Monica Bonvicini

Isa-Genzken-coverIsa-Genzken-spread

Isa Genzken

Now out of print, As New first edition of this great Isa Genzken publication.
This volume takes a radical depart from the standardised format of the retrospective catalogue. While being still lavishly illustrated and offering an in-depth look at the quest for the modern which has informed the radical and diverse Genzken’s oeuvre for four decades, it also gives a sense of the tremendous influence and inspiration of her body of work for three generations of artists.

Features artist contributions from: Lawrence Weiner,Simon Denny, Nick Mauss, Monica Bonvicini, Jutta Koether, Mark Leckey, Elizabeth Peyton, and Cerith Wyn Evans.

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Isa Genzken - Museion, Bozen/Bolzano
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Attention Economy
Jahresring #60: Jahrbuch für moderne Kunst

Edited by Brigitte Oetker and Nicolaus Schafhausen
Interviews with Saâdane Afif, Thomas Bayrle, Michael Beutler, Monica Bonvicini, Mike Bouchet, Ulla von Brandenburg, Angela Bulloch, Andrea Büttner, Keren Cytter, Simon Denny, Thea Djordjadze, Ólafur Elíasson, Harun Farocki, Dani Gal, Katharina Grosse, Eberhard Havekost, Florian Hecker, Christian Jankowski, Susanne Kriemann, Antje Majewski, Olaf Metzel, Carsten Nicolai, Olaf Nicolai, Marcel Odenbach, Silke Otto-Knapp, Willem de Rooij, Cornelia Schleime, Michael Stevenson, Hito Steyerl, Haegue Yang, Tobias Zielony

The 60th Jahresring takes the form of a compilation of artist interviews and offers a snapshot of a highly active art scene that stretches from Berlin, as a new international center for art. Nicolaus Schafhausen put a series of questions to thirty-one art practitioners, less geared toward the artists’ respective praxis and more toward the conditions under which it arises.

Art’s presence in the field of new media has never been more pronounced; access to media images and Internet-based possibilities for research have significantly altered contemporary art production. The art market too has changed, gaining influence in the field of contemporary art as even art institutions take a different approach today than they did twenty years ago.

The focus in these interviews is on the respective self-positioning by the artists in an era shaped by such far-reaching changes. What emerges are temporally fixed positions within an activity that is, for the most large part, associated with precarious working conditions and the logistics of the market more than ever before. This book offers insight into this “other” dimension of an artist’s existence and registers attention economy as a central component of contemporary art production.

Design by Tobias Donat

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Attention Economy Jahresring #60
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