Thomas Eggerer

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Ull Hohn
Foregrounds, Distances

Edited by Hannes Loichinger, Magnus Schaefer
Texts by Tom Burr, Thomas Eggerer, Manfred Hermes, Hannes Loichinger, Fionn Meade, Magnus Schaefer, Megan Francis Sullivan, Lanka Tattersall, Alexis Vaillant

After his studies at the arts academies in Berlin and Düsseldorf, Ull Hohn (1960–1995) moved to New York to attend the Whitney Independent Study Program in 1987. Engaging with current theoretical debates and cultural issues, his work from the late 1980s and early 1990s frequently invokes questions of gender and homosexuality, as well as their representation. It interrogates the history of painting, traditional notions of virtuosity, the conventions of value and taste inherent to education, and the distinction between high and popular culture.

Ull Hohn: Foregrounds, Distances aims not only to offer the first comprehensive overview of his work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the 1980s and 1990s.

Published in collaboration with Galerie Neu and
the Estate of Ull Hohn
Design by Studio Manuel Raeder

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Ull Hohn - Foregrounds, Distances
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Painting 2.0
Expression in the Information Age

The resurgent interest in contemporary painting in recent years has coincided with an explosion of new digital media and technologies. Contrary to canonical accounts premised on medium-specificity, painting’s most advanced positions since the 1960s have developed in productive friction with contemporaneous forms of mass media and culture. From the rise of television and computers to the Internet revolution, painting has assimilated precisely those cultural and technological developments that were held responsible for its presumed “death.” Moving far beyond its technical definition as “oil on canvas,” painting during the information age has consistently offered a site for negotiating the challenges of a mediated life-world.

Featuring over 230 works by 107 artists, Painting 2.0 is one of the largest and most comprehensive exhibitions of contemporary painting in recent years.

Artists include:
Kai Althoff, Ei Arakawa/Shimon Minamikawa, Monika Baer, Nairy Baghramian, Georg Baselitz, Jean-Michel Basquiat, Lynda Benglis, Sadie Benning, Judith Bernstein, Joseph Beuys, Ashley Bickerton, Cosima von Bonin, KAYA (Debo Eilers & Kerstin Brätsch), Günter Brus, Daniel Buren, Merlin Carpenter, Leidy Churchman, William Copley, René Daniëls, Guy Debord/Asger Jorn, Carroll Dunham, Mary Beth Edelson, Thomas Eggerer, Michaela Eichwald, Nicole Eisenman, Jana Euler, Louise Fishman, Andrea Fraser, Isa Genzken, Mary Grigoriadis, Philip Guston, Wade Guyton, GuytonWalker, Raymond Hains, Harmony Hammond, David Hammons, Keith Haring, Rachel Harrison, Mary Heilmann, Eva Hesse, Charline von Heyl, Ull Hohn, Jacqueline Humphries, Jörg Immendorff, Jasper Johns, Joan Jonas, Mike Kelley, Martin Kippenberger, Yves Klein, Jutta Koether, Michael Krebber, Manfred Kuttner, Maria Lassnig, Sherrie Levine, Glenn Ligon, Lee Lozano, Konrad Lueg, Michel Majerus, Piero Manzoni, Kerry James Marshall, Hans-Jörg Mayer, John Miller, Joan Mitchell, Ree Morton, Ulrike Müller, Matt Mullican, Elisabeth Murray, Cady Noland, Hilka Nordhausen, Albert Oehlen, Laura Owens, Steven Parrino, Ed Paschke, Howardena Pindell, Sigmar Polke, Seth Price, Stephen Prina, R.H. Quaytman, Robert Rauschenberg, David Reed, Gerhard Richter, Mimmo Rotella, Niki de Saint Phalle, Mario Schifano, Amy Sillman, Sylvia Sleigh, Josh Smith, Joan Snyder, Reena Spaulings, Nancy Spero, Gruppe SPUR, Frank Stella, Walter Swennen, Paul Thek, Rosemarie Trockel, Cy Twombly, Jacques de la Villeglé, Kelley Walker, Andy Warhol, Sue Williams, Karl Wirsum, Martin Wong, Christopher Wool, Heimo Zobernig, u.a.

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Painting 2.0
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Mousse #41

Mousse #41, December 2013:TALKING ABOUT – What do you need me for? by Vivian Sky Rehberg; ALAN MOORE – A for Alan Moore by Hans Ulrich Obrist; TALKING ABOUT – Pots on Video by Nick Currie; ON PURPOSE AND URGENCY – Introduction by Joao Ribas; ON PURPOSE AND URGENCY – I will revisit my lost loves, and playmates masterless! by Chus Martínez; ON PURPOSE AND URGENCY – Digital Landfills by Cory Arcangel; ON PURPOSE AND URGENCY – Found Wanting by Angie Keefer; ON PURPOSE AND URGENCY – The Writing of Banality by Akram Zaatari; ON PURPOSE AND URGENCY – Transformative Energies by Defne Ayas; ON PURPOSE AND URGENCY – Compatability Mode by Seth Price; ON PURPOSE AND URGENCY – An Actual Subversion by David Levine; ON PURPOSE AND URGENCY- Too Big to Fail by Adam Kleinman; ON PURPOSE AND URGENCY – Law as Art by Carey Young; TALKING ABOUT –  Mass Effect by Lauren Cornell & Ed Halter; STEVE MCQUEEN – Shackled Past by Jens Hoffmann; CHARLES RAY – A Sculptural Differential by Zachary Cahill; LUKE WILLIS THOMPSON – Out of the Gallery by Sophie von Olfers; TABOR ROBAK – I Love Screens by Cecilia Alemani; GCC – Gulf Committee Complex by Kevin McGarry; CALEB CONSIDINE -Mute Paintings by Alex Kitnick; THOMAS EGGERER – A Fragile Artificiality by John Kelsey; NEW YORK – KEVIN BEASLEY – Shaking the Museum by Jenny Schlenzka; LONDON – CHRISTINA MACKIE – A Constant Drift by Rhea Dall;  LOS ANGELES – JON PESTONI Jon Pestoni: With Flying Colors by Andrew Berardini; TALKING ABOUT – The Blurring of You and Me by Jennifer Allen; HOBBYPOPMUSEUM Gesamtkunstspiel by Catherine Wood; DENA YAGO – Life on Heat Island by Isla Leaver-Yap, and much more…

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Mousse #41
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