Nicholas Krushenick

Nicholas Krushenick

 
Comprehensive catalogue on American painter Nicholas Krushenick (1929-1999) published on the occasion of a major exhibition in Hannover, June 26 to 24 September, 1972. Heavily illustrated throughout with his bold paintings in Pop Abstraction, predominately in striking colour. A great book.

Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter whose artistic style straddled the line between Op Art, Pop Art, Abstract Expressionism, Minimalism and Color Field. He was active in the New York art scene in the 1960s and 1970s, before he withdrew and focused his time as a professor at the University of Maryland for almost thirty years until his death in 1999. Initially experimenting with a more Abstract Expressionist inspired style and cut paper collage, Krushenick is more well known for his paintings which use bold Liquitex colors and juxtaposing black lines, which fall under the category of pop abstraction. In fact, he is a singular figure within that style.

* Condition: Very Good (light cover rubbing/wear, otherwise tight and clean throughout) – All care is taken to provide accurate condition details of used books, photos available on request.

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Nicholas Krushenick

Scarce over-sized catalogue published to accompany an exhibition at Galerie Beyeler Basel, May to 15 June 1971. Wrapped in original plastic jacket, this rare publication on American painter Nicholas Krushenick comprises of bold reproductions of his Pop Abstraction paintings, including many illustrations across fold-out pages, biography, bibliography and list of exhibitions. Texts in English.

Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter whose artistic style straddled the line between Op Art, Pop Art, Abstract Expressionism, Minimalism and Color Field. He was active in the New York art scene in the 1960s and 1970s, before he withdrew and focused his time as a professor at the University of Maryland for almost thirty years until his death in 1999. Initially experimenting with a more Abstract Expressionist inspired style and cut paper collage, Krushenick is more well known for his paintings which use bold Liquitex colors and juxtaposing black lines, which fall under the category of pop abstraction. In fact, he is a singular figure within that style.

* Condition: Good-Very Good (light tanning to edges of plastic jacket, otherwise clean, tight throughout) – All care is taken to provide accurate condition details of used books, photos available on request.

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Nicholas Krushenick
Pace Gallery 1969


Scarce 1969 exhibition edition published on the occasion of Nicholas Krushenick at Pace, New York, April 26 – May 21, 1969. This rare Krushenick catalogue comes in the form of 11 colour postcards, each reproducing a painting from the exhibition of the exhibition and housed in their original colour card wallet.

Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter whose artistic style straddled the line between Op Art, Pop Art, Abstract Expressionism, Minimalism and Color Field. He was active in the New York art scene in the 1960s and 1970s, before he withdrew and focused his time as a professor at the University of Maryland for almost thirty years until his death in 1999. Initially experimenting with a more Abstract Expressionist inspired style and cut paper collage, Krushenick is more well known for his paintings which use bold Liquitex colors and juxtaposing black lines, which fall under the category of pop abstraction. In fact, he is a singular figure within that style.

* Condition: Good (very good throughout, only residue from card sticking to back cover) – All care is taken to provide accurate condition details of used books, photos available on request.

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Nicholas Krushenick (1969)
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Art International
Vol. XI/4 April 20, 1967

Art International, Vol. XI/4 April 20, 1967
Published and Edited by James Fitzsimmons
Advisory Editors: Umbro Apollonio, Jorge Romero Brest, Lucy R. Lippard, James Mellow.

Features: Jacques Kaplan, Clement Greenberg, Anne Truitt, Anthony Caro, Carl Andre, Ronald Bladen, Robert Smithson, Lucy R. Lippard, Larry Poons, Colin Self, Eli Bornstein, Bridget Riley, Maurice de Sansmarez, Nanda Vigo, Victor Vasarely, Marcel Broodthaers, Arman, Roberto Crippa, Richard Smith, Howard Hodgkin, Avinash Chandra, Mary Preminger, Dan Flavin, Steve Kaltenbach, DeWain Valentine, Leonard Esbensen, Craig Kauffman, Kenneth Snelson, Morris  Louis, Franz Kline, Aubrey Beardsley, Sam Francis, Richard Tuttle, Paul Klee, Gary Kuehn, Tony Smith, John Wesley, Jack Beal, Antonin Artuad, Nicholas Krushenick, Colin Self, Lucio del Pezzo, Peter Voulkos, Leonard da Vinci, Kenneth Noland, Jules Olitski, Ludwig Sander, Yves Klein, Edward Kienholz, Adolph Gottlieb, and many more.

Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.

* Condition: Good-Very good  – All care is taken to provide accurate condition details of used books, photos available on request.

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Art International, Vol. XI/4 April 20, 1967
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