MAY #12



MAY #12 features:

The Spoiled Children of Art
— Georges Rey

— Florence Bonnefous

Black Box
— Éric Troncy

“Project Unité” in Firminy.
Interview with Yves Aupetitallot
— May

Editorial (catalog of “L’Hiver de l’amour”)
— Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, Olivier Zahm

Traffic: Space-times of the Exchange
— Nicolas Bourriaud

The Stranger and the Margin. Interview with Roy Genty
— May


On Loretta Fahrenholz, “Ditch Plains” at Reena Spaulings Fine Art, New York
— Annie Godfrey Larmon

On “Interwoven Globe: The Worldwide Textile Trade 1500-1800” at Metropolitan Museum of Art, New York, and “Decorum: Carpets and Tapestries by Artists” at Musée d’Art moderne de la Ville de Paris/ARC, Paris
— Nick Mauss

Trois petits chats. On “Pierre Huyghe” at Centre Pompidou, Paris
— Neil Beloufa

Mobile Brand Development. On Carissa Rodriguez, “La Collectionneuse” at Front Desk Apparatus, New York
— Jacob King

To the Planetarium. On “The Whole Earth. California and the Disappearance of the Outside”, at Haus der Kulturen der Welt, Berlin
— Vincent Normand

Painting Inside Yourself. On Antek Walczak, “New Transbohemian States” at Real Fine Arts, New York
— Damon Sfetsios, Elise Duryee-Browner

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

MAY #12
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