Studio Formafantasma

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MILANO DESIGN ISSUE

This, the first-ever design issue of the magazine, highlights a variety of persons and stories, and also includes an extensive, 80-page Milan Design Week special. Among the featured contributors and designers are Max Lamb, Spanish architect and designer Patricia Urquiola, Nathalie du Pasquier, Eindhoven-based Studio Formafantasma, American artist Matthew Barney, Luigi Caccia Dominioni, key Italian designer Alessandro Mendini, Japanese fashion label Comme des Garçons, Los Angeles-based furniture design duo the Haas Brothers and Francesco Vezzoli.

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PIN UP #16
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ep1-spread

EP Vol. 1 – The Italian Avant-Garde: 1968–1976
Alex Coles, Catharine Rossi (Eds.)

With contributions by Paola Antonelli, Pier Vittorio Aureli, Andrea Branzi, Carlo Caldini, Alison J. Clarke, Experimental Jetset, Verina Gfader, Martino Gamper, Joseph Grima, Alessandro Mendini, Antonio Negri, Paola Nicolin, Michelangelo Pistoletto, Catharine Rossi, Vera Sacchetti, Libby Sellers, Studio Formafantasma, and Ettore Vitale.

EP is the first critically underpinned series of publications that fluidly move between art, design, and architecture. The series creates a discursive platform between popular magazines (“single play”) and academic journals (“long play”) by introducing the notion of the “extended play” into publishing: with thematically edited pocket books as median.

The first volume is devoted to the activities of the Italian avant-garde between 1968 and 1976. While emphasizing the multiple correspondences between collectives and groups like Arte Povera, Archizoom, Superstudio, and figures such as Ettore Sottsass and Alessandro Mendini, The Italian Avant-Garde: 1968–1976 also highlights previously overlooked spaces, works, and performances generated by Zoo, Gruppo 9999, and Cavart. Newly commissioned interviews and essays by historians and curators shed light on the era, while contemporary practitioners discuss its complex legacy.

Design by Experimental Jetset

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The Italian Avant-Garde: 1968–1976
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