The landmark Jewish Museum exhibition Primary Structures offered the first presentation of Minimalist sculptures in the United States, in 1966. The accompanying catalogue by Kynaston McShine became a key resource on artists such as Donald Judd, Carl Andre, Dan Flavin, and Sol LeWitt, who were virtually unknown at the time. Other Primary Structures is a long-overdue reintroduction of this classic, out-of-print text. This two-volume set includes a replica of the original catalogue, plus a new companion volume by Jens Hoffmann that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, featuring important sculptors from Asia, Africa, Latin America, and Eastern Europe, and complementing the earlier catalogue’s focus on American and British artists. Beautifully designed, this publication comes enclosed in a clear jacket that pays homage to the original catalogue’s iconic cover. Other Primary Structures is invaluable for the study of modern art history and provides an authoritative survey of Minimalist sculpture in the 1960s.
Carl Andre, Lyman Kipp, Tim Scott, Richard Van Buren, Isaac Witkin, Tony DeLap, Tom Doyle, Richard Artschwager, Michael Bolus, Paul Frazier, Douglas Huebler, John McCracken, Peter Phillips, Anne Truitt, Ronald Bladen, Robert Grosvenor, Donald Judd, Robert Morris, Larry Bell, Walter de Maria, Sol LeWitt, Daniel Gorski, David Gray, David Hall, Phillip King, John McCracken, Peter Pinchbeck, Michael Todd, Derrick Woodham, Rasheed Araeen, Sérgio Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandell, Gego, Stanislav Kolíbal, Edward Krasiński, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahović, Oscar Bony, Benni Efrat, Yoshida Katsurō, Stanislav Kolíbal, Susumu Koshimiz, Ivan Kožarić, David Lamelas, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Kishio Suga, Jirō Takamatsu, Lee Ufan
- Other Primary Structures
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Franz Erhard Walther
Werkmonographie 1955 - 1963; Material zum 1. Werksatz 1963 - 1969
Profusely illustrated catalogue raisonné of German artist Franz Erhard Walther, published in conjunction with show held at the Kunsthalle Tübingen, Germany, May 11, 1972 – July 9, 1972. Features generous documentation of his works from the 1960s and 1970s, including many great works in paper and fabric.
This book is in AS NEW condition, published in 1972.
Text in German with an English introduction.
Edited by Götz Adriani.
Text by Manfred Schmalriede.
Having participated in Harald Szeemann’s legendary When Attitudes Become Form (1969) and dOCUMENTA V (1972) as well as the Museum of Modern Art’s landmark Spaces (1970), Walther’s remarkable coupling of elementary forms with conceptual ideas and a radical rethinking of the relationship between sculpture and action, has become so influential to the contemporary practices of young artists today.
The German conceptualist and sculptor Franz Erhard Walther counts among those artists who, in the 1960s, sought to undermine the authorial role of the artist in favour of a more democratic aesthetic dependent on the interaction of viewer and object; simple and individual acts such as folding and lying, leaning and stepping are either the source of his often minimal works or the means by which individual viewers may interact with them. His means of sculptural expression often involved the use of soft materials. His canvas sculptures are simply meant to be held, worn, lain in or stood under, usually by two or more people, creating strange moments of social intimacy and spatial awareness.
- Franz Erhard Walther - Werkmonographie 1955 - 1963
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Something to Take My Place - The Art of Lonnie Holley
Lonnie Holley (born 1950), acclaimed by The New York Times as “the Insider’s Outsider,” is best known for his assemblage sculptures incorporating natural and man-made materials, often cast off or discarded; he has recently also begun to make music, through the Dust-to-Digital label. Legendary for his environmental assemblage that spread over two acres of his property in Birmingham, Alabama–now destroyed–Holley scavenges and repurposes found objects in the service of a personal philosophy of renewal and rejuvenation. This is the first monograph on Holley’s work in more than a decade. Illustrated with reproductions of more than 70 of Holley’s sculptures, it provides a comprehensive overview of Holley’s art, life and philosophy, with essays by Mark Sloan, Leslie Umberger, Bernard L. Herman and an “as-told-to” autobiography recorded by noted oral historian Theodore Rosengarten.
- Something to Take My Place - The Art of Lonnie Holley
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In the late 1970s a stockpile of over a thousand distinctive wire sculptures were found in cardboard boxes on the street in a slowly-gentrifying neighborhood in South Philadelphia. The works consist of different gauges of wire wrapped around everyday found objects and materials such as food packaging, umbrella parts, tape, batteries, pens, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewelry. The maker, who remains unidentified, possessed an astonishing ability to isolate and communicate the concepts of power and energy through his selection and transformation of these ordinary materials. The pieces are often compared to African fetish objects and other ritualized, vernacular traditions, but resonate equally with historical and contemporary art practices. The collection has come to be regarded as an important discovery in the field of self-taught art.
This fully illustrated catalogue includes a foreword by John Ollman, an essay by Brendan Greaves, and was designed by Purtill Family Business with cover typography by artist and designer Paul Elliman.
- Philadelphia Wireman
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