Terry Atkinson

BS1984-coverBS1984spread

Fifth Biennale of Sydney 1984
Private Symbol : Social Metaphor

Catalogue published on the occasion of the Fifth Biennale of Sydney 1984, 11 April – 17 June 1984. Under the artistic direction of Leon Paroissien the 1984 Biennale was titled “Private Symbol: Social Mataphor” and featured the work of Davida Allen, Armando, Art & Language, Terry Atkinson, Breda Beban, Joseph Beuys, Tony Bevan, Annette Bezor, Francois Boisrond, Peter Booth, Tomasz Ciecierski, Tony Cragg, Juan Davila, Antonio Dias Gonzalo Diaz, Eugenio Dittborn, Felix Droese, Marlene Dumas, Edward Dwurnik Mimmo Germana, Gilbert & George, Mike Glier, Hans Haacke, Jenny Holzer, Ralph Hotere, Jorg lmmendorff, Berit Jensen, Birgit Jürgenssen, Mike Kelley, Peter Kennedy, Anselm Kiefer, Karen Knorr, Barbara Kruger, Robert Longo, Colin McCahon, Syoko Maemoto, Sandra Meigs, Cildo Meireles, Gianni Melotti, Marisa Merz, Annette Messager, Olaf Metzel, Sara Modiano, Michael Mulcahy, Josef Felix Müller, Christa Néiher, Annick Nozati, Anna Oppermann, Andy Patton, A.R. Penck, Robert Randall & Frank Bendinelli, Jytte Rex, Georges Rousse, Klaudia Schifferle, Hubert Schmalix, Cindy Sherman, Vincent Tangredi, Peter Taylor, Dragoljub Raéa Todosijevié, Vicki Varvaressos, Jenny Watson, Michiko Yano, Eva Man-Wah Yuen
This catalogue includes colour examples of the work of all participating artists alongside texts by Leon Paroissien, 
Annelie Pohlen, Carter Ratcliff, Jean-Louis Pradel, Leon Paroissien.

* Condition: Good – light shelf wear and slight tanning to book with age, good copy otherwise) – All care is taken to provide accurate condition details of used books, photos available on request.

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Fifth Biennale of Sydney 1984
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4,492,040
Lucy Lippard (1969-1974)

Between 1969 and 1974, the influential curator Lucy Lippard (born 1937) curated four decisive Conceptual art exhibitions, and in doing so reinvented the exhibition catalogue. 4,492,040 is a facsimile reprint of the extremely scarce and hugely important catalogues produced for these hugely important “numbers shows” – 557,087 (the Seattle Art Museum), 955,000 (the Vancouver Art Gallery), 7,500 (the California Institute of Art) and 2,972,453 (the Centro de Arte y Comunicación). Titled after the populations of the cities in which the shows were held, each catalogue was an envelope of loose note cards containing statements, documentation and conceptual works by each artist, to be rearranged, filed or discarded at will. If Lippard described Conceptual art as the dematerialization of the art object, these catalogues effectively announced the dematerialization of the art exhibition. (One reviewer claimed Lippard had been the artist, and that her medium had been other artists.) 4,492,040 includes such iconic figures as Vito Acconci, Carl Andre, Siah Armajani, Terry Atkinson, John Baldessari, Michael Baldwin, Robert Barry, Rick Barthelme, Daniel Buren, Rosemarie Castoro, Hanne Darboven, Walter de Maria, Jan Dibbets, Christos Dikeakos, Eleanor Antin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, On Kawara, Edward Kienholz Sol LeWitt, Roelof Louw, Duane Lundon, Bruce McLean, Robert Morris, N.E. Thing Co., Bruce Nauman, Adrian Piper, Allen Ruppersberg, Ed Ruscha, Richard Serra, Robert Smithson, Jeff Wall and Lawrence Weiner.

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4,492,040
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