Haris Epaminonda’s work is essentially determined by the collage technique which she has extended by combining pictures, films, photographs, sculptures, earthenware vessels, pieces of woodwork, Chinese porcelain, antique figures, and other found objects from a wide range of sources to complex installations. Epaminonda deliberately avoids all references to her objects’ date and place of provenance and meaning. The viewer is rather thrown back upon himself and his own associations.
Epaminonda’s work questions aspects of time, motion, stillness, as well as of representation and presentation.
- Haris Epaminonda - Chronicles
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