Mark Godfrey

Frances Stark
My Best Thing

My Best Thing. This intimate publication focuses on Frances Starks pivotal feature length video My Best Thing, premiered at the 54th Venice Biennale in 2011 a digital video animation, which traces the development of two sexual encounters that progress into conversations about film, literature, art, collaboration and subjectivity.British curator Mark Godfrey captures the density of this recent work by Stark with an in-depth essay considering the artists use of online sex-chat rooms as vehicles for her creative process.

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Christopher Williams
Program - For Example: Dix-Huit Lecons Sur La Societe Industrielle (Revision 11)

Exhibition catalogue published in conjunction with show held at Staatliche Kunsthalle Baden-Baden, Germany, June 12 – August 29, 2010. Foreword by Karola Kraus. Text by Mark Godfrey. “Christopher Williams began his career in the late 1980s appropriating advertising imagery; more recently he has begun to mimic such imagery himself, or at least adapt its capacity for pristine presentation and technical precision. Williams’ prints of industrial products, animals, plants, modernist architecture and people pull the rug from under commercial photography with the lightest of tugs.” — publisher’s statement.

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Simon Starling
Cuttings [Supplement]

Cuttings [Supplement] was produced in association with Simon Starling’s solo exhibition at The Power Plant in 2008 and includes texts by Gregory Burke, Mark Godfrey, Reid Shier, Sarah Stanners and Simon Starling.

The exhibition featured the commissioned work Infestation Piece (Musselled Moore) (2007-8), a piece that collapses the history of Henry Moore’s sculpture, Warrior with Shield (1953–4), with the zebra mussel infestation in Lake Ontario.

This publication is a companion piece to Cuttings (2005), but stands on its own with essays focusing on the commissioned sculpture and works made since Starling won the Turner Prize in 2005. Autoxylopyrocycloboros (2006), Nachbau (Reconstruction) (2007) and Wilhelm Noack oHG (2006), are considered with explanatory texts and colour illustrations.

This publication is a proud recipient of the 2008 OAAG Awards in the Visual Art Book category.

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