Nora Schultz

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Terminal
Edited by Keren Cytter, Nora Schultz


Edited by Keren Cytter, Nora Schultz
Contributions by Ei Arakawa, Ilan Bachl, Keren Cytter, Matthew Dipple, Genoveva Filipovic, Dan Poston and David Zuckerman, Ulla Rossek, Nora Schultz, Sam Siwe

After Jennifer Lopez graced the 2000 Grammys red carpet in that now-iconic plunging Versace number, the Internet was so overloaded with search requests that Google had no choice but to invent a new function: image search. “At the time, it was the most popular search query we had ever seen,” Google executive chairman Eric Schmidt wrote. “But we had no surefire way of getting users exactly what they wanted—J.Lo wearing that dress. Google Image Search was born.”
New York Post, April 9, 2015 

Terminal is an artist book conceived by Nora Schultz and Keren Cytter. Its title and logic follow Schultz’s latest performance,Terminal + at Tate Modern, London (2014), and the exhibition “I’m Honda” at Reena Spaulings Fine Art, New York (2015). Nora Schultz used Google’s image search on her own documentation to create an unexpected, ever-expanding narrative of digital associations. She then invited nine artists to contribute to this narrative. Together with the image search, Schultz’s own texts and drawings create a new tale that deals with ideas such as authorship, copyright, surveillance, and documentation. It kicks off with Ilan Bachl’s diary, continues with rippled text by Ulla Rossek, and ends with an item from the Daily Mail about a couple who share their home with a Bengal tiger.

Copublished with A.P.E (Art Projects Era)
Design by Keren Cytter

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Terminal
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Nora Schultz
Parrottree


Published on the occasion of Nora Schultz’s exhibition Parrottree-Building for Bigger than Real, January 12 – February 23, 2014. It was Schultz’s first solo museum show in the US and the first show curated at the Renaissance Society by new Chief Curator and Executive Director, Solveig Øvstebø.

Nora Schultz: Parrottree is a unique and ambitious hybrid between exhibition catalog and artist’s book. Along with photo documentation of the Renaissance Society installation and an essay by the curator Solveig Øvstebø, the publication also includes The Parrot Magazine by Nora Schultz, a 64-page magazine “made by parrots for parrots and for all birds that need to integrate into human society under aggravated circumstances.” Additionally, experimental writing pieces by Keren Cytter and Seth Price, and a visual art project by John Kelsey were all commissioned specifically for this book.

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Noon on the Moon (Poetic Series #4)
Fiona Bryson, Keren Cytter (Eds.)


Noon on the Moon
Poetic Series #4

Edited by Fiona Bryson, Keren Cytter
Contributions by Luna Miguel, Dafna Maimon, Pablo Larios, Bernadette Van-Huy, Mark von Schlegell, Gerry Bibby, Natalie Häusler, Josef Strau, Judith Goldman, Andrew Kerton, Robert Dewhurst, Dena Yago, Kenneth Goldsmith, Karl Holmqvist, Alejandro Cesarco, Sophie Collins, Sarah Wang, Barry Schwabsky, Dorothea Lasky, Andreas Schlaegel, Veronica Gonzalez Peña, Óscar Garcia Sierra, Matthew Dickman, Keith J Varadi, Jacob Wren, Madeline Gins, Charles Bernstein and Nora Schultz.

The fourth issue in the “Poetic Series” is a seasonally themed special issue, a festive anthology composed of contributions from more than twenty writers and artists. Each interpreting the theme in an unconventional and abstract sense, it is an alternative omnibus of everyone’s favorite and most controversial holiday.Noon on the Moon‘s title comes from a poem by Barry Schwabsky, featured alongside poetry by Charles Bernstein, Judith Goldman and Dorothea Lasky, prose by Veronica Gonzalez Peña, Andreas Schlaegel and Sarah Wang, amongst others. Artwork is provided in the form of a colorful collection of romance covers illustrated by Vicki Khuzami.

The “Poetic Series” brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative. Initiated by Keren Cytter and coedited with Fiona Bryson.

Copublished with A.P.E (Art Projects Era)
Design by Keren Cytter

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Nora Schultz
Avere Luogo

The catalogue is published in conjunction with the exhibition by Nora Schultz avere luogo, October 12 – December 31, 2010 at Fondazione Giuliani per l’arte contemporanea.

The final section of the catalogue is a special project carried out by the artist in collaboration with NERO. The 32 pages are part of a selection of over 2,000 70 x 100 cm test sheets originating from the Marchesi printing houses, used for the print machines’ start-up. The layouts of the books to be produced are printed on these sheets, one on top of another. This gives rise to a series of palimpsests, characterized by a stratification of levels which, randomly overlapped, create abstract images of an almost sculptural physicality. Given that this special project is composed of recycled material, each one of these catalogues, in a limited edition of 1,000 copies, is unique and original.

The catalogue includes includes a special project by Nora Schultz too.

Includes texts by Barbara Buchmaier, Adrienne Drake, Nora Schultz, Josef Strau

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