May Revue is a wonderful quarterly arts journal from Paris, edited by Catherine Chevalier and Eva Svennung.
Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quarterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.
May #4 features “Entrée en matière” – Fulvia Carnevale; Sexual Difference: A Theory of Social Symbolic Practice (Chapter One) – The Milan Women’s Bookstore Collective; Nudity – La Nudité – Antonella Nappi; Autonomy and the Need for Love, Carla Lonzi, Vai Pure; Autonomie et besoin d’ amour : Carla Lonzi, Tu peux y aller, Lea Melandri; “The Ongoing Practice” – La pratique amorcée : le « groupe analyse » et le « groupe de l’inconscient » Lea Melandri; “Let’s Spit on Hegel” (Nous crachons sur Hegel) – Carla Lonzi; Sturtevant, “The Razzle Dazzle of Thinking” – David Lewis; “Why working together with an inner Voice” – Josef Strau; “Improvisation, Power, Cultural History-bending” – Tony Conrad; “In Fashion. On Josephine Pryde” – Alex Kitnick; Conversation avec Mathieu K.Abonnenc – Thomas Boutoux, François Piron et Benjamin Thorel; « Nothing rings a bell? », Brice Dellsperger, Body Double 22 – Clara Schulmann; D5 and the Gesture of Withdrawal – Jay Chung; “the spherical space of James Benning” – Leonor Antunes; and more!
- MAY #4
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