Introduction by Petra Reichensperger; essays by Anke te Heesen, Kirsten Maar, Markus Miessen, Ursula Panhans-Bühler, Jan Verwoert, Choy Lee Weng; interviews by Dóra Maurer/ Cassandra Edlefsen Lasch, Channa Horwitz/Petra Reichensperger, Yael Davids/Adam Szymczyk, Brian O’Doherty/Dominikus Müller, Carl Michael von Hausswolff/Thibaut de Ruyter, Karl Holmqvist/Dominikus Müller, Daniel Knorr/Katharina Groth, Jaroslaw Kozlowski/Petra Stegmann, Hans Schabus/Kathrin Rhomberg, Steven Claydon/Lea Schleiffenbaum, Karin Sander/Anne Schreiber, Martin Germann/Petra Reichensperger/Renate Wagner
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.
Almost fifty terms relevant to the making and discussion of exhibitions today have been compiled in Terms of Exhibiting (from A to Z), contributed by Liam Gillick, Manfred Hermes, Wojciech Kosma, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, and June Yap, among others. Six essays investigate key terms raised by the three-part exhibition series “Terms of Exhibiting, Producing, and Performing” at Kunsthaus Dresden in 2012. Jan Verwoert reflects on the division of labor in artistic production, while Anke te Heesen presents a survey of the museum, collection, and exhibition. Markus Miessen discusses the advantages of curating institutions and inventing structures rather than merely implementing or appropriating them. The book also includes essays by Kirsten Maar, Ursula Panhans-Bühler, and Lee Weng-Choy. Each of the twelve conversations with various artists places one term under scrutiny within the context of their own artistic interests and practices—with reference to the term presence, Daniel Knorr explains the significance of materialization for his own creative process, while Brian O’Doherty discusses invention in relation to his practice. Each term generates further insight and reflection into each individual art practice.
Including glossaries written by Friedrich von Borries, Hans-Christian Dany, Stefanie Diekmann, Anna-Catharina Gebbers, Liam Gillick, Manfred Hermes, Ulrike Jordan, Vera Knolle, Wojciech Kosma, Verena Kuni, Pablo Larios, Oona Lochner, Fiona McGovern, Andrea Meyer, Ana Ofak, Christian Rattemeyer, Petra Reichensperger, Dietmar Rübel, Thibaut de Ruyter, Jörn Schafaff, Lea Schleiffenbaum, Anne Schreiber, Nora Sdun, Vera Tollmann, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, Renate Wagner, Friederike Wappler, June Yap
- Terms of Exhibiting (from A to Z)
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Culpable Earth is a monographic publication about British artist Steven Claydon’s work, published by firstsite on the occasion of Claydon’s solo exhibition by the same name (4 February – 7 May 2012).
This 144 page book features over 300 illustrations and previously unpublished texts about and by the artist, alongside an extended interview between Claydon and Martin Clark, Artistic Director, Tate St Ives.
‘Over the last decade Steven Claydon’s sculpture, print, painting, film and performance have been worrying away at the taxonomies and values integral to the Western canon. His exhibitions with their hessian grounds, stacked pedestals, frames within frames, portrait busts and eccentric artifacts both emulate and debunk the nature of the museum.’ Michelle Cotton
- Steven Claydon - Culpable Earth
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