halle Sankt Gallen.

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Choreographing Exhibitions
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After Berkeley Objectif Exhibitions, 2010–2011
Mai Abu ElDahab (Ed.)

Interviews: Matias Faldbakken by Nikki Columbus, Will Holder by Richard Birkett, Sophie Nys by Dieter Roelstraete, Clifford Irving by Francis McKee, Patricia Esquivias by Jonas Žakaitis, Norma Jeane and Tim Etchells by Anna Colin, Michael Portnoy by Sofía Hernández Chong Cuy, Hassan Khan by Brian Kuan Wood, Barbara Visser by Malašauskas; and contributions by Mai Abu ElDahab and Dexter Sinister

Following From Berkeley to Berkeley: Objectif Exhibitions, 2008–2010, this publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011. The interviews are accompanied by a collection of secondary and parallel material produced in collaboration with each artist.  

After Berkeleyopens with a letter from Mai Abu ElDahab addressed to the book’s designer, Will Holder, about parallels between their project and Roberto Bolaño’s book The Savage Detectives. It and proceeds through a series of conversations revealing the references, methods, and interests of the participants at Objectif Exhibitions ranging from reticence and possession in artistic production to a historical account of so-called carrot jokes.

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After Berkeley Objectif Exhibitions, 2010–2011
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