Tom Burr

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Ull Hohn
Foregrounds, Distances

Edited by Hannes Loichinger, Magnus Schaefer
Texts by Tom Burr, Thomas Eggerer, Manfred Hermes, Hannes Loichinger, Fionn Meade, Magnus Schaefer, Megan Francis Sullivan, Lanka Tattersall, Alexis Vaillant

After his studies at the arts academies in Berlin and Düsseldorf, Ull Hohn (1960–1995) moved to New York to attend the Whitney Independent Study Program in 1987. Engaging with current theoretical debates and cultural issues, his work from the late 1980s and early 1990s frequently invokes questions of gender and homosexuality, as well as their representation. It interrogates the history of painting, traditional notions of virtuosity, the conventions of value and taste inherent to education, and the distinction between high and popular culture.

Ull Hohn: Foregrounds, Distances aims not only to offer the first comprehensive overview of his work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the 1980s and 1990s.

Published in collaboration with Galerie Neu and
the Estate of Ull Hohn
Design by Studio Manuel Raeder

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Tom Burr Anthology: Writings 1991–2015
Edited by Florence Derieux

Since the late 1980s, Tom Burr has been reusing appropriation strategies in his art. Not confined to his photographic and sculptural works, they also lend momentum to many of his writings. The artist has created assemblages of personal writings and sources, differing in nature and style, which he has used as both conceptual and aesthetic materials in his oeuvre. Thus, Burr extends his art praxis into the field of writing, and vice versa; art and language cannot be dissociated from each other. At times, the text precedes and anticipates the work; at others, it emanates and results from it; in most instances, it is an integral part of it. Words constitute the work.

Thirty-seven texts—works, poems, autobiographical texts, and portraits—have been compiled for the first time in this publication. Written over a period of twenty-four years, they are presented chronologically, enabling us to fully appreciate the conceptual and visual coherence and richness of Burr’s writings.

Copublished with the FRAC Champagne-Ardenne
Design by Gavillet & Rust

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Kaleidoscope 14
Spring 2012

HIGHLIGHTS
Will Benedict by Alex Kitnick; Alexandra Bachzetsis by Catherine Wood; 155 Freeman by Chris Wiley; The Resurgence of R&B by Tim Small; Sanya Kantarovsky by Joanna Fiduccia.

MAIN THEME – Preliminary Materials for a Theory of a New Male
Camp + Dandyism = Neo-Camp? by Chris Sharp; Domenico Gnoli by Giorgio Verzotti; Marc Camille Chaimowicz Partial Eclipse; A Fantastic, Single, Mad Man by Alessio Ascari and Cristina Travaglini.

MONO – Cathy Wilkes
Essay by Rebecca Geldard; Essay by Amy Budd; Special Project by Cathy Wilkes; Focus by Isobel Harbison.

REGULARS
Pioneers: Monir S. Farmanfarmaian by Simone Menegoi; Futura: Adrian Villar Rojas by Hans Ulrich Obrist; Panorama: Mexico City by Magnolia de la Garza; Souvenir d’Italie: Alighiero Boetti by Luca Cerizza; Producers: Gavin Brown by Carson Chan.

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Optik Schröder
Werke aus der Sammlung Schröder

This title is out of print.

Catalogue from Optik Schröder, Werke aus der Sammlung Schröder, 2006 exhibition at Kunstverein Braunschweig.

This book spotlights the art collection of Alexander Schröder, featuring works by Andreas Hofer, Andreas Slominski, Cerith Wyn Evans, Christian Flamm, Christian Philipp Müller, Clegg & Guttmann,Cosima von Bonin, Diedrich Orth, Guillaume Bijl, Henrik Olesen, Isa Genzken, Jan Timme, Jochen Klein, Josephine Pryde, Kai Althoff, Katharina Wulff, Katja Strunz, Keith Farquhar, Lucy McKenzie, Lukas Duwenhögger, Manfred Pernice, Mark Handforth, Martha Rosler, Michael Krebber, Paulina Olowska, Reena Spauling, Sergej jensen, Sharon Lockhart, Stephan Dillemuth, Thilo Heinzmann, Tom Burr, Torsten Slama, Ull Hohn, Marc Camille Chaimowicz, Enrico David, Mark Leckey …

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Optik Schröder
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