Nicolas Ceccaldi

KM-coverKMspread

k.m Exhibitions/Ausstellungen 2010-2015
Bart van der Heide, Manuel Raeder (Eds.)

 

Edited by Bart van der Heide and Manuel Raeder.

This book is an overview of the exhibition program of Bart van der Heide from 2010 – 2015, which he realised as the director of Kunstverein München. This program includes exhibitions by Silke Otto-Knapp, Ian Kiaer, Tobias Madison, Keren Cytter, Cathy Wilkes, Group Affinity, Willem de Rooij, Trisha Baga, Richard Tuttle, Mei-mei Berssenbrugge, Simon Denny, Nicolas Ceccaldi, Ger van Elk, James Richards, and others. Each exhibition is presented by a corresponding booklet, containing all texts and images. These accompanying publications were designed individually for each exhibition in cooperation with Studio Manuel Raeder. The different designs play with various fonts, formats, and graphic elements. Together with these publications, a variety of coloured images of exhibition views conveys the curatorial direction as well as the identity of the Kunstverein in those years. A reflection by Bart van der Heide and all booklet texts are included in both German and English.

designed by Studio Manuel Raeder

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CfSRag2ed-FrontCfSRAG2ed-back

Centre for Style Rag
by Centre for Style

Centre for Style Rag: Silly Canvas
2nd Printing.

Re-edited, re-printed, re-designed, re-bound, and comes with a free copy of “Boulevard” by Centre for Style at Gertrude Contemporary (softcover, 34 pages, 14 x 20 cm) from World Food Books!

Texts by:
Harry Burke, Helen Hughes, Lisa Radford, Olivia Barrett, Sally Gray, Tim Gentles

Artist pages by:
Anna-Sophie Berger, H.B. Peace, Dan Arps, Dena Yago, Elisa van Joolen, Lou Hubbard

The Prologue Edition doubles as the catalogue of Silly Canvas, with images from the exhibition curated by Centre for Style at Utopian Slumps in December 2014

Participants include:
A Constructed World, Amalia Ulman, Anna-Sophie Berger, Bless, Body by Body, D&K, ffiXXed, H.B. Peace , Ida Ekblad and Eirik Sæther, Lucina Lane, Marlie Mul, Mikala Dwyer, Susan Cianciolo, Trevor Shimizu

Designed and printed by Clare Wohlnick and Maff.

“Boulevard” by Centre for Style at Gertrude Contemporary features the work of Ander Rennick, Brooke Ally, Bum Creek, Chloe Maratta, Christopher LG Hill, Claire Lambe, D&K, Flannery Silva, Guy Benfield, H.B. Peace, Hamish Macdonald, Jenny Watson, Jessie Kiely, Joshua Petherick, K8 Hardy, Kate Meakin, Le Service Public, Laura Fanning, Lewis Fidock, Liam Osborne, Matthew Linde, Marie Karlberg, Michael Smith, Moses Gauntlett Cheng, Nicolas Ceccaldi, Odwalla 88, Quintessa Matranga, Rafael Delacruz, Rare Candy, Richard Malone, Sylvie Zijlmans & Hewald Jongenelis, Tobias Madison, Vejas, Zoe Latta.

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ArtPeriphery-coverArtPeriphery-spread

Art in the Periphery of the Center
Christoph Behnke, Cornelia Kastelan, Valérie Knoll, Ulf Wuggenig (Eds.)



Contributions by Marie-Luise Angerer, Christoph Behnke, Ana Bogdanović, Larissa Buchholz, Sabeth Buchmann, Kathrin Busch, Bettina von Dziembowski, Daniel Falb, Paul Feigelfeld, Ulrike Gerhardt, Monica Greco, Erich Hörl, Cornelia Kastelan, Stefanie Kleefeld, Valérie Knoll, Roman Kräussl, Susanne Leeb, Hannes Loichinger, Sven Lütticken, Julia Moritz, Volker Pekron, Pierre Pénet, Dieter Roelstraete, Bettina Roggmann, Stefan Römer, Steffen Rudolph, Michael Sanchez, Magnus Schaefer, Stefanie Sembill, Christophe Spaenjers, Paul Stenner, Jeannine Tang, Olav Velthuis, Ulf Wuggenig

Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, the periphery often finds itself excluded both on a structural and actor-related level, no matter if the center-periphery model is defined in terms of space or along relations of power. However, beyond static perspectives of such struggles, in a dynamic and globalized artistic field increasingly transformed by the digital revolution, temporary mobility attractors deserve our attention.

This publication attempts to shift practices of thought toward both critical realism and new materialism. It is neither committed to today’s wishful thinking regarding horizontalized networks and deterritorialized structures, nor does it fix itself to determinist approaches. In contrast to twentieth-century constructivist approaches and their epistemic fallacies, materialized verticalities and matter-based, infrastructural spaces are brought to the fore.

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today’s power law–based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows—which also included the works of winners of the Daniel Frese Prize—at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.

Works by Art Club 2000, Patterson Beckwith, J. St. Bernard, Angela Bulloch, Daniel Buren, Merlin Carpenter, Gordon Castellane, Diego Castro, Nicolas Ceccaldi, Jeremiah Day, Stephan Dillemuth, John Dogg, Maria Eichhorn, Jana Euler, Loretta Fahrenholz, Renée Green, Karl Holmqvist, Gilta Jansen, Monika Jarecka, Tobias Kaspar, Carola Keitel, Jackie McAllister, Josephine Meckseper, Dirk Meinzer, James Meyer, Shana Moulton, nOffice, Christodoulos Panayiotou, Fabian Reimann, Carissa Rodriguez, Megan Francis Sullivan, Katja Staats, Simon Starling, Buffy Summers, Jan Timme, Daniela Töbelmann, Niko Wolf, Amelie von Wulffen, Phillip Zach

Copublished with Leuphana University of Lüneburg
Design and infographics by Sina Hurnik and Kerstin Warncke

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Kaleidoscope 16
Fall 2012

Kaleidoscope 16 – Fall 2012

Kaleidoscope is an international quarterly of contemporary art and culture. Distributed worldwide on a seasonal basis, it offers a timely guide to the present (but also to the past and possible futures) with an interdisciplinary and unconventional approach.

HIGHLIGHTS
Aleksandra Domanovic by Pablo Larios; The High Line Art by Piper Marshall; Tri Angle Reocrdsa by Ruth Saxelby; Desire Machine Collective by Ulrich Baer and Sandhini Poddar; Sylvia Sleigh by Joanna Fiduccia.

DRAWINGS by Ken Price

MAIN THEME – Human After All
Part A) Prisoner of Flesh by Michele D’Aurizio; Part B) Talking to Machines by Jason Brown and Brody Condon introduces by DIS Magazine; Part C) David Altmejd by Karen Archey; Part D) Possibility Spaces by Manuel de Landa and Timur Si-Qin.

STICKERS by Alistair Frost

MONO – Frank Benson
Essay by Alessandro Rabottini; Interview by Matt Keegan.

IMAGES by Karthik Pandian

REGULARS
Futura: Liz Magic Laser by Hans Ulrich Obrist; Panorama: Marseille by Dorothée Dupuis; Souvenir D’Italie: Alberto Garutti by Luca Cerizza; Producers: Ariane Beyn by Carson Chan.

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