Philipp Timischl

CURA22-coverCURA22spread

CURA. No. 22


cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities, based in Rome, Italy.

CURA. NO.22

COVER BY SOL CALERO
INSIDE THE COVER
Sol Calero
text by Adam Carr

PORTRAITS IN THE EXHIBITION SPACE
Johannes Cladders’ anti-museum
by Lorenzo Benedetti

EXHIBITION LITERATURE
Expanded Literature.
Dominique Gonzalez-Foerster
by Jean-Max Colard

SPOTLIGHT
James Bridle.
 Seeing Like a Network
in conversation with Ben Vickers

Self-Portrait as a City.
Alex Israel in conversation
with Gigiotto Del Vecchio

ABOUT
Anicka Yi’s Allegorical Bouquets
by Chris Sharp

ABOUT
Kevin Beasley.
Energy Accumulates
by Rose Bouthillier

ARTIST’S PROJECT
by Amy Yao

SPOTLIGHT
Philipp Timischl
in conversation with
Pierre-Alexandre Mateos
and Charles Teyssou

A VISIT TO
Rodrigo Hernández
in conversation with
Joao Mourao & Luis Silva

SPOTLIGHT
ÅYR
in conversation with Philipp Ekardt

SPOTLIGHT
Caroline Mesquita
in conversation with
Martha Kirszenbaum

HOT!
Debora Delmar Corp.
by Judith Vrancken
Juliana Huxtable
by Whitney Mallett
Sophie Jung
by Frances Loeffler
Nancy Lupo
by Sarah Lehrer-Graiwer

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Kaleidoscope 23
Winter 2015


Kaleidoscope #23 (Winter 2015).

HIGHLIGHTS:
JASON MATTHEW LEE (by Alexander Shulan), DANIEL BAUMANN (by Aoife Rosenmeyer), Marilyn Minter (by Gianni Jetzer), MAGALI REUS (by Ruba Katrib), KNOW WAVE RADIO (by Alexandre Stipanovich), BEATRICE GIBSON (by George Vasey), CATHERINE AHEARN (by Tobias Czudej), K-HOLE (by Kevin McGarry), JAMIAN JULIANO-VILLANI (by Joshua Abelow), ALESSANDRO BAVA (by Francesco Garutti), ZHAO YAO (by Venus Lau), and IDEA BOOKS (by Xerxes Cook).

At a time when feminism resurges both in critical discourse and media headlines, while at the same time entering a list of words overdue to be banned, Kaleidoscope’s MAIN THEME section is devoted to a reconsideration of female identities and role models. POST WOMAN is composed of a think tank, a think piece by Natasha Stagg and five interviews, including with Juliana Huxtable (by Andrew Durbin), Amalia Ulman (by Francesca Gavin), Judith Bernstein (by Hanne Mugaas), Massimiliano Gioni (by Pietro Rigolo), and Girls Like Us (by Felix Burrichter).

To follow, this issue’s MONO section and cover story are dedicated to Norwegian artist IDA EKBLAD. Fueled by an outright marvel for this thing called art, her work is distinguished by an extreme degree of impatience and prolificness. Her shift and turns are the result of a feverish engagement with pure materiality, synthesized with popular culture and animated by alien transformations. This definitive monographic survey comprises an essay by Peter J. Amdam, an interview by Cory Arcangel and an original portrait by Sølve Sundsbø.

Later on, the VISIONS section invites the eye to an enthralling journey across almost 100 pages of visual contributions by artists, curators and image-makers, including: TOBIAS ZIELONY, “Jenny Jenny”; MR.; “Chicago”: BARBARA CRANE and TONY LEWIS; DAVID DOUARD in Los Angeles; JONAS WOOD; “Alliantecnik,” curated by Alessio Ascari; TIMUR SI-QIN, “Premier Machinic Funerary”; and GRAHAM LITTLE.

Lastly, the closing section of REGULARS features our insightful columns on the past, present and future of art and culture: PRODUCERS features Carson Chan’s conversation with Ballistic Architecture Machine; in FUTURA 89+, Hans Ulrich Obrist and Simon Castets interview young artist Philipp Timischl; Andrey Bold questions TOKYO’s art scene as part of the PANORAMA series; in PIONEERS Fredi Fischli and Niels Olsen talk to cult Swiss designers Trix and Robert Haussmann; and in the first installment of RENAISSANCE MAN, Jeffrey Deitch celebrates the art of choreographer KAROLE ARMITAGE.

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