After making debut with steel and colour objects in the late 1960s, Dujourie’s practice shifted into photography and video in the 1970s.
The duality of movement and standstill inherent to film has fed the artist’s three-dimensional work from the 1980s to the present.
As well as exploring the blurring between art disciplines, in these new media she also raised gender-and identity-related issues prevalent at that time.
Published on the occasion of simultaneous exhibition Lili Dujourie: Folds in time at Mu.ZEE, Ostend, and at SMAK, Ghent, 6 June – 4 October 2015.
- Lili Dujourie - Folds in time
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