Mutlu Çerkez

PriViews-coverPrimaryViews-spread

Primary Views
Stephen Bram, Janet Burchill and Jennifer McCamley, Juan Davila


Catalogue produced on the occasion of the exhibition, “Primary Views” at MUMA, Monash University Museum of Art in 2008, curated by artists Stephen Bram, Janet Burchill and Jennifer McCamley, and Juan Davila, with co-ordinating curator Kirrily Hammond.
Primary Views invited the insights of four artists represented in the Monash University collection. Each has been invited to curate a self-contained exhibition from the Monash University collection, according to their own areas of interest, expertise and aesthetic/discursive predilections. Alternative to classical or canonical art-historical readings, Primary Views considers the role of the artist as curator, encouraging new readings of the collection, and more partial, polemical and aberrant artistic historiographies.
Features texts by the curating artists and Max Delany.

Artists featured in the exhibition were: Howard Arkley, Paul Bai, Chris Barry, Charles Blackman, Peter Booth, Arthur Boyd, Stephen Bram, Horace Brodzky, Janet Burchill & Jennifer Mccamley, Ian Burn, Jane Burton, Domenico De Clario, Clyde Clinton, Noel Counihan, Mutlu Cerkez, Juan Davila, John Dunkley-Smith, Richard Dunn, Louise Forthun, John Heartfield, Bill Henson, Lynn Hershman, Ronnie Van Hout, Rafaat Ishak, Rosemary Laing, Robert Macpherson, Tracey Moffatt, John Nixon, Jacky Redgate, William Robins, Paul Saint, Dada Samson, Jan Senbergs, Wolfgang Sievers

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Primary Views
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Rose Nolan
The Presents Series

Wonderful book produced by Rose Nolan in 1997 to document a series of paper construction sculptures that were sent as presents (Birthday, Bon Voyage, New Baby, House Warming, et al.) to friends between 1996-1997.
This publication features the photo documentation of the presents received by Diena Georgetti, Jackie Redlich, Stephen Bram, Annie Jacobs, Christoph Preussmann, Sue Cramer, John Nixon, Kathy Temin, Mutlu Çerkez, and Richard Holt, in their respective new settings.
Includes a sheet of artist’s wrapping paper.

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Rose Nolan - The Presents Series
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Marco Fusinato and Mutlu Çerkez

Catalogue to accompany a collaborative exhibition in 2005 at the Art Gallery of New South Wales

What do the clear records etched with drawings by Marco Fusinato and the frieze paintings by Mutlu Çerkez have in common? Both artists work across a number of mediums and on face value their practices are diverse so you may at first glance wonder what their art shares. Despite the visual differences, their artistic motivations are surprisingly consistent and therein lay the point and reason for working together.
For the Art Gallery of New South Wales’ Level 2 Contemporary Project Space, Mutlu Çerkez will install a frieze above the doorways of the exhibition space. The frieze will read: ‘MUTLU ÇERKEZ, 2004. Untitled: 23 November 2009.’. Marco Fusinato will exhibit clear records with etched grooves that copy his drawings. The records will be presented on shelves and in stacks. Çerkez and Fusinato are interested in time – Çerkez predicts the future through signs and language and Fusinato shifts time through motion at one remove; from drawing to unplayable record; from action to silence. In their collaborative endeavours Çerkez and Fusinato create abstract excursions about time and reality. Visually dissimilar, the result is overlaid with tension; a discourse between abstraction and representation and in some senses between past actions and future scenarios. The first collaborative project by Multu Çerkez and Marco Fusinato  (both born 1964) was at Gertrude Contemporary Art Spaces, Melbourne 2003. Mutlu Çerkez & Marco Fusinato is their second collaborative endeavour. Their respective works were included in the exhibition Art >Music at the Museum of Contemporary Art, Sydney 2001. Further exhibitions by Marco Fusinato include VEZE/CONNECTIONS, contemporary artists from Australia, Hdlu, Zagreb and Mestna Gallery, Ljubjana 2002; TM/MF (Thurston Moore – Sonic Youth/ Marco Fusinato) Australian Centre for Contemporary Art, Melbourne 2000 and Primavera, Museum of Contemporary Art, Sydney,1998. Further exhibitions by Mutlu Çerkez include Fieldwork: Australian Art 1968-2002, National Gallery of Victoria at Federation Square, Melbourne 2002; 6th Istanbul Biennial, Istanbul, Turkey 1999 and Sao Paolo Biennale, Sao Paolo, Brazil 1998.

6 February – 20 March 2005

Art Gallery of New South Wales

Level 2 Contemporary Project Space

 

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Marco Fusinato and Mutlu Çerkez
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